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|---|---|---|---|---|---|---|---|---|---|
durom.1960.2408 | durom.1960.2408-ff.jpg | data/raw/images/oriental/1960 | snuff bottle, Janus-headed, flattened and ovate, carved with Buddha's head on both sides, with sleeping silkworms. With green jade stopper and attached snuff spoon. Snuff spoon is made of bone and paper. Wooden stand from H2088. | snuff bottles | null | 85jade
| Qing | China |
|
durom.1960.2408 | durom.1960.2408-ff.jpg | data/raw/images/oriental/1960 | snuff bottle, Janus-headed, flattened and ovate, carved with Buddha's head on both sides, with sleeping silkworms. With green jade stopper and attached snuff spoon. Snuff spoon is made of bone and paper. Wooden stand from H2088. | snuff bottles | null | 85jade
| Qing | China |
|
durom.1960.2408 | durom.1960.2408-ff.jpg | data/raw/images/oriental/1960 | snuff bottle, Janus-headed, flattened and ovate, carved with Buddha's head on both sides, with sleeping silkworms. With green jade stopper and attached snuff spoon. Snuff spoon is made of bone and paper. Wooden stand from H2088. | snuff bottles | null | 85jade
| Qing | China |
|
durom.1960.2408 | durom.1960.2408-ff.jpg | data/raw/images/oriental/1960 | snuff bottle, Janus-headed, flattened and ovate, carved with Buddha's head on both sides, with sleeping silkworms. With green jade stopper and attached snuff spoon. Snuff spoon is made of bone and paper. Wooden stand from H2088. | snuff bottles | null | 85jade
| Qing | China |
|
durom.1960.2408 | durom.1960.2408-ff.jpg | data/raw/images/oriental/1960 | snuff bottle, Janus-headed, flattened and ovate, carved with Buddha's head on both sides, with sleeping silkworms. With green jade stopper and attached snuff spoon. Snuff spoon is made of bone and paper. Wooden stand from H2088. | snuff bottles | null | 85jade
| Qing | China |
|
eg3997 | eg3997-q3.jpg | data/raw/images/egyptian/eg | basalt sphinx wearing the nemes headdress, beard and forepaws broken off. The base of the sphinx carries an inscription consisting of the offering formula for a military scribe called Ronero. These replace the original inscriptions, of which only the cartouche of TIV remains. | statuettes | sphinx of tuthmosis IV | 38basalt
| Tuthmosis IV/Menkheperure | Egypt |
|
eg3997 | eg3997-q3.jpg | data/raw/images/egyptian/eg | basalt sphinx wearing the nemes headdress, beard and forepaws broken off. The base of the sphinx carries an inscription consisting of the offering formula for a military scribe called Ronero. These replace the original inscriptions, of which only the cartouche of TIV remains. | statuettes | sphinx of tuthmosis IV | 38basalt
| Tuthmosis IV/Menkheperure | Egypt |
|
eg3997 | eg3997-q3.jpg | data/raw/images/egyptian/eg | basalt sphinx wearing the nemes headdress, beard and forepaws broken off. The base of the sphinx carries an inscription consisting of the offering formula for a military scribe called Ronero. These replace the original inscriptions, of which only the cartouche of TIV remains. | statuettes | sphinx of tuthmosis IV | 38basalt
| Tuthmosis IV/Menkheperure | Egypt |
|
eg3997 | eg3997-q3.jpg | data/raw/images/egyptian/eg | basalt sphinx wearing the nemes headdress, beard and forepaws broken off. The base of the sphinx carries an inscription consisting of the offering formula for a military scribe called Ronero. These replace the original inscriptions, of which only the cartouche of TIV remains. | statuettes | sphinx of tuthmosis IV | 38basalt
| Tuthmosis IV/Menkheperure | Egypt |
|
eg3997 | eg3997-q3.jpg | data/raw/images/egyptian/eg | basalt sphinx wearing the nemes headdress, beard and forepaws broken off. The base of the sphinx carries an inscription consisting of the offering formula for a military scribe called Ronero. These replace the original inscriptions, of which only the cartouche of TIV remains. | statuettes | sphinx of tuthmosis IV | 38basalt
| Tuthmosis IV/Menkheperure | Egypt |
|
durom.1971.200 | 1971.200-ff.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 44bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-ff.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 44bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-ff.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 44bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-ff.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 44bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-ff.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 44bronze
| Late Period | Egypt |
|
durma.2020.3.2405 | durma.2020.3.2405.ff3.jpg | data/raw/images/fulling_mill/2020 | A Roman lead seal. The seal is irregular in shape and has an oval cell stamped into it. Within the oval cell are the Greek letters 'ƐCθ' (epsilon, sigma, theta). Above and below the letters are two stylised branches of foliage. On the underside of the seal are grooves in the shape of a cross, radiating from a central raised knob. The raised central knob is pierced vertically with remnants of the white textile binding visible within the piercing. The sealing has a maximum length of 21mm, a width of 22mm, a thickness of 6mm and a weight of 4.8g. It is published as No. 32, p. 337, Britannia Vol. 20 (1989) Frere, Hassall and Tomlin 'Roman Britain in 1988)._x000D__x000D_
_x000D__x000D_
First published as Britannia 20 (1989), 337, No. 32 with 21 (1990), 378(g), this is the only Greek sealing from Piercebridge. Greek sealings are understandably rare in Britain, since they imply goods imported from the Greek-speaking East: the only other examples of Greek sealings are RIB II.1, 2411. 41 (Ickham, duplicated in Dorset: Britannia 29 (1998), 437, No. 14); 265 (St Albans); 278 (London)._x000D__x000D_
_x000D__x000D_
Presumably a personal or place-name, but there is no obvious expansion. Possible elements include εϲθλοϲ ('good'), εϲθηϲ ('clothing') and even αιϲθηϲιϲ ('perception') with ε for αι. | steelyards | null | 91lead
| Roman | null |
|
durma.2020.3.2405 | durma.2020.3.2405.ff3.jpg | data/raw/images/fulling_mill/2020 | A Roman lead seal. The seal is irregular in shape and has an oval cell stamped into it. Within the oval cell are the Greek letters 'ƐCθ' (epsilon, sigma, theta). Above and below the letters are two stylised branches of foliage. On the underside of the seal are grooves in the shape of a cross, radiating from a central raised knob. The raised central knob is pierced vertically with remnants of the white textile binding visible within the piercing. The sealing has a maximum length of 21mm, a width of 22mm, a thickness of 6mm and a weight of 4.8g. It is published as No. 32, p. 337, Britannia Vol. 20 (1989) Frere, Hassall and Tomlin 'Roman Britain in 1988)._x000D__x000D_
_x000D__x000D_
First published as Britannia 20 (1989), 337, No. 32 with 21 (1990), 378(g), this is the only Greek sealing from Piercebridge. Greek sealings are understandably rare in Britain, since they imply goods imported from the Greek-speaking East: the only other examples of Greek sealings are RIB II.1, 2411. 41 (Ickham, duplicated in Dorset: Britannia 29 (1998), 437, No. 14); 265 (St Albans); 278 (London)._x000D__x000D_
_x000D__x000D_
Presumably a personal or place-name, but there is no obvious expansion. Possible elements include εϲθλοϲ ('good'), εϲθηϲ ('clothing') and even αιϲθηϲιϲ ('perception') with ε for αι. | steelyards | null | 91lead
| Roman | null |
|
durma.2020.3.2405 | durma.2020.3.2405.ff3.jpg | data/raw/images/fulling_mill/2020 | A Roman lead seal. The seal is irregular in shape and has an oval cell stamped into it. Within the oval cell are the Greek letters 'ƐCθ' (epsilon, sigma, theta). Above and below the letters are two stylised branches of foliage. On the underside of the seal are grooves in the shape of a cross, radiating from a central raised knob. The raised central knob is pierced vertically with remnants of the white textile binding visible within the piercing. The sealing has a maximum length of 21mm, a width of 22mm, a thickness of 6mm and a weight of 4.8g. It is published as No. 32, p. 337, Britannia Vol. 20 (1989) Frere, Hassall and Tomlin 'Roman Britain in 1988)._x000D__x000D_
_x000D__x000D_
First published as Britannia 20 (1989), 337, No. 32 with 21 (1990), 378(g), this is the only Greek sealing from Piercebridge. Greek sealings are understandably rare in Britain, since they imply goods imported from the Greek-speaking East: the only other examples of Greek sealings are RIB II.1, 2411. 41 (Ickham, duplicated in Dorset: Britannia 29 (1998), 437, No. 14); 265 (St Albans); 278 (London)._x000D__x000D_
_x000D__x000D_
Presumably a personal or place-name, but there is no obvious expansion. Possible elements include εϲθλοϲ ('good'), εϲθηϲ ('clothing') and even αιϲθηϲιϲ ('perception') with ε for αι. | steelyards | null | 91lead
| Roman | null |
|
durma.2020.3.2405 | durma.2020.3.2405.ff3.jpg | data/raw/images/fulling_mill/2020 | A Roman lead seal. The seal is irregular in shape and has an oval cell stamped into it. Within the oval cell are the Greek letters 'ƐCθ' (epsilon, sigma, theta). Above and below the letters are two stylised branches of foliage. On the underside of the seal are grooves in the shape of a cross, radiating from a central raised knob. The raised central knob is pierced vertically with remnants of the white textile binding visible within the piercing. The sealing has a maximum length of 21mm, a width of 22mm, a thickness of 6mm and a weight of 4.8g. It is published as No. 32, p. 337, Britannia Vol. 20 (1989) Frere, Hassall and Tomlin 'Roman Britain in 1988)._x000D__x000D_
_x000D__x000D_
First published as Britannia 20 (1989), 337, No. 32 with 21 (1990), 378(g), this is the only Greek sealing from Piercebridge. Greek sealings are understandably rare in Britain, since they imply goods imported from the Greek-speaking East: the only other examples of Greek sealings are RIB II.1, 2411. 41 (Ickham, duplicated in Dorset: Britannia 29 (1998), 437, No. 14); 265 (St Albans); 278 (London)._x000D__x000D_
_x000D__x000D_
Presumably a personal or place-name, but there is no obvious expansion. Possible elements include εϲθλοϲ ('good'), εϲθηϲ ('clothing') and even αιϲθηϲιϲ ('perception') with ε for αι. | steelyards | null | 91lead
| Roman | null |
|
durma.2020.3.2405 | durma.2020.3.2405.ff3.jpg | data/raw/images/fulling_mill/2020 | A Roman lead seal. The seal is irregular in shape and has an oval cell stamped into it. Within the oval cell are the Greek letters 'ƐCθ' (epsilon, sigma, theta). Above and below the letters are two stylised branches of foliage. On the underside of the seal are grooves in the shape of a cross, radiating from a central raised knob. The raised central knob is pierced vertically with remnants of the white textile binding visible within the piercing. The sealing has a maximum length of 21mm, a width of 22mm, a thickness of 6mm and a weight of 4.8g. It is published as No. 32, p. 337, Britannia Vol. 20 (1989) Frere, Hassall and Tomlin 'Roman Britain in 1988)._x000D__x000D_
_x000D__x000D_
First published as Britannia 20 (1989), 337, No. 32 with 21 (1990), 378(g), this is the only Greek sealing from Piercebridge. Greek sealings are understandably rare in Britain, since they imply goods imported from the Greek-speaking East: the only other examples of Greek sealings are RIB II.1, 2411. 41 (Ickham, duplicated in Dorset: Britannia 29 (1998), 437, No. 14); 265 (St Albans); 278 (London)._x000D__x000D_
_x000D__x000D_
Presumably a personal or place-name, but there is no obvious expansion. Possible elements include εϲθλοϲ ('good'), εϲθηϲ ('clothing') and even αιϲθηϲιϲ ('perception') with ε for αι. | steelyards | null | 91lead
| Roman | null |
|
durma.2020.3.270 | durma.2020.3.270-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy finger with a cabochon green glass setting, dating to the Roman period (Guiraud Type 3d), part of the Piercebridge River Assemblage. The hoop expands towards the bezel and then narrows at the shoulder. A raised cylindrical bezel contains a cabochon green glass setting. The height of the ring measures 20.08mm. The external diameter of the hoop is 17.63mm and the internal diameter of the hoop is 16.05mm. The internal height of the hoop is 15.13mm. The length of the bezel is 6.42mm and the width is 5.97mm. The shoulders of the ring measure 3.97mm in width and the width at the bottom of the hoop is 1.92mm. The setting has a diameter of 4.24mm. The ring weighs 1 gram. For parallels, see examples from Uley (Henig 1993, p. 171, no. 7 and Fig. 132, no. 7) and Nettleton (Wedlake 1982, p. 148, no. 8 (iii))._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/650452 | rings | null | 60copper alloy
| Roman | null |
|
durma.2020.3.270 | durma.2020.3.270-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy finger with a cabochon green glass setting, dating to the Roman period (Guiraud Type 3d), part of the Piercebridge River Assemblage. The hoop expands towards the bezel and then narrows at the shoulder. A raised cylindrical bezel contains a cabochon green glass setting. The height of the ring measures 20.08mm. The external diameter of the hoop is 17.63mm and the internal diameter of the hoop is 16.05mm. The internal height of the hoop is 15.13mm. The length of the bezel is 6.42mm and the width is 5.97mm. The shoulders of the ring measure 3.97mm in width and the width at the bottom of the hoop is 1.92mm. The setting has a diameter of 4.24mm. The ring weighs 1 gram. For parallels, see examples from Uley (Henig 1993, p. 171, no. 7 and Fig. 132, no. 7) and Nettleton (Wedlake 1982, p. 148, no. 8 (iii))._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/650452 | rings | null | 60copper alloy
| Roman | null |
|
durma.2020.3.270 | durma.2020.3.270-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy finger with a cabochon green glass setting, dating to the Roman period (Guiraud Type 3d), part of the Piercebridge River Assemblage. The hoop expands towards the bezel and then narrows at the shoulder. A raised cylindrical bezel contains a cabochon green glass setting. The height of the ring measures 20.08mm. The external diameter of the hoop is 17.63mm and the internal diameter of the hoop is 16.05mm. The internal height of the hoop is 15.13mm. The length of the bezel is 6.42mm and the width is 5.97mm. The shoulders of the ring measure 3.97mm in width and the width at the bottom of the hoop is 1.92mm. The setting has a diameter of 4.24mm. The ring weighs 1 gram. For parallels, see examples from Uley (Henig 1993, p. 171, no. 7 and Fig. 132, no. 7) and Nettleton (Wedlake 1982, p. 148, no. 8 (iii))._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/650452 | rings | null | 60copper alloy
| Roman | null |
|
durma.2020.3.270 | durma.2020.3.270-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy finger with a cabochon green glass setting, dating to the Roman period (Guiraud Type 3d), part of the Piercebridge River Assemblage. The hoop expands towards the bezel and then narrows at the shoulder. A raised cylindrical bezel contains a cabochon green glass setting. The height of the ring measures 20.08mm. The external diameter of the hoop is 17.63mm and the internal diameter of the hoop is 16.05mm. The internal height of the hoop is 15.13mm. The length of the bezel is 6.42mm and the width is 5.97mm. The shoulders of the ring measure 3.97mm in width and the width at the bottom of the hoop is 1.92mm. The setting has a diameter of 4.24mm. The ring weighs 1 gram. For parallels, see examples from Uley (Henig 1993, p. 171, no. 7 and Fig. 132, no. 7) and Nettleton (Wedlake 1982, p. 148, no. 8 (iii))._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/650452 | rings | null | 60copper alloy
| Roman | null |
|
durma.2020.3.270 | durma.2020.3.270-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy finger with a cabochon green glass setting, dating to the Roman period (Guiraud Type 3d), part of the Piercebridge River Assemblage. The hoop expands towards the bezel and then narrows at the shoulder. A raised cylindrical bezel contains a cabochon green glass setting. The height of the ring measures 20.08mm. The external diameter of the hoop is 17.63mm and the internal diameter of the hoop is 16.05mm. The internal height of the hoop is 15.13mm. The length of the bezel is 6.42mm and the width is 5.97mm. The shoulders of the ring measure 3.97mm in width and the width at the bottom of the hoop is 1.92mm. The setting has a diameter of 4.24mm. The ring weighs 1 gram. For parallels, see examples from Uley (Henig 1993, p. 171, no. 7 and Fig. 132, no. 7) and Nettleton (Wedlake 1982, p. 148, no. 8 (iii))._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/650452 | rings | null | 60copper alloy
| Roman | null |
|
durom.1969.88 | 1969.88-d1.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud bulb bowl (Guding pentuo), imperial Jun ware. | Bulb Bowl | 钧窑天蓝釉鼓钉盆托 | 146stoneware
| Northern Song | Henan Province |
|
durom.1969.88 | 1969.88-d1.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud bulb bowl (Guding pentuo), imperial Jun ware. | Bulb Bowl | 钧窑天蓝釉鼓钉盆托 | 146stoneware
| Northern Song | Henan Province |
|
durom.1969.88 | 1969.88-d1.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud bulb bowl (Guding pentuo), imperial Jun ware. | Bulb Bowl | 钧窑天蓝釉鼓钉盆托 | 146stoneware
| Northern Song | Henan Province |
|
durom.1969.88 | 1969.88-d1.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud bulb bowl (Guding pentuo), imperial Jun ware. | Bulb Bowl | 钧窑天蓝釉鼓钉盆托 | 146stoneware
| Northern Song | Henan Province |
|
durom.1969.88 | 1969.88-d1.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud bulb bowl (Guding pentuo), imperial Jun ware. | Bulb Bowl | 钧窑天蓝釉鼓钉盆托 | 146stoneware
| Northern Song | Henan Province |
|
durom.1997.10 | 1997.10-uu.jpg | data/raw/images/oriental/1997 | Annamese jar, shape of a flattened sphere, flat base, slight rim, brown glaze. Glaze beginning to flake. Green brown glaze, brown marks on both sides | jars | null | 122pottery
| null | Vietnam |
|
durom.1997.10 | 1997.10-uu.jpg | data/raw/images/oriental/1997 | Annamese jar, shape of a flattened sphere, flat base, slight rim, brown glaze. Glaze beginning to flake. Green brown glaze, brown marks on both sides | jars | null | 122pottery
| null | Vietnam |
|
durom.1997.10 | 1997.10-uu.jpg | data/raw/images/oriental/1997 | Annamese jar, shape of a flattened sphere, flat base, slight rim, brown glaze. Glaze beginning to flake. Green brown glaze, brown marks on both sides | jars | null | 122pottery
| null | Vietnam |
|
durom.1997.10 | 1997.10-uu.jpg | data/raw/images/oriental/1997 | Annamese jar, shape of a flattened sphere, flat base, slight rim, brown glaze. Glaze beginning to flake. Green brown glaze, brown marks on both sides | jars | null | 122pottery
| null | Vietnam |
|
durom.1997.10 | 1997.10-uu.jpg | data/raw/images/oriental/1997 | Annamese jar, shape of a flattened sphere, flat base, slight rim, brown glaze. Glaze beginning to flake. Green brown glaze, brown marks on both sides | jars | null | 122pottery
| null | Vietnam |
|
durom.1962.96 | 1962.96-uu.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 84ivory
| null | Japan (country) |
|
durom.1962.96 | 1962.96-uu.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 84ivory
| null | Japan (country) |
|
durom.1962.96 | 1962.96-uu.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 84ivory
| null | Japan (country) |
|
durom.1962.96 | 1962.96-uu.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 84ivory
| null | Japan (country) |
|
durom.1962.96 | 1962.96-uu.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 84ivory
| null | Japan (country) |
|
durom.1964.60 | durom.1964.60-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 760(H7-64) Part of a cylindrical object made of pottery, possible the nozzle from a pair of bellows. The top is rounded and there is a hole, pierced from one side through to the hollow interior of the object. Traces of burning. Length 12.3 cm., diameter 6.4 cm. See p.175, TYPE 185. Provenance: From debris of West Wall Street opposite Block C, House H. Pl. 56. | nozzles | bellow's nozzle | 122pottery
| null | Egypt |
|
durom.1964.60 | durom.1964.60-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 760(H7-64) Part of a cylindrical object made of pottery, possible the nozzle from a pair of bellows. The top is rounded and there is a hole, pierced from one side through to the hollow interior of the object. Traces of burning. Length 12.3 cm., diameter 6.4 cm. See p.175, TYPE 185. Provenance: From debris of West Wall Street opposite Block C, House H. Pl. 56. | nozzles | bellow's nozzle | 122pottery
| null | Egypt |
|
durom.1964.60 | durom.1964.60-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 760(H7-64) Part of a cylindrical object made of pottery, possible the nozzle from a pair of bellows. The top is rounded and there is a hole, pierced from one side through to the hollow interior of the object. Traces of burning. Length 12.3 cm., diameter 6.4 cm. See p.175, TYPE 185. Provenance: From debris of West Wall Street opposite Block C, House H. Pl. 56. | nozzles | bellow's nozzle | 122pottery
| null | Egypt |
|
durom.1964.60 | durom.1964.60-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 760(H7-64) Part of a cylindrical object made of pottery, possible the nozzle from a pair of bellows. The top is rounded and there is a hole, pierced from one side through to the hollow interior of the object. Traces of burning. Length 12.3 cm., diameter 6.4 cm. See p.175, TYPE 185. Provenance: From debris of West Wall Street opposite Block C, House H. Pl. 56. | nozzles | bellow's nozzle | 122pottery
| null | Egypt |
|
durom.1964.60 | durom.1964.60-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 760(H7-64) Part of a cylindrical object made of pottery, possible the nozzle from a pair of bellows. The top is rounded and there is a hole, pierced from one side through to the hollow interior of the object. Traces of burning. Length 12.3 cm., diameter 6.4 cm. See p.175, TYPE 185. Provenance: From debris of West Wall Street opposite Block C, House H. Pl. 56. | nozzles | bellow's nozzle | 122pottery
| null | Egypt |
|
eg5083 | eg5083-eg2785-pc4.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 44bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-pc4.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 44bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-pc4.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 44bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-pc4.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 44bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-pc4.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 44bronze
| null | Egypt |
|
durom.1964.5.19 | 1964.5.19.jpg | data/raw/images/oriental/1964 | Amuletic plaque, found with 18 other small unfired clay stamped designs representing Tibetan deities. Thought to be an addition to this collection. In the centre of the plaque is a larger image of the second Transcendental Buddhas called Akshobhya who represents the primordial cosmic element of consciousness. He sits in the lotus position, with the left hand holding the sacred vase and the right hand, palm out, resting on the knee. This central image is surrounded by 9 smaller figures of the same deity. At the top is an image of the crescent moon on the upper right and the full moon or sun on the upper left. | amulets | Tsha tsha | 56clay
| Qing | Tibet Autonomous Region (China) |
|
durom.1964.5.19 | 1964.5.19.jpg | data/raw/images/oriental/1964 | Amuletic plaque, found with 18 other small unfired clay stamped designs representing Tibetan deities. Thought to be an addition to this collection. In the centre of the plaque is a larger image of the second Transcendental Buddhas called Akshobhya who represents the primordial cosmic element of consciousness. He sits in the lotus position, with the left hand holding the sacred vase and the right hand, palm out, resting on the knee. This central image is surrounded by 9 smaller figures of the same deity. At the top is an image of the crescent moon on the upper right and the full moon or sun on the upper left. | amulets | Tsha tsha | 56clay
| Qing | Tibet Autonomous Region (China) |
|
durom.1964.5.19 | 1964.5.19.jpg | data/raw/images/oriental/1964 | Amuletic plaque, found with 18 other small unfired clay stamped designs representing Tibetan deities. Thought to be an addition to this collection. In the centre of the plaque is a larger image of the second Transcendental Buddhas called Akshobhya who represents the primordial cosmic element of consciousness. He sits in the lotus position, with the left hand holding the sacred vase and the right hand, palm out, resting on the knee. This central image is surrounded by 9 smaller figures of the same deity. At the top is an image of the crescent moon on the upper right and the full moon or sun on the upper left. | amulets | Tsha tsha | 56clay
| Qing | Tibet Autonomous Region (China) |
|
durom.1964.5.19 | 1964.5.19.jpg | data/raw/images/oriental/1964 | Amuletic plaque, found with 18 other small unfired clay stamped designs representing Tibetan deities. Thought to be an addition to this collection. In the centre of the plaque is a larger image of the second Transcendental Buddhas called Akshobhya who represents the primordial cosmic element of consciousness. He sits in the lotus position, with the left hand holding the sacred vase and the right hand, palm out, resting on the knee. This central image is surrounded by 9 smaller figures of the same deity. At the top is an image of the crescent moon on the upper right and the full moon or sun on the upper left. | amulets | Tsha tsha | 56clay
| Qing | Tibet Autonomous Region (China) |
|
durom.1964.5.19 | 1964.5.19.jpg | data/raw/images/oriental/1964 | Amuletic plaque, found with 18 other small unfired clay stamped designs representing Tibetan deities. Thought to be an addition to this collection. In the centre of the plaque is a larger image of the second Transcendental Buddhas called Akshobhya who represents the primordial cosmic element of consciousness. He sits in the lotus position, with the left hand holding the sacred vase and the right hand, palm out, resting on the knee. This central image is surrounded by 9 smaller figures of the same deity. At the top is an image of the crescent moon on the upper right and the full moon or sun on the upper left. | amulets | Tsha tsha | 56clay
| Qing | Tibet Autonomous Region (China) |
|
durom.1962.78 | 1962.78.2 d3.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | watches | null | 98metal
| 18th century | United Kingdom |
|
durom.1962.78 | 1962.78.2 d3.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | watches | null | 98metal
| 18th century | United Kingdom |
|
durom.1962.78 | 1962.78.2 d3.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | watches | null | 98metal
| 18th century | United Kingdom |
|
durom.1962.78 | 1962.78.2 d3.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | watches | null | 98metal
| 18th century | United Kingdom |
|
durom.1962.78 | 1962.78.2 d3.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | watches | null | 98metal
| 18th century | United Kingdom |
|
durom.1999.119 | 1999.119-ll.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 122pottery
| Han dynasty | China |
|
durom.1999.119 | 1999.119-ll.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 122pottery
| Han dynasty | China |
|
durom.1999.119 | 1999.119-ll.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 122pottery
| Han dynasty | China |
|
durom.1999.119 | 1999.119-ll.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 122pottery
| Han dynasty | China |
|
durom.1999.119 | 1999.119-ll.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 122pottery
| Han dynasty | China |
|
durom.1960.1912 | durom.1960.1912-ll.jpg | data/raw/images/oriental/1960 | archer's thumb ring. | rings | null | 40bowenite
| null | China |
|
durom.1960.1912 | durom.1960.1912-ll.jpg | data/raw/images/oriental/1960 | archer's thumb ring. | rings | null | 40bowenite
| null | China |
|
durom.1960.1912 | durom.1960.1912-ll.jpg | data/raw/images/oriental/1960 | archer's thumb ring. | rings | null | 40bowenite
| null | China |
|
durom.1960.1912 | durom.1960.1912-ll.jpg | data/raw/images/oriental/1960 | archer's thumb ring. | rings | null | 40bowenite
| null | China |
|
durom.1960.1912 | durom.1960.1912-ll.jpg | data/raw/images/oriental/1960 | archer's thumb ring. | rings | null | 40bowenite
| null | China |
|
eg3138 | eg3138-uu.jpg | data/raw/images/egyptian/eg | horus falcon amulet and oval plaque with osiris impressed on one side and greek capitals on the other, set into a modern gold pendant setting | amulets | horus amulet and osiris plaque | 89lapis lazuli
| null | Egypt |
|
eg3138 | eg3138-uu.jpg | data/raw/images/egyptian/eg | horus falcon amulet and oval plaque with osiris impressed on one side and greek capitals on the other, set into a modern gold pendant setting | amulets | horus amulet and osiris plaque | 89lapis lazuli
| null | Egypt |
|
eg3138 | eg3138-uu.jpg | data/raw/images/egyptian/eg | horus falcon amulet and oval plaque with osiris impressed on one side and greek capitals on the other, set into a modern gold pendant setting | amulets | horus amulet and osiris plaque | 89lapis lazuli
| null | Egypt |
|
eg3138 | eg3138-uu.jpg | data/raw/images/egyptian/eg | horus falcon amulet and oval plaque with osiris impressed on one side and greek capitals on the other, set into a modern gold pendant setting | amulets | horus amulet and osiris plaque | 89lapis lazuli
| null | Egypt |
|
eg3138 | eg3138-uu.jpg | data/raw/images/egyptian/eg | horus falcon amulet and oval plaque with osiris impressed on one side and greek capitals on the other, set into a modern gold pendant setting | amulets | horus amulet and osiris plaque | 89lapis lazuli
| null | Egypt |
|
durma.2020.3.411 | durma.2020.3.411.1-rr.jpg | data/raw/images/fulling_mill/2020 | One arm of a pair of copper-alloy shears, probably dating to the Roman period, part of the Piercebridge River Assemblage. The arm comprises the blade and tang. The blade is triangular in plan and wedge-shaped in section. The blade extends to a rectangular-section tang which flattens and broadens to form a trapezoidal end-plate, pierced with two circular perforations. Using the perforations, this end-plate is riveted to a bent tongue-shaped piece of copper-alloy which is broken and extends at an angle to the tang. The arm of the shears measures 179mm in length. The blade measures 64mm in length and has a maximum width of 15mm and a maximum thickness of 2mm. The tang measures 3mm in width and 3mm in thickness. The end plate has a maximum width of 14mm. The tongue-shaped plate measures 46mm in length and a maximum of 13mm in width. It weighs 22.6g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/656533 | shears | null | 60copper alloy
| Roman | null |
|
durma.2020.3.411 | durma.2020.3.411.1-rr.jpg | data/raw/images/fulling_mill/2020 | One arm of a pair of copper-alloy shears, probably dating to the Roman period, part of the Piercebridge River Assemblage. The arm comprises the blade and tang. The blade is triangular in plan and wedge-shaped in section. The blade extends to a rectangular-section tang which flattens and broadens to form a trapezoidal end-plate, pierced with two circular perforations. Using the perforations, this end-plate is riveted to a bent tongue-shaped piece of copper-alloy which is broken and extends at an angle to the tang. The arm of the shears measures 179mm in length. The blade measures 64mm in length and has a maximum width of 15mm and a maximum thickness of 2mm. The tang measures 3mm in width and 3mm in thickness. The end plate has a maximum width of 14mm. The tongue-shaped plate measures 46mm in length and a maximum of 13mm in width. It weighs 22.6g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/656533 | shears | null | 60copper alloy
| Roman | null |
|
durma.2020.3.411 | durma.2020.3.411.1-rr.jpg | data/raw/images/fulling_mill/2020 | One arm of a pair of copper-alloy shears, probably dating to the Roman period, part of the Piercebridge River Assemblage. The arm comprises the blade and tang. The blade is triangular in plan and wedge-shaped in section. The blade extends to a rectangular-section tang which flattens and broadens to form a trapezoidal end-plate, pierced with two circular perforations. Using the perforations, this end-plate is riveted to a bent tongue-shaped piece of copper-alloy which is broken and extends at an angle to the tang. The arm of the shears measures 179mm in length. The blade measures 64mm in length and has a maximum width of 15mm and a maximum thickness of 2mm. The tang measures 3mm in width and 3mm in thickness. The end plate has a maximum width of 14mm. The tongue-shaped plate measures 46mm in length and a maximum of 13mm in width. It weighs 22.6g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/656533 | shears | null | 60copper alloy
| Roman | null |
|
durma.2020.3.411 | durma.2020.3.411.1-rr.jpg | data/raw/images/fulling_mill/2020 | One arm of a pair of copper-alloy shears, probably dating to the Roman period, part of the Piercebridge River Assemblage. The arm comprises the blade and tang. The blade is triangular in plan and wedge-shaped in section. The blade extends to a rectangular-section tang which flattens and broadens to form a trapezoidal end-plate, pierced with two circular perforations. Using the perforations, this end-plate is riveted to a bent tongue-shaped piece of copper-alloy which is broken and extends at an angle to the tang. The arm of the shears measures 179mm in length. The blade measures 64mm in length and has a maximum width of 15mm and a maximum thickness of 2mm. The tang measures 3mm in width and 3mm in thickness. The end plate has a maximum width of 14mm. The tongue-shaped plate measures 46mm in length and a maximum of 13mm in width. It weighs 22.6g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/656533 | shears | null | 60copper alloy
| Roman | null |
|
durma.2020.3.411 | durma.2020.3.411.1-rr.jpg | data/raw/images/fulling_mill/2020 | One arm of a pair of copper-alloy shears, probably dating to the Roman period, part of the Piercebridge River Assemblage. The arm comprises the blade and tang. The blade is triangular in plan and wedge-shaped in section. The blade extends to a rectangular-section tang which flattens and broadens to form a trapezoidal end-plate, pierced with two circular perforations. Using the perforations, this end-plate is riveted to a bent tongue-shaped piece of copper-alloy which is broken and extends at an angle to the tang. The arm of the shears measures 179mm in length. The blade measures 64mm in length and has a maximum width of 15mm and a maximum thickness of 2mm. The tang measures 3mm in width and 3mm in thickness. The end plate has a maximum width of 14mm. The tongue-shaped plate measures 46mm in length and a maximum of 13mm in width. It weighs 22.6g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/656533 | shears | null | 60copper alloy
| Roman | null |
|
eg1809 | eg1809-bb.jpg | data/raw/images/egyptian/eg | headdress consisting of the horns and sun disc with a tang to fit to the rest of the figurine. | deity figurine | figurine headdress | 44bronze
| null | Egypt |
|
eg1809 | eg1809-bb.jpg | data/raw/images/egyptian/eg | headdress consisting of the horns and sun disc with a tang to fit to the rest of the figurine. | deity figurine | figurine headdress | 44bronze
| null | Egypt |
|
eg1809 | eg1809-bb.jpg | data/raw/images/egyptian/eg | headdress consisting of the horns and sun disc with a tang to fit to the rest of the figurine. | deity figurine | figurine headdress | 44bronze
| null | Egypt |
|
eg1809 | eg1809-bb.jpg | data/raw/images/egyptian/eg | headdress consisting of the horns and sun disc with a tang to fit to the rest of the figurine. | deity figurine | figurine headdress | 44bronze
| null | Egypt |
|
eg1809 | eg1809-bb.jpg | data/raw/images/egyptian/eg | headdress consisting of the horns and sun disc with a tang to fit to the rest of the figurine. | deity figurine | figurine headdress | 44bronze
| null | Egypt |
|
durom.1968.129.13 | 1968.129.13.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image depicting river rapids and large pine trees on either bank. | photographs | null | 113photographic paper
| Edo Period | Japan (country) |
|
durom.1968.129.13 | 1968.129.13.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image depicting river rapids and large pine trees on either bank. | photographs | null | 113photographic paper
| Edo Period | Japan (country) |
|
durom.1968.129.13 | 1968.129.13.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image depicting river rapids and large pine trees on either bank. | photographs | null | 113photographic paper
| Edo Period | Japan (country) |
|
durom.1968.129.13 | 1968.129.13.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image depicting river rapids and large pine trees on either bank. | photographs | null | 113photographic paper
| Edo Period | Japan (country) |
|
durom.1968.129.13 | 1968.129.13.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image depicting river rapids and large pine trees on either bank. | photographs | null | 113photographic paper
| Edo Period | Japan (country) |
|
durom.2015.63 | 2015.63 bb.jpg | data/raw/images/oriental/2015 | Kanishka I AE tetradrachm with a seated Buddha on the reverse. Obverse shows King Kanishka standing facing, sacrificing at altar at left, holding sceptre in left hand, Bactrian legend around; þAO KANhþKI (Shao Kanishki). Reverse shows Maitreya Buddha seated facing on a raised platform, Bactrian legend around; MHTPAΓO BOΥΔO. _x000D__x000D_
Mac 3127.22_x000D__x000D_
Göbl 793_x000D__x000D_
Cribb Die 22 | coins | tetradrachm | 42brass
| Kushan Dynasty | South Asia |
|
durom.2015.63 | 2015.63 bb.jpg | data/raw/images/oriental/2015 | Kanishka I AE tetradrachm with a seated Buddha on the reverse. Obverse shows King Kanishka standing facing, sacrificing at altar at left, holding sceptre in left hand, Bactrian legend around; þAO KANhþKI (Shao Kanishki). Reverse shows Maitreya Buddha seated facing on a raised platform, Bactrian legend around; MHTPAΓO BOΥΔO. _x000D__x000D_
Mac 3127.22_x000D__x000D_
Göbl 793_x000D__x000D_
Cribb Die 22 | coins | tetradrachm | 42brass
| Kushan Dynasty | South Asia |
|
durom.2015.63 | 2015.63 bb.jpg | data/raw/images/oriental/2015 | Kanishka I AE tetradrachm with a seated Buddha on the reverse. Obverse shows King Kanishka standing facing, sacrificing at altar at left, holding sceptre in left hand, Bactrian legend around; þAO KANhþKI (Shao Kanishki). Reverse shows Maitreya Buddha seated facing on a raised platform, Bactrian legend around; MHTPAΓO BOΥΔO. _x000D__x000D_
Mac 3127.22_x000D__x000D_
Göbl 793_x000D__x000D_
Cribb Die 22 | coins | tetradrachm | 42brass
| Kushan Dynasty | South Asia |
|
durom.2015.63 | 2015.63 bb.jpg | data/raw/images/oriental/2015 | Kanishka I AE tetradrachm with a seated Buddha on the reverse. Obverse shows King Kanishka standing facing, sacrificing at altar at left, holding sceptre in left hand, Bactrian legend around; þAO KANhþKI (Shao Kanishki). Reverse shows Maitreya Buddha seated facing on a raised platform, Bactrian legend around; MHTPAΓO BOΥΔO. _x000D__x000D_
Mac 3127.22_x000D__x000D_
Göbl 793_x000D__x000D_
Cribb Die 22 | coins | tetradrachm | 42brass
| Kushan Dynasty | South Asia |
|
durom.2015.63 | 2015.63 bb.jpg | data/raw/images/oriental/2015 | Kanishka I AE tetradrachm with a seated Buddha on the reverse. Obverse shows King Kanishka standing facing, sacrificing at altar at left, holding sceptre in left hand, Bactrian legend around; þAO KANhþKI (Shao Kanishki). Reverse shows Maitreya Buddha seated facing on a raised platform, Bactrian legend around; MHTPAΓO BOΥΔO. _x000D__x000D_
Mac 3127.22_x000D__x000D_
Göbl 793_x000D__x000D_
Cribb Die 22 | coins | tetradrachm | 42brass
| Kushan Dynasty | South Asia |
|
durom.2013.243 | 2013.243 bb.jpg | data/raw/images/oriental/2013 | Poster for the film Dead or Alive. The poster has a pale yellow background covered with a montage of images. The centre has two full length men standing wearing long black coats and sunglasses, the one on the left wears a black T shirt, the one on the right a white shirt. A burning car runs down vertically between the two and across the title which is printed horizontally across the centre in large gold letters. Stylised gold flames drip from it across the bottom of the poster and behind the two men. The men are the actor Riki Takeuch as the character Ryūichi on the left and the actor Show Aikawa as the character Detective Jojima on the right. The montage of images behind is of scenes from the film, including men with guns, exploding cars, and a woman in a black leather dress. Beneath the title English are several lines in Japanese, the credits for the two stars and the director and further credits below in Japanese and English, the letters and characters in yellow outlined in red. | posters | null | 109paper
| Heisei Period | Japan (country) |
|
durom.2013.243 | 2013.243 bb.jpg | data/raw/images/oriental/2013 | Poster for the film Dead or Alive. The poster has a pale yellow background covered with a montage of images. The centre has two full length men standing wearing long black coats and sunglasses, the one on the left wears a black T shirt, the one on the right a white shirt. A burning car runs down vertically between the two and across the title which is printed horizontally across the centre in large gold letters. Stylised gold flames drip from it across the bottom of the poster and behind the two men. The men are the actor Riki Takeuch as the character Ryūichi on the left and the actor Show Aikawa as the character Detective Jojima on the right. The montage of images behind is of scenes from the film, including men with guns, exploding cars, and a woman in a black leather dress. Beneath the title English are several lines in Japanese, the credits for the two stars and the director and further credits below in Japanese and English, the letters and characters in yellow outlined in red. | posters | null | 109paper
| Heisei Period | Japan (country) |
|
durom.2013.243 | 2013.243 bb.jpg | data/raw/images/oriental/2013 | Poster for the film Dead or Alive. The poster has a pale yellow background covered with a montage of images. The centre has two full length men standing wearing long black coats and sunglasses, the one on the left wears a black T shirt, the one on the right a white shirt. A burning car runs down vertically between the two and across the title which is printed horizontally across the centre in large gold letters. Stylised gold flames drip from it across the bottom of the poster and behind the two men. The men are the actor Riki Takeuch as the character Ryūichi on the left and the actor Show Aikawa as the character Detective Jojima on the right. The montage of images behind is of scenes from the film, including men with guns, exploding cars, and a woman in a black leather dress. Beneath the title English are several lines in Japanese, the credits for the two stars and the director and further credits below in Japanese and English, the letters and characters in yellow outlined in red. | posters | null | 109paper
| Heisei Period | Japan (country) |
|
durom.2013.243 | 2013.243 bb.jpg | data/raw/images/oriental/2013 | Poster for the film Dead or Alive. The poster has a pale yellow background covered with a montage of images. The centre has two full length men standing wearing long black coats and sunglasses, the one on the left wears a black T shirt, the one on the right a white shirt. A burning car runs down vertically between the two and across the title which is printed horizontally across the centre in large gold letters. Stylised gold flames drip from it across the bottom of the poster and behind the two men. The men are the actor Riki Takeuch as the character Ryūichi on the left and the actor Show Aikawa as the character Detective Jojima on the right. The montage of images behind is of scenes from the film, including men with guns, exploding cars, and a woman in a black leather dress. Beneath the title English are several lines in Japanese, the credits for the two stars and the director and further credits below in Japanese and English, the letters and characters in yellow outlined in red. | posters | null | 109paper
| Heisei Period | Japan (country) |
|
durom.2013.243 | 2013.243 bb.jpg | data/raw/images/oriental/2013 | Poster for the film Dead or Alive. The poster has a pale yellow background covered with a montage of images. The centre has two full length men standing wearing long black coats and sunglasses, the one on the left wears a black T shirt, the one on the right a white shirt. A burning car runs down vertically between the two and across the title which is printed horizontally across the centre in large gold letters. Stylised gold flames drip from it across the bottom of the poster and behind the two men. The men are the actor Riki Takeuch as the character Ryūichi on the left and the actor Show Aikawa as the character Detective Jojima on the right. The montage of images behind is of scenes from the film, including men with guns, exploding cars, and a woman in a black leather dress. Beneath the title English are several lines in Japanese, the credits for the two stars and the director and further credits below in Japanese and English, the letters and characters in yellow outlined in red. | posters | null | 109paper
| Heisei Period | Japan (country) |
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