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The movie, a very dark comedy, begins in Bruges (a beautiful medieval city in Belgium) with two Irish hitmen, Ray (Colin Farrell) and Ken (Brendan Gleeson) are standing in a city square checking out the scenery. Instantly we see that Ken is enchanted with Bruges while Ray loathes the place. It is revealed that due to what happened in London they have no choice but to follow orders, stay in Bruges, lay low and wait for further instructions from Harry (Ralph Fiennes). Ray asks Ken how long he thinks they will have to stay in Bruges; Ken responds that he doesn't know, maybe two weeks. Again, we see that Ray is not happy about spending two weeks, let alone two hours, in Bruges. To add insult to injury it is Christmas and there is only one available room in the city (although at least it has two twin beds). During one of the first scenes in the hotel room Ken alludes to the incident in London indicating that they wouldn't be in Bruges if not for what happened, driving Ray to abruptly cut Ken off and retreat to the bathroom where he cries, distressed over whatever it was that occurred.Later Ray makes comments about Harry sending them to, say...the Bahamas...instead of this "bleeping" city of Bruges. Ken advises Ray to make the best of it, for starters why don't they climb up the tower in the square and take a look at the view. Ray snidely says, "no, he can see the 'bleeping' view just 'bleeping' fine from where he 'bleeping' is. Rays takes a seat (rather frustratedly) on a park bench and Ken goes off to climb the tower. The cost of going up the tower is 5 Euros for which Ken has change but is one coin short. Ken asks the cashier/guard to give him a break but the guy impatiently points out to Ken the sign that clearly states 5 Euros. Ken isn't pleased at having to break a large bill or the cashier's refusal to cut him some slack but he pulls out a 50 Euro note and gives it to the cashier anyway putting the 4.90 in change back in his pocket (important later). Ken walks up the very narrow, winding stairs to the top of the tower and looks out over Bruges enjoying every second. He looks down on the square and sees Ray sitting on the park bench with his arms crossed over his chest. At that point a hint to the nature of Ray and Ken's line of work is alluded to when Ken makes a gun of his fingers and "shoots" Ray.The scene changes to Ray down in the square who is approached by a family of three very large Americans who virtually stand on top of Ray without a clue as to who Ray is and begin to ask him if he has been to the top of tower. Again, Ray snidely responds that no he bleeping has not. The Americans are shocked and ask him why he doesn't want to go? Ray says he just doesn't want to and they shouldn't either (clearly because of their size though Ray doesn't come out and say it - yet). This back and forth exchange goes on with the Americans clearly wondering if Ray is saying what they think he's saying until Ray blurts out that they shouldn't go up because they're a bunch of bleeping elephants. The father explodes and haplessly tries to chase Ray, with Ray simply running in small circles dodging the American who can barely catch his breath after five seconds. The father gives up, the mother and daughter call Ray nasty names and they head off to go up the tower, meeting an oblivious Ken coming out the door who innocently advises the large family to watch out for the narrow stairs only to be called a bleeping a-hole by the daughter. Ray shrugs to a stunned Ken as if he has no idea why the Americans are so upset.That evening Ray and Ken happen upon a movie being filmed on the city streets. Much to Ray's utter amusement the movie includes a dwarf to which Ray exclaims "Holy shit, they're filming a movie about bleeping midgets!" While watching the filming of the movie, Ray catches sight of Chloe (Clemence Poesy) and is in awe of her and also mistakenly believes her to be a celebrity when in fact it turns out she is far from it. Rays stays to watch the filming and Ken goes back to the hotel room to see if Harry called. Ray sneaks on to the movie set and gets a cup of coffee from the food area behind Chloe who is helping herself as well. They have a little flirtatious exchange including discussion about midgets whom Chloe explains prefer to be called dwarves. Ray and the dwarf, Jimmy, are introduced and Ray's amazement at Jimmy is obvious and totally irreverent. Chloe and Ray continue to talk resulting in Ray asking Chloe out for dinner the next night. Chloe walks away, dropping a calling card over her head much to Ray's delight.The scene moves to Ken back at the hotel picking up a handwritten message from Harry, which the pregnant hotel proprietress has left for them. Harry is extremely ticked off that Ray and Ken were not in when he called and the "f" word is used liberally. The proprietress took the note verbatim and left nothing out. Ken is a bit embarrassed by the whole thing and goes to bed. Ray comes home and makes little effort to be quiet and not awaken Ken. He clearly wants to tell Ken all about his night and his planned date with Chloe the next evening and Ken clearly wants to go back to sleep. Ken tells Ray that Harry called and he will call again the next evening. Ray suggests it isn't necessary for both of them to be there and considering he already has a date would Ken wait by the phone and let Ray go out with Chloe. Ken agrees as long as in exchange they go sightseeing during the day. We see that though of different personalities Ken is fond of Ray in a de facto father-son way but won't come out and show it (and vice versa).The next day Ken and Ray are touring an old church. Ken is giving Ray the history of the church including the fact that some part of the church behind the alter is so old it may have been touched by God and touching it would be like touching God himself. Ken clearly wants Ray to appreciate the significance of this but Ray doesn't get it or doesn't want to and passes on the opportunity to (in Ken's eyes) begin to redeem himself for what happened in London and walks out of church instead leaving Ken behind. Ray walks out and sits on a bench. Across the street, he sees Jimmy walking and waves to him enthusiastically. Jimmy doesn't acknowledge him leaving Ray annoyed.The scene then flashes back to the incident in London. Ray is sitting in a confessional admitting to a priest (an uncredited Ciaran Hinds) that he is a hit man and he kills only for money. Not for revenge or out of anger, just for money. The priest who is quite dismayed by this confession asks Ray who he killed and Ray replies, "You" and shoots him. The priest stumbles out of the confessional and manages to make his way to the doorway into the church itself where Ray shoots several more bullets into his back. Before falling dead to the floor, the priest faintly says "a little boy". Ray looks past the dead priest on the floor and to his horror sees and young boy, perhaps 4 or 5 years old still kneeling in prayer with a clean but blood-filled bullet hole through his otherwise pristine forehead. One of the bullets went through the priest and struck the child. The little boy then crumples to the floor, dead, with a note in his hand indicating he was praying to God to do better in Math and other simple, childhood concerns. Ray goes to the boy but it is too late and the scene ends with Ken rushing to Ray and dragging him out of the church. This is the incident that drove Harry to send Ken and Ray to Bruges to lay low and what is - despite all of Ray's bluster and bravado - killing him inside. Ray is tormented with grief and guilt over accidentally killing the child.The next night Ray and Chloe are sitting at a table in a restaurant where Chloe is smoking her cigarette much to the dismay of a nearby couple who don't appreciate smoke in their face. In an unexpected and oddly honest exchange Ray reveals he shoots people for a living and Chloe reveals she deals drugs to movie sets and neither seems the least bit concerned about the other's career choice. Ray also reveals his inability to be tactful by first shamelessly insulting Bruges (Chloe's hometown) and then going out of his way to think of a crass joke about Belgium and child molesters. Instead of being repulsed by Ray's sensitivity Chloe shows she can give as good she gets. Chloe goes to use the bathroom and the annoyed man at the next table mutters how un-bleeping "unbelievable" it (she) is. Ray hears the guy's comment and tries to ignore it but can't and asks the guy what the hell he meant to which the guy rudely tells Ray he doesn't appreciate Ray's girlfriend blowing her cigarette smoke in his and his girlfriend's faces to which Ray points out that they are sitting in the smoking section to which the guy says he doesn't bleeping care and the conversation turns into a bit of a political tit-for-tat with Ray assuming the guy is an American and therefore arrogant and imperialistic and mentions something about Vietnam which confounds the other guy and the whole thing ends up with Ray just flat-out punching the guy, then the guy's girlfriend entering into the fray and Ray punching her in the face as well. At this time Chloe comes back to the table, surveys the scene and they both promptly leave. Ray thinks Chloe hates him when in fact she seems intrigued by him and gives him a big kiss. She then goes to make a call (important later).Back at her apartment, Ray and Chloe are very close to having sex when Chloe's boyfriend/co-conspirator (Erik) appears behind Ray with a gun to his head. Ray realizes he has been scammed, Chloe admits she and Erik have a habit of robbing tourists, Ray is pissed off because it's been months since he's had sex (he doesn't seem too concerned about the gun aimed at him) meanwhile Chloe yells at Erik asking him why he came. Obviously the phone call she made was telling him not to come as she didn't want to rob Ray. In fact it seems she really does like him. Meanwhile Erik still has the gun in his hand which Ray deftly takes with a very quick maneuver involving a head butt only to find out - when a now irate Erik brandishes a very large knife - it is loaded with blanks. Ray shoots the gun at Erik's eye at very close range and whatever makes up a blank sears Erik's eye causing him terrible pain. Erik is being very un-gunman-like, holding his hand to eye and whining pathetically. Chloe takes Erik to the hospital but on her way out tells Ray to call her.In the meantime, Ken is at the hotel when Harry calls. Not wanting to tell Harry that Ray is on a date, Ken pretends Ray is on the toilet thinking this will suffice. But no, Harry wants to know if Ray is taking a poo or just a wee. Harry then asks if Ken and Ray love Bruges as much as Harry does (from a long-ago visit). Ken is befuddled but goes along with it culminating in Harry asking Ken to get rid of Ray for half an hour so they can talk in private still unaware that Ray is already out. Ken goes through a silly charade of pretending to get rid of Ray then there is much talk about how magical and fairy-tale like Bruges is. Harry asks Ken if Ray likes Bruges as much as they do and Ken begins to tell Harry that Ray isn't as charmed with the place much to Harry's disapproval. Ken recovers quickly and makes up a story about Ray walking through the city in the fog and saying something like "it's like living a dream" which pleases Harry very much because Harry just wants Ray to experience something beautiful because he "was" a good kid. The use of the past-tense alerts Ken to Harry's plan. We see Ken's concern that he just gave Harry the green-light he wanted to eliminate Ray. Harry makes it clear that Ken must kill Ray because Ray killed the boy, accidentally or not. Ken does not want to do this, knowing full well how stricken Ray is and feeling like Ray can redeem himself. Harry informs Ken that since they were sent to Bruges without weapons, arrangements have been made for a gun to be picked up at a contact's house in Bruges and the job must be completed ASAP.Ken is conflicted with his orders, leaves the apartment and goes to a bar where he drinks 4 presumably Belgian beers in 20 minutes. Ken spies Jimmy at the other end of the bar sitting with a prostitute. In talking to Jimmy Ken learns he is American. Jimmy asks that Ken not hold it against him, Ken says he won't as long as Jimmy doesn't say anything too loud or crass. Ray then enters the same bar and upon seeing Jimmy promptly confronts him asking why he didn't wave back to him earlier. Jimmy apologizes saying he was high on horse tranquilizers (given to him by Chloe) and he didn't know what he was doing or who or where he was. Jimmy, Ray, Ken and now two prostitutes end up in Jimmy's hotel room doing drugs and making use of the prostitutes when Jimmy begins a political discussion about the inevitable race war the world is heading towards between the blacks and whites. Drunk and high, Jimmy is getting belligerent and preachy claiming the Pakistanis, the Vietnamese and basically anyone who isn't white will side with the blacks. Ray seems more amused with the prospect of a midget versus midget war while Ken is seriously annoyed because he was married to a black woman whom he loved more than anything and she was killed by a white man. He asks Jimmy given that info whose side will he be on in this supposed war. Jimmy retreats and says Ken will have to make that decision on his own. Ken is revealed to be a sensitive man capable of great love while also being a hit man. The night ends with Ken and Ray leaving abruptly and returning to their hotel.The next day Ken goes to the contact's house to the gun to kill Ray. The contact is an oddball eccentric who advises Ken if he were to murder someone he would do it in one of the alcoves in the park because they are isolated this time of year. The contact seems focused on these alcoves and an irritated Ken takes the gun and leaves. He goes back to the apartment where the proprietress greets him in the lobby remarking on what an odd person Ray is. While Ken was gone Ray had given her what appeared to be his last 200 Euros and left to go to the park. Ken goes upstairs and sees a suicide note from Ray saying he went to the park so she (the proprietress) wouldn't have to clean up the mess. (Ray has Erik's gun and bullets he stole from Chloe's apartment.) Ken rushes to the park and sees Ray sitting on a bench by a playground. Ken reluctantly readies his gun and walks up behind Ray aiming to shoot him when Ray puts his own gun to his own head. Realizing Ray is about to kill himself, Ken rushes forward and stops him just in time. A surprised Ray turns around, sees Ken's gun and realizes Ken was just about to kill him. Each one wonders aloud what the other was about to do and it's obvious to both that Ken doesn't want to kill Ray or see him kill himself. Ray breaks down, Ken tells Ray to get on a train, leave Bruges and start over that Ray is no use to anybody dead. Ken explains what Harry is up to including the fact that he sent them to Bruges because he wanted Ray to have a vacation in a nice place before he died. This is quite comic considering how passionately Ray hates the place and the look on his face says it all. Ken tells Ray he can't bring back the little boy but maybe he can save another. Ray knows that Ken is risking his own life by not killing him. Ken hands Ray the 200 Euros he'd given the proprietress and puts him on a train but not before taking Erik's gun from Ray first, fearing that Ray will just try to kill himself again.The train pulls out; Ken has made his decision and goes back to the hotel to tell Harry who is not pleased. Ken tells Harry to meet him in the square when he gets to Bruges knowing that Harry will come for him. Meanwhile on the train, Ray is at least getting the hell out of Bruges when a steward approaches Ray and accuses Ray of "heeting the Canadian". Ray has no idea what this guy is talking about when the anti-smoker from the restaurant appears and fingers Ray as the guy who attacked him. Apparently the anti-smoker was not an American but just a jerk Canadian. Ray is taken off the train and to jail... back in Bruges. Chloe bails Ray out and they wander over to the city center where they have a beer, Ray is unaware that Harry has now arrived from London and headed for the same square to meet Ken. First Harry goes to the gun contact's house where the guy goes on about the alcoves again to Harry and lo and behold the contact happens to be the uncle of Erik who is also there licking his wounds. We learn Erik was permanently blinded by the blank and wants Ray dead. Harry engages in an exchange where he puts the blame for the blindness squarely on Erik's own shoulders because he got shot by a blank from his own gun that he used in a half-assed robbery in which he held the gun to another man's head. To Harry, Erik got what he deserved and Erik is left speechless and red-faced. Back to Ray and Chloe who are drinking a beer at an outside cafe when Jimmy appears and invites them to watch the movie being filmed elsewhere. They decline but not before getting in one last laugh at the midget dressed in a school boy's uniform with a little cap on his head.Harry has now caught up with Ken at the square and knowing that Harry will kill him, Ken asks that they at least go to the tower to get it over with. On their way they walk right past a kissing Chloe and Ray and no one sees the other. Harry and Ken approach the guard/cashier (the same guy from the beginning) who says the tower is closed because some American had a heart attack while climbing the steps the day before. Harry asks the guy to do him this one favor and the guard pulls the same shtick and pointing his finger squarely in the middle of (and on!) Harry's forehead taps out that "the tower is closed! Got it?! Ken knows this will not go over well with Harry and walks onward while in the shadows we see Harry beat the crap out of the guard. Harry and Ken then ascend the tower and upon reaching the top they each marvel at the beautiful view. To Harry's surprise, Ken gives up his gun, he says he will not fight. He says he has too much respect for Harry and owes him too much to fight anymore. He goes on about this until we think Harry is just going to shoot him when then Harry throws up his arms saying now he can't shoot Ken after the nice things he just said. Frustrated, Harry tries to explain to Ken why it is Ray has to be killed. Harry thinks Ray should have killed himself the minute he realized he'd killed the boy, that's what Harry would have done (important). Ken defends Ray saying he can be redeemed and what does it matter it's done, Ray's gone and no one knows where he's going. At this point Harry shoots Ken in the thigh (not a mortal wound) saying he couldn't just let Ken get away with letting Ray go. Everything seems to be resolved, Harry is carefully helping Ken down all of the stairs one narrow step at a time when Erik sees Chloe and Ray and they ask him to join them, but he walks away.Knowing Harry is with Ken at the tower Erik meets them on the stairs and tells them that Ray is back in Bruges and he is right outside. Everything changes, both Ken and Harry go for their guns (Ken to shoot Harry to keep him from killing Ray and Harry to shoot Ken) and in the struggle that follows Harry shoots Ken through the neck but it doesn't kill him though there is a lot (a lot!) of blood. Harry runs down the stairs which apparently there are many of because in the time it takes for Harry to get halfway down a badly wounded Ken has dragged himself back up to the top of the tower leaving globby streams of blood in his wake. Ken reaches the top of the tower to try to warn Ray but the fog has moved in and he can't see anything. Ken then reaches into his breast pocket and puts away his gun, reaches into his pants pocket and pulls out the change and begins to drop the coins one by one from the tower which draws the attention of the people in the square below, including Ray and Chloe. Everyone looks up at the tower in time to see Ken launch himself off and onto the pavement below. Ken hits the ground with a sickening crush. Having seen the whole thing Ray runs over realizing at the last moment that it is Ken on the ground and he is barely alive. Ken tells Ray that Harry is in Bruges and to take Ken's gun from his pocket. A very upset Ray doesn't know what to do but he pulls the gun from underneath Ken only to find it too is broken in pieces from the impact. Frantic, Ray tries to get Ken to tell him where Erik's gun is but Ken tells Ray he's going to die now and does. Just then Harry runs out of the tower stairs and sees a dead Ken on the ground and a distraught Ray standing over him. Rays makes a run for it back to the hotel where he thinks Ken hid the gun. Harry gives chase shooting at him despite the presence of other people.Back at the hotel Ray has just enough time to get the hotel room key from the proprietress and scream at her to get away somewhere safe for her and her unborn baby's sake. Ray runs up to the room, finds the gun then hears an altercation downstairs which is the proprietress blocking Harry's way with her pregnant belly and a stunned Harry looking at this woman in total shock. The woman says it is her hotel and she will not leave to which Harry has no response and Ray hearing all of this is furious. He calls down the steps to Harry saying they have to take their gunfight somewhere else where the proprietress will be unharmed. Not sure how to do that they clumsily devise a plan to move the fight elsewhere with their guns still trained on each other and a stupefied proprietress questioning their sanity and intelligence. The plan is since the hotel sits alongside a canal, on the count of three Ray will run back into his room, jump out the window and Harry can run outside to the bridge and try to catch him in the canal. Plan made, they both just stand there, each waiting for the other to start counting with the proprietress looking on in disbelief. Harry tells Ray to count to three. Ray counts, Harry runs out the door in time to see Ray leap from his window into the canal and onto a passing boat. Ray thinking he's far enough away from Harry not to be hit is surprised when Harry shoots him from the bridge square in the stomach.At the first dock, Ray gets off the boat and continues to try to get away albeit badly hurt and again Harry gives chase. They end up at the location where Jimmy's movie is filming which is a very surreal scene with bizarre costumes and circusque people lingering around. Jimmy sees Ray and realizing something isn't right walks over to him at the same time Harry approaches Ray from behind and shoots him several times in the back just as Ray had shot the priest. We hear Ray faintly say "a little boy" before he falls over and crawls agonizingly over to the dead and horrifically disfigured body of Jimmy who was hit by one of the bullets in the forehead. Still wearing the little boy costume and unrecognizable facially, Harry sees what he thinks to be a child and saying "you have to stick to your principals" puts the gun in his mouth and kills himself.The final scene is of Chloe screaming over Ray, as he's loaded onto a gurney and into an ambulance and his voice over talking about Heaven and Hell and Purgatory and no matter what he just doesn't want to die in Bruges.

In Bruges

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Who commits suicide because he thinks he killed a child?

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The movie, a very dark comedy, begins in Bruges (a beautiful medieval city in Belgium) with two Irish hitmen, Ray (Colin Farrell) and Ken (Brendan Gleeson) are standing in a city square checking out the scenery. Instantly we see that Ken is enchanted with Bruges while Ray loathes the place. It is revealed that due to what happened in London they have no choice but to follow orders, stay in Bruges, lay low and wait for further instructions from Harry (Ralph Fiennes). Ray asks Ken how long he thinks they will have to stay in Bruges; Ken responds that he doesn't know, maybe two weeks. Again, we see that Ray is not happy about spending two weeks, let alone two hours, in Bruges. To add insult to injury it is Christmas and there is only one available room in the city (although at least it has two twin beds). During one of the first scenes in the hotel room Ken alludes to the incident in London indicating that they wouldn't be in Bruges if not for what happened, driving Ray to abruptly cut Ken off and retreat to the bathroom where he cries, distressed over whatever it was that occurred.Later Ray makes comments about Harry sending them to, say...the Bahamas...instead of this "bleeping" city of Bruges. Ken advises Ray to make the best of it, for starters why don't they climb up the tower in the square and take a look at the view. Ray snidely says, "no, he can see the 'bleeping' view just 'bleeping' fine from where he 'bleeping' is. Rays takes a seat (rather frustratedly) on a park bench and Ken goes off to climb the tower. The cost of going up the tower is 5 Euros for which Ken has change but is one coin short. Ken asks the cashier/guard to give him a break but the guy impatiently points out to Ken the sign that clearly states 5 Euros. Ken isn't pleased at having to break a large bill or the cashier's refusal to cut him some slack but he pulls out a 50 Euro note and gives it to the cashier anyway putting the 4.90 in change back in his pocket (important later). Ken walks up the very narrow, winding stairs to the top of the tower and looks out over Bruges enjoying every second. He looks down on the square and sees Ray sitting on the park bench with his arms crossed over his chest. At that point a hint to the nature of Ray and Ken's line of work is alluded to when Ken makes a gun of his fingers and "shoots" Ray.The scene changes to Ray down in the square who is approached by a family of three very large Americans who virtually stand on top of Ray without a clue as to who Ray is and begin to ask him if he has been to the top of tower. Again, Ray snidely responds that no he bleeping has not. The Americans are shocked and ask him why he doesn't want to go? Ray says he just doesn't want to and they shouldn't either (clearly because of their size though Ray doesn't come out and say it - yet). This back and forth exchange goes on with the Americans clearly wondering if Ray is saying what they think he's saying until Ray blurts out that they shouldn't go up because they're a bunch of bleeping elephants. The father explodes and haplessly tries to chase Ray, with Ray simply running in small circles dodging the American who can barely catch his breath after five seconds. The father gives up, the mother and daughter call Ray nasty names and they head off to go up the tower, meeting an oblivious Ken coming out the door who innocently advises the large family to watch out for the narrow stairs only to be called a bleeping a-hole by the daughter. Ray shrugs to a stunned Ken as if he has no idea why the Americans are so upset.That evening Ray and Ken happen upon a movie being filmed on the city streets. Much to Ray's utter amusement the movie includes a dwarf to which Ray exclaims "Holy shit, they're filming a movie about bleeping midgets!" While watching the filming of the movie, Ray catches sight of Chloe (Clemence Poesy) and is in awe of her and also mistakenly believes her to be a celebrity when in fact it turns out she is far from it. Rays stays to watch the filming and Ken goes back to the hotel room to see if Harry called. Ray sneaks on to the movie set and gets a cup of coffee from the food area behind Chloe who is helping herself as well. They have a little flirtatious exchange including discussion about midgets whom Chloe explains prefer to be called dwarves. Ray and the dwarf, Jimmy, are introduced and Ray's amazement at Jimmy is obvious and totally irreverent. Chloe and Ray continue to talk resulting in Ray asking Chloe out for dinner the next night. Chloe walks away, dropping a calling card over her head much to Ray's delight.The scene moves to Ken back at the hotel picking up a handwritten message from Harry, which the pregnant hotel proprietress has left for them. Harry is extremely ticked off that Ray and Ken were not in when he called and the "f" word is used liberally. The proprietress took the note verbatim and left nothing out. Ken is a bit embarrassed by the whole thing and goes to bed. Ray comes home and makes little effort to be quiet and not awaken Ken. He clearly wants to tell Ken all about his night and his planned date with Chloe the next evening and Ken clearly wants to go back to sleep. Ken tells Ray that Harry called and he will call again the next evening. Ray suggests it isn't necessary for both of them to be there and considering he already has a date would Ken wait by the phone and let Ray go out with Chloe. Ken agrees as long as in exchange they go sightseeing during the day. We see that though of different personalities Ken is fond of Ray in a de facto father-son way but won't come out and show it (and vice versa).The next day Ken and Ray are touring an old church. Ken is giving Ray the history of the church including the fact that some part of the church behind the alter is so old it may have been touched by God and touching it would be like touching God himself. Ken clearly wants Ray to appreciate the significance of this but Ray doesn't get it or doesn't want to and passes on the opportunity to (in Ken's eyes) begin to redeem himself for what happened in London and walks out of church instead leaving Ken behind. Ray walks out and sits on a bench. Across the street, he sees Jimmy walking and waves to him enthusiastically. Jimmy doesn't acknowledge him leaving Ray annoyed.The scene then flashes back to the incident in London. Ray is sitting in a confessional admitting to a priest (an uncredited Ciaran Hinds) that he is a hit man and he kills only for money. Not for revenge or out of anger, just for money. The priest who is quite dismayed by this confession asks Ray who he killed and Ray replies, "You" and shoots him. The priest stumbles out of the confessional and manages to make his way to the doorway into the church itself where Ray shoots several more bullets into his back. Before falling dead to the floor, the priest faintly says "a little boy". Ray looks past the dead priest on the floor and to his horror sees and young boy, perhaps 4 or 5 years old still kneeling in prayer with a clean but blood-filled bullet hole through his otherwise pristine forehead. One of the bullets went through the priest and struck the child. The little boy then crumples to the floor, dead, with a note in his hand indicating he was praying to God to do better in Math and other simple, childhood concerns. Ray goes to the boy but it is too late and the scene ends with Ken rushing to Ray and dragging him out of the church. This is the incident that drove Harry to send Ken and Ray to Bruges to lay low and what is - despite all of Ray's bluster and bravado - killing him inside. Ray is tormented with grief and guilt over accidentally killing the child.The next night Ray and Chloe are sitting at a table in a restaurant where Chloe is smoking her cigarette much to the dismay of a nearby couple who don't appreciate smoke in their face. In an unexpected and oddly honest exchange Ray reveals he shoots people for a living and Chloe reveals she deals drugs to movie sets and neither seems the least bit concerned about the other's career choice. Ray also reveals his inability to be tactful by first shamelessly insulting Bruges (Chloe's hometown) and then going out of his way to think of a crass joke about Belgium and child molesters. Instead of being repulsed by Ray's sensitivity Chloe shows she can give as good she gets. Chloe goes to use the bathroom and the annoyed man at the next table mutters how un-bleeping "unbelievable" it (she) is. Ray hears the guy's comment and tries to ignore it but can't and asks the guy what the hell he meant to which the guy rudely tells Ray he doesn't appreciate Ray's girlfriend blowing her cigarette smoke in his and his girlfriend's faces to which Ray points out that they are sitting in the smoking section to which the guy says he doesn't bleeping care and the conversation turns into a bit of a political tit-for-tat with Ray assuming the guy is an American and therefore arrogant and imperialistic and mentions something about Vietnam which confounds the other guy and the whole thing ends up with Ray just flat-out punching the guy, then the guy's girlfriend entering into the fray and Ray punching her in the face as well. At this time Chloe comes back to the table, surveys the scene and they both promptly leave. Ray thinks Chloe hates him when in fact she seems intrigued by him and gives him a big kiss. She then goes to make a call (important later).Back at her apartment, Ray and Chloe are very close to having sex when Chloe's boyfriend/co-conspirator (Erik) appears behind Ray with a gun to his head. Ray realizes he has been scammed, Chloe admits she and Erik have a habit of robbing tourists, Ray is pissed off because it's been months since he's had sex (he doesn't seem too concerned about the gun aimed at him) meanwhile Chloe yells at Erik asking him why he came. Obviously the phone call she made was telling him not to come as she didn't want to rob Ray. In fact it seems she really does like him. Meanwhile Erik still has the gun in his hand which Ray deftly takes with a very quick maneuver involving a head butt only to find out - when a now irate Erik brandishes a very large knife - it is loaded with blanks. Ray shoots the gun at Erik's eye at very close range and whatever makes up a blank sears Erik's eye causing him terrible pain. Erik is being very un-gunman-like, holding his hand to eye and whining pathetically. Chloe takes Erik to the hospital but on her way out tells Ray to call her.In the meantime, Ken is at the hotel when Harry calls. Not wanting to tell Harry that Ray is on a date, Ken pretends Ray is on the toilet thinking this will suffice. But no, Harry wants to know if Ray is taking a poo or just a wee. Harry then asks if Ken and Ray love Bruges as much as Harry does (from a long-ago visit). Ken is befuddled but goes along with it culminating in Harry asking Ken to get rid of Ray for half an hour so they can talk in private still unaware that Ray is already out. Ken goes through a silly charade of pretending to get rid of Ray then there is much talk about how magical and fairy-tale like Bruges is. Harry asks Ken if Ray likes Bruges as much as they do and Ken begins to tell Harry that Ray isn't as charmed with the place much to Harry's disapproval. Ken recovers quickly and makes up a story about Ray walking through the city in the fog and saying something like "it's like living a dream" which pleases Harry very much because Harry just wants Ray to experience something beautiful because he "was" a good kid. The use of the past-tense alerts Ken to Harry's plan. We see Ken's concern that he just gave Harry the green-light he wanted to eliminate Ray. Harry makes it clear that Ken must kill Ray because Ray killed the boy, accidentally or not. Ken does not want to do this, knowing full well how stricken Ray is and feeling like Ray can redeem himself. Harry informs Ken that since they were sent to Bruges without weapons, arrangements have been made for a gun to be picked up at a contact's house in Bruges and the job must be completed ASAP.Ken is conflicted with his orders, leaves the apartment and goes to a bar where he drinks 4 presumably Belgian beers in 20 minutes. Ken spies Jimmy at the other end of the bar sitting with a prostitute. In talking to Jimmy Ken learns he is American. Jimmy asks that Ken not hold it against him, Ken says he won't as long as Jimmy doesn't say anything too loud or crass. Ray then enters the same bar and upon seeing Jimmy promptly confronts him asking why he didn't wave back to him earlier. Jimmy apologizes saying he was high on horse tranquilizers (given to him by Chloe) and he didn't know what he was doing or who or where he was. Jimmy, Ray, Ken and now two prostitutes end up in Jimmy's hotel room doing drugs and making use of the prostitutes when Jimmy begins a political discussion about the inevitable race war the world is heading towards between the blacks and whites. Drunk and high, Jimmy is getting belligerent and preachy claiming the Pakistanis, the Vietnamese and basically anyone who isn't white will side with the blacks. Ray seems more amused with the prospect of a midget versus midget war while Ken is seriously annoyed because he was married to a black woman whom he loved more than anything and she was killed by a white man. He asks Jimmy given that info whose side will he be on in this supposed war. Jimmy retreats and says Ken will have to make that decision on his own. Ken is revealed to be a sensitive man capable of great love while also being a hit man. The night ends with Ken and Ray leaving abruptly and returning to their hotel.The next day Ken goes to the contact's house to the gun to kill Ray. The contact is an oddball eccentric who advises Ken if he were to murder someone he would do it in one of the alcoves in the park because they are isolated this time of year. The contact seems focused on these alcoves and an irritated Ken takes the gun and leaves. He goes back to the apartment where the proprietress greets him in the lobby remarking on what an odd person Ray is. While Ken was gone Ray had given her what appeared to be his last 200 Euros and left to go to the park. Ken goes upstairs and sees a suicide note from Ray saying he went to the park so she (the proprietress) wouldn't have to clean up the mess. (Ray has Erik's gun and bullets he stole from Chloe's apartment.) Ken rushes to the park and sees Ray sitting on a bench by a playground. Ken reluctantly readies his gun and walks up behind Ray aiming to shoot him when Ray puts his own gun to his own head. Realizing Ray is about to kill himself, Ken rushes forward and stops him just in time. A surprised Ray turns around, sees Ken's gun and realizes Ken was just about to kill him. Each one wonders aloud what the other was about to do and it's obvious to both that Ken doesn't want to kill Ray or see him kill himself. Ray breaks down, Ken tells Ray to get on a train, leave Bruges and start over that Ray is no use to anybody dead. Ken explains what Harry is up to including the fact that he sent them to Bruges because he wanted Ray to have a vacation in a nice place before he died. This is quite comic considering how passionately Ray hates the place and the look on his face says it all. Ken tells Ray he can't bring back the little boy but maybe he can save another. Ray knows that Ken is risking his own life by not killing him. Ken hands Ray the 200 Euros he'd given the proprietress and puts him on a train but not before taking Erik's gun from Ray first, fearing that Ray will just try to kill himself again.The train pulls out; Ken has made his decision and goes back to the hotel to tell Harry who is not pleased. Ken tells Harry to meet him in the square when he gets to Bruges knowing that Harry will come for him. Meanwhile on the train, Ray is at least getting the hell out of Bruges when a steward approaches Ray and accuses Ray of "heeting the Canadian". Ray has no idea what this guy is talking about when the anti-smoker from the restaurant appears and fingers Ray as the guy who attacked him. Apparently the anti-smoker was not an American but just a jerk Canadian. Ray is taken off the train and to jail... back in Bruges. Chloe bails Ray out and they wander over to the city center where they have a beer, Ray is unaware that Harry has now arrived from London and headed for the same square to meet Ken. First Harry goes to the gun contact's house where the guy goes on about the alcoves again to Harry and lo and behold the contact happens to be the uncle of Erik who is also there licking his wounds. We learn Erik was permanently blinded by the blank and wants Ray dead. Harry engages in an exchange where he puts the blame for the blindness squarely on Erik's own shoulders because he got shot by a blank from his own gun that he used in a half-assed robbery in which he held the gun to another man's head. To Harry, Erik got what he deserved and Erik is left speechless and red-faced. Back to Ray and Chloe who are drinking a beer at an outside cafe when Jimmy appears and invites them to watch the movie being filmed elsewhere. They decline but not before getting in one last laugh at the midget dressed in a school boy's uniform with a little cap on his head.Harry has now caught up with Ken at the square and knowing that Harry will kill him, Ken asks that they at least go to the tower to get it over with. On their way they walk right past a kissing Chloe and Ray and no one sees the other. Harry and Ken approach the guard/cashier (the same guy from the beginning) who says the tower is closed because some American had a heart attack while climbing the steps the day before. Harry asks the guy to do him this one favor and the guard pulls the same shtick and pointing his finger squarely in the middle of (and on!) Harry's forehead taps out that "the tower is closed! Got it?! Ken knows this will not go over well with Harry and walks onward while in the shadows we see Harry beat the crap out of the guard. Harry and Ken then ascend the tower and upon reaching the top they each marvel at the beautiful view. To Harry's surprise, Ken gives up his gun, he says he will not fight. He says he has too much respect for Harry and owes him too much to fight anymore. He goes on about this until we think Harry is just going to shoot him when then Harry throws up his arms saying now he can't shoot Ken after the nice things he just said. Frustrated, Harry tries to explain to Ken why it is Ray has to be killed. Harry thinks Ray should have killed himself the minute he realized he'd killed the boy, that's what Harry would have done (important). Ken defends Ray saying he can be redeemed and what does it matter it's done, Ray's gone and no one knows where he's going. At this point Harry shoots Ken in the thigh (not a mortal wound) saying he couldn't just let Ken get away with letting Ray go. Everything seems to be resolved, Harry is carefully helping Ken down all of the stairs one narrow step at a time when Erik sees Chloe and Ray and they ask him to join them, but he walks away.Knowing Harry is with Ken at the tower Erik meets them on the stairs and tells them that Ray is back in Bruges and he is right outside. Everything changes, both Ken and Harry go for their guns (Ken to shoot Harry to keep him from killing Ray and Harry to shoot Ken) and in the struggle that follows Harry shoots Ken through the neck but it doesn't kill him though there is a lot (a lot!) of blood. Harry runs down the stairs which apparently there are many of because in the time it takes for Harry to get halfway down a badly wounded Ken has dragged himself back up to the top of the tower leaving globby streams of blood in his wake. Ken reaches the top of the tower to try to warn Ray but the fog has moved in and he can't see anything. Ken then reaches into his breast pocket and puts away his gun, reaches into his pants pocket and pulls out the change and begins to drop the coins one by one from the tower which draws the attention of the people in the square below, including Ray and Chloe. Everyone looks up at the tower in time to see Ken launch himself off and onto the pavement below. Ken hits the ground with a sickening crush. Having seen the whole thing Ray runs over realizing at the last moment that it is Ken on the ground and he is barely alive. Ken tells Ray that Harry is in Bruges and to take Ken's gun from his pocket. A very upset Ray doesn't know what to do but he pulls the gun from underneath Ken only to find it too is broken in pieces from the impact. Frantic, Ray tries to get Ken to tell him where Erik's gun is but Ken tells Ray he's going to die now and does. Just then Harry runs out of the tower stairs and sees a dead Ken on the ground and a distraught Ray standing over him. Rays makes a run for it back to the hotel where he thinks Ken hid the gun. Harry gives chase shooting at him despite the presence of other people.Back at the hotel Ray has just enough time to get the hotel room key from the proprietress and scream at her to get away somewhere safe for her and her unborn baby's sake. Ray runs up to the room, finds the gun then hears an altercation downstairs which is the proprietress blocking Harry's way with her pregnant belly and a stunned Harry looking at this woman in total shock. The woman says it is her hotel and she will not leave to which Harry has no response and Ray hearing all of this is furious. He calls down the steps to Harry saying they have to take their gunfight somewhere else where the proprietress will be unharmed. Not sure how to do that they clumsily devise a plan to move the fight elsewhere with their guns still trained on each other and a stupefied proprietress questioning their sanity and intelligence. The plan is since the hotel sits alongside a canal, on the count of three Ray will run back into his room, jump out the window and Harry can run outside to the bridge and try to catch him in the canal. Plan made, they both just stand there, each waiting for the other to start counting with the proprietress looking on in disbelief. Harry tells Ray to count to three. Ray counts, Harry runs out the door in time to see Ray leap from his window into the canal and onto a passing boat. Ray thinking he's far enough away from Harry not to be hit is surprised when Harry shoots him from the bridge square in the stomach.At the first dock, Ray gets off the boat and continues to try to get away albeit badly hurt and again Harry gives chase. They end up at the location where Jimmy's movie is filming which is a very surreal scene with bizarre costumes and circusque people lingering around. Jimmy sees Ray and realizing something isn't right walks over to him at the same time Harry approaches Ray from behind and shoots him several times in the back just as Ray had shot the priest. We hear Ray faintly say "a little boy" before he falls over and crawls agonizingly over to the dead and horrifically disfigured body of Jimmy who was hit by one of the bullets in the forehead. Still wearing the little boy costume and unrecognizable facially, Harry sees what he thinks to be a child and saying "you have to stick to your principals" puts the gun in his mouth and kills himself.The final scene is of Chloe screaming over Ray, as he's loaded onto a gurney and into an ambulance and his voice over talking about Heaven and Hell and Purgatory and no matter what he just doesn't want to die in Bruges.

In Bruges

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What type of establishment does Marie own?

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The movie, a very dark comedy, begins in Bruges (a beautiful medieval city in Belgium) with two Irish hitmen, Ray (Colin Farrell) and Ken (Brendan Gleeson) are standing in a city square checking out the scenery. Instantly we see that Ken is enchanted with Bruges while Ray loathes the place. It is revealed that due to what happened in London they have no choice but to follow orders, stay in Bruges, lay low and wait for further instructions from Harry (Ralph Fiennes). Ray asks Ken how long he thinks they will have to stay in Bruges; Ken responds that he doesn't know, maybe two weeks. Again, we see that Ray is not happy about spending two weeks, let alone two hours, in Bruges. To add insult to injury it is Christmas and there is only one available room in the city (although at least it has two twin beds). During one of the first scenes in the hotel room Ken alludes to the incident in London indicating that they wouldn't be in Bruges if not for what happened, driving Ray to abruptly cut Ken off and retreat to the bathroom where he cries, distressed over whatever it was that occurred.Later Ray makes comments about Harry sending them to, say...the Bahamas...instead of this "bleeping" city of Bruges. Ken advises Ray to make the best of it, for starters why don't they climb up the tower in the square and take a look at the view. Ray snidely says, "no, he can see the 'bleeping' view just 'bleeping' fine from where he 'bleeping' is. Rays takes a seat (rather frustratedly) on a park bench and Ken goes off to climb the tower. The cost of going up the tower is 5 Euros for which Ken has change but is one coin short. Ken asks the cashier/guard to give him a break but the guy impatiently points out to Ken the sign that clearly states 5 Euros. Ken isn't pleased at having to break a large bill or the cashier's refusal to cut him some slack but he pulls out a 50 Euro note and gives it to the cashier anyway putting the 4.90 in change back in his pocket (important later). Ken walks up the very narrow, winding stairs to the top of the tower and looks out over Bruges enjoying every second. He looks down on the square and sees Ray sitting on the park bench with his arms crossed over his chest. At that point a hint to the nature of Ray and Ken's line of work is alluded to when Ken makes a gun of his fingers and "shoots" Ray.The scene changes to Ray down in the square who is approached by a family of three very large Americans who virtually stand on top of Ray without a clue as to who Ray is and begin to ask him if he has been to the top of tower. Again, Ray snidely responds that no he bleeping has not. The Americans are shocked and ask him why he doesn't want to go? Ray says he just doesn't want to and they shouldn't either (clearly because of their size though Ray doesn't come out and say it - yet). This back and forth exchange goes on with the Americans clearly wondering if Ray is saying what they think he's saying until Ray blurts out that they shouldn't go up because they're a bunch of bleeping elephants. The father explodes and haplessly tries to chase Ray, with Ray simply running in small circles dodging the American who can barely catch his breath after five seconds. The father gives up, the mother and daughter call Ray nasty names and they head off to go up the tower, meeting an oblivious Ken coming out the door who innocently advises the large family to watch out for the narrow stairs only to be called a bleeping a-hole by the daughter. Ray shrugs to a stunned Ken as if he has no idea why the Americans are so upset.That evening Ray and Ken happen upon a movie being filmed on the city streets. Much to Ray's utter amusement the movie includes a dwarf to which Ray exclaims "Holy shit, they're filming a movie about bleeping midgets!" While watching the filming of the movie, Ray catches sight of Chloe (Clemence Poesy) and is in awe of her and also mistakenly believes her to be a celebrity when in fact it turns out she is far from it. Rays stays to watch the filming and Ken goes back to the hotel room to see if Harry called. Ray sneaks on to the movie set and gets a cup of coffee from the food area behind Chloe who is helping herself as well. They have a little flirtatious exchange including discussion about midgets whom Chloe explains prefer to be called dwarves. Ray and the dwarf, Jimmy, are introduced and Ray's amazement at Jimmy is obvious and totally irreverent. Chloe and Ray continue to talk resulting in Ray asking Chloe out for dinner the next night. Chloe walks away, dropping a calling card over her head much to Ray's delight.The scene moves to Ken back at the hotel picking up a handwritten message from Harry, which the pregnant hotel proprietress has left for them. Harry is extremely ticked off that Ray and Ken were not in when he called and the "f" word is used liberally. The proprietress took the note verbatim and left nothing out. Ken is a bit embarrassed by the whole thing and goes to bed. Ray comes home and makes little effort to be quiet and not awaken Ken. He clearly wants to tell Ken all about his night and his planned date with Chloe the next evening and Ken clearly wants to go back to sleep. Ken tells Ray that Harry called and he will call again the next evening. Ray suggests it isn't necessary for both of them to be there and considering he already has a date would Ken wait by the phone and let Ray go out with Chloe. Ken agrees as long as in exchange they go sightseeing during the day. We see that though of different personalities Ken is fond of Ray in a de facto father-son way but won't come out and show it (and vice versa).The next day Ken and Ray are touring an old church. Ken is giving Ray the history of the church including the fact that some part of the church behind the alter is so old it may have been touched by God and touching it would be like touching God himself. Ken clearly wants Ray to appreciate the significance of this but Ray doesn't get it or doesn't want to and passes on the opportunity to (in Ken's eyes) begin to redeem himself for what happened in London and walks out of church instead leaving Ken behind. Ray walks out and sits on a bench. Across the street, he sees Jimmy walking and waves to him enthusiastically. Jimmy doesn't acknowledge him leaving Ray annoyed.The scene then flashes back to the incident in London. Ray is sitting in a confessional admitting to a priest (an uncredited Ciaran Hinds) that he is a hit man and he kills only for money. Not for revenge or out of anger, just for money. The priest who is quite dismayed by this confession asks Ray who he killed and Ray replies, "You" and shoots him. The priest stumbles out of the confessional and manages to make his way to the doorway into the church itself where Ray shoots several more bullets into his back. Before falling dead to the floor, the priest faintly says "a little boy". Ray looks past the dead priest on the floor and to his horror sees and young boy, perhaps 4 or 5 years old still kneeling in prayer with a clean but blood-filled bullet hole through his otherwise pristine forehead. One of the bullets went through the priest and struck the child. The little boy then crumples to the floor, dead, with a note in his hand indicating he was praying to God to do better in Math and other simple, childhood concerns. Ray goes to the boy but it is too late and the scene ends with Ken rushing to Ray and dragging him out of the church. This is the incident that drove Harry to send Ken and Ray to Bruges to lay low and what is - despite all of Ray's bluster and bravado - killing him inside. Ray is tormented with grief and guilt over accidentally killing the child.The next night Ray and Chloe are sitting at a table in a restaurant where Chloe is smoking her cigarette much to the dismay of a nearby couple who don't appreciate smoke in their face. In an unexpected and oddly honest exchange Ray reveals he shoots people for a living and Chloe reveals she deals drugs to movie sets and neither seems the least bit concerned about the other's career choice. Ray also reveals his inability to be tactful by first shamelessly insulting Bruges (Chloe's hometown) and then going out of his way to think of a crass joke about Belgium and child molesters. Instead of being repulsed by Ray's sensitivity Chloe shows she can give as good she gets. Chloe goes to use the bathroom and the annoyed man at the next table mutters how un-bleeping "unbelievable" it (she) is. Ray hears the guy's comment and tries to ignore it but can't and asks the guy what the hell he meant to which the guy rudely tells Ray he doesn't appreciate Ray's girlfriend blowing her cigarette smoke in his and his girlfriend's faces to which Ray points out that they are sitting in the smoking section to which the guy says he doesn't bleeping care and the conversation turns into a bit of a political tit-for-tat with Ray assuming the guy is an American and therefore arrogant and imperialistic and mentions something about Vietnam which confounds the other guy and the whole thing ends up with Ray just flat-out punching the guy, then the guy's girlfriend entering into the fray and Ray punching her in the face as well. At this time Chloe comes back to the table, surveys the scene and they both promptly leave. Ray thinks Chloe hates him when in fact she seems intrigued by him and gives him a big kiss. She then goes to make a call (important later).Back at her apartment, Ray and Chloe are very close to having sex when Chloe's boyfriend/co-conspirator (Erik) appears behind Ray with a gun to his head. Ray realizes he has been scammed, Chloe admits she and Erik have a habit of robbing tourists, Ray is pissed off because it's been months since he's had sex (he doesn't seem too concerned about the gun aimed at him) meanwhile Chloe yells at Erik asking him why he came. Obviously the phone call she made was telling him not to come as she didn't want to rob Ray. In fact it seems she really does like him. Meanwhile Erik still has the gun in his hand which Ray deftly takes with a very quick maneuver involving a head butt only to find out - when a now irate Erik brandishes a very large knife - it is loaded with blanks. Ray shoots the gun at Erik's eye at very close range and whatever makes up a blank sears Erik's eye causing him terrible pain. Erik is being very un-gunman-like, holding his hand to eye and whining pathetically. Chloe takes Erik to the hospital but on her way out tells Ray to call her.In the meantime, Ken is at the hotel when Harry calls. Not wanting to tell Harry that Ray is on a date, Ken pretends Ray is on the toilet thinking this will suffice. But no, Harry wants to know if Ray is taking a poo or just a wee. Harry then asks if Ken and Ray love Bruges as much as Harry does (from a long-ago visit). Ken is befuddled but goes along with it culminating in Harry asking Ken to get rid of Ray for half an hour so they can talk in private still unaware that Ray is already out. Ken goes through a silly charade of pretending to get rid of Ray then there is much talk about how magical and fairy-tale like Bruges is. Harry asks Ken if Ray likes Bruges as much as they do and Ken begins to tell Harry that Ray isn't as charmed with the place much to Harry's disapproval. Ken recovers quickly and makes up a story about Ray walking through the city in the fog and saying something like "it's like living a dream" which pleases Harry very much because Harry just wants Ray to experience something beautiful because he "was" a good kid. The use of the past-tense alerts Ken to Harry's plan. We see Ken's concern that he just gave Harry the green-light he wanted to eliminate Ray. Harry makes it clear that Ken must kill Ray because Ray killed the boy, accidentally or not. Ken does not want to do this, knowing full well how stricken Ray is and feeling like Ray can redeem himself. Harry informs Ken that since they were sent to Bruges without weapons, arrangements have been made for a gun to be picked up at a contact's house in Bruges and the job must be completed ASAP.Ken is conflicted with his orders, leaves the apartment and goes to a bar where he drinks 4 presumably Belgian beers in 20 minutes. Ken spies Jimmy at the other end of the bar sitting with a prostitute. In talking to Jimmy Ken learns he is American. Jimmy asks that Ken not hold it against him, Ken says he won't as long as Jimmy doesn't say anything too loud or crass. Ray then enters the same bar and upon seeing Jimmy promptly confronts him asking why he didn't wave back to him earlier. Jimmy apologizes saying he was high on horse tranquilizers (given to him by Chloe) and he didn't know what he was doing or who or where he was. Jimmy, Ray, Ken and now two prostitutes end up in Jimmy's hotel room doing drugs and making use of the prostitutes when Jimmy begins a political discussion about the inevitable race war the world is heading towards between the blacks and whites. Drunk and high, Jimmy is getting belligerent and preachy claiming the Pakistanis, the Vietnamese and basically anyone who isn't white will side with the blacks. Ray seems more amused with the prospect of a midget versus midget war while Ken is seriously annoyed because he was married to a black woman whom he loved more than anything and she was killed by a white man. He asks Jimmy given that info whose side will he be on in this supposed war. Jimmy retreats and says Ken will have to make that decision on his own. Ken is revealed to be a sensitive man capable of great love while also being a hit man. The night ends with Ken and Ray leaving abruptly and returning to their hotel.The next day Ken goes to the contact's house to the gun to kill Ray. The contact is an oddball eccentric who advises Ken if he were to murder someone he would do it in one of the alcoves in the park because they are isolated this time of year. The contact seems focused on these alcoves and an irritated Ken takes the gun and leaves. He goes back to the apartment where the proprietress greets him in the lobby remarking on what an odd person Ray is. While Ken was gone Ray had given her what appeared to be his last 200 Euros and left to go to the park. Ken goes upstairs and sees a suicide note from Ray saying he went to the park so she (the proprietress) wouldn't have to clean up the mess. (Ray has Erik's gun and bullets he stole from Chloe's apartment.) Ken rushes to the park and sees Ray sitting on a bench by a playground. Ken reluctantly readies his gun and walks up behind Ray aiming to shoot him when Ray puts his own gun to his own head. Realizing Ray is about to kill himself, Ken rushes forward and stops him just in time. A surprised Ray turns around, sees Ken's gun and realizes Ken was just about to kill him. Each one wonders aloud what the other was about to do and it's obvious to both that Ken doesn't want to kill Ray or see him kill himself. Ray breaks down, Ken tells Ray to get on a train, leave Bruges and start over that Ray is no use to anybody dead. Ken explains what Harry is up to including the fact that he sent them to Bruges because he wanted Ray to have a vacation in a nice place before he died. This is quite comic considering how passionately Ray hates the place and the look on his face says it all. Ken tells Ray he can't bring back the little boy but maybe he can save another. Ray knows that Ken is risking his own life by not killing him. Ken hands Ray the 200 Euros he'd given the proprietress and puts him on a train but not before taking Erik's gun from Ray first, fearing that Ray will just try to kill himself again.The train pulls out; Ken has made his decision and goes back to the hotel to tell Harry who is not pleased. Ken tells Harry to meet him in the square when he gets to Bruges knowing that Harry will come for him. Meanwhile on the train, Ray is at least getting the hell out of Bruges when a steward approaches Ray and accuses Ray of "heeting the Canadian". Ray has no idea what this guy is talking about when the anti-smoker from the restaurant appears and fingers Ray as the guy who attacked him. Apparently the anti-smoker was not an American but just a jerk Canadian. Ray is taken off the train and to jail... back in Bruges. Chloe bails Ray out and they wander over to the city center where they have a beer, Ray is unaware that Harry has now arrived from London and headed for the same square to meet Ken. First Harry goes to the gun contact's house where the guy goes on about the alcoves again to Harry and lo and behold the contact happens to be the uncle of Erik who is also there licking his wounds. We learn Erik was permanently blinded by the blank and wants Ray dead. Harry engages in an exchange where he puts the blame for the blindness squarely on Erik's own shoulders because he got shot by a blank from his own gun that he used in a half-assed robbery in which he held the gun to another man's head. To Harry, Erik got what he deserved and Erik is left speechless and red-faced. Back to Ray and Chloe who are drinking a beer at an outside cafe when Jimmy appears and invites them to watch the movie being filmed elsewhere. They decline but not before getting in one last laugh at the midget dressed in a school boy's uniform with a little cap on his head.Harry has now caught up with Ken at the square and knowing that Harry will kill him, Ken asks that they at least go to the tower to get it over with. On their way they walk right past a kissing Chloe and Ray and no one sees the other. Harry and Ken approach the guard/cashier (the same guy from the beginning) who says the tower is closed because some American had a heart attack while climbing the steps the day before. Harry asks the guy to do him this one favor and the guard pulls the same shtick and pointing his finger squarely in the middle of (and on!) Harry's forehead taps out that "the tower is closed! Got it?! Ken knows this will not go over well with Harry and walks onward while in the shadows we see Harry beat the crap out of the guard. Harry and Ken then ascend the tower and upon reaching the top they each marvel at the beautiful view. To Harry's surprise, Ken gives up his gun, he says he will not fight. He says he has too much respect for Harry and owes him too much to fight anymore. He goes on about this until we think Harry is just going to shoot him when then Harry throws up his arms saying now he can't shoot Ken after the nice things he just said. Frustrated, Harry tries to explain to Ken why it is Ray has to be killed. Harry thinks Ray should have killed himself the minute he realized he'd killed the boy, that's what Harry would have done (important). Ken defends Ray saying he can be redeemed and what does it matter it's done, Ray's gone and no one knows where he's going. At this point Harry shoots Ken in the thigh (not a mortal wound) saying he couldn't just let Ken get away with letting Ray go. Everything seems to be resolved, Harry is carefully helping Ken down all of the stairs one narrow step at a time when Erik sees Chloe and Ray and they ask him to join them, but he walks away.Knowing Harry is with Ken at the tower Erik meets them on the stairs and tells them that Ray is back in Bruges and he is right outside. Everything changes, both Ken and Harry go for their guns (Ken to shoot Harry to keep him from killing Ray and Harry to shoot Ken) and in the struggle that follows Harry shoots Ken through the neck but it doesn't kill him though there is a lot (a lot!) of blood. Harry runs down the stairs which apparently there are many of because in the time it takes for Harry to get halfway down a badly wounded Ken has dragged himself back up to the top of the tower leaving globby streams of blood in his wake. Ken reaches the top of the tower to try to warn Ray but the fog has moved in and he can't see anything. Ken then reaches into his breast pocket and puts away his gun, reaches into his pants pocket and pulls out the change and begins to drop the coins one by one from the tower which draws the attention of the people in the square below, including Ray and Chloe. Everyone looks up at the tower in time to see Ken launch himself off and onto the pavement below. Ken hits the ground with a sickening crush. Having seen the whole thing Ray runs over realizing at the last moment that it is Ken on the ground and he is barely alive. Ken tells Ray that Harry is in Bruges and to take Ken's gun from his pocket. A very upset Ray doesn't know what to do but he pulls the gun from underneath Ken only to find it too is broken in pieces from the impact. Frantic, Ray tries to get Ken to tell him where Erik's gun is but Ken tells Ray he's going to die now and does. Just then Harry runs out of the tower stairs and sees a dead Ken on the ground and a distraught Ray standing over him. Rays makes a run for it back to the hotel where he thinks Ken hid the gun. Harry gives chase shooting at him despite the presence of other people.Back at the hotel Ray has just enough time to get the hotel room key from the proprietress and scream at her to get away somewhere safe for her and her unborn baby's sake. Ray runs up to the room, finds the gun then hears an altercation downstairs which is the proprietress blocking Harry's way with her pregnant belly and a stunned Harry looking at this woman in total shock. The woman says it is her hotel and she will not leave to which Harry has no response and Ray hearing all of this is furious. He calls down the steps to Harry saying they have to take their gunfight somewhere else where the proprietress will be unharmed. Not sure how to do that they clumsily devise a plan to move the fight elsewhere with their guns still trained on each other and a stupefied proprietress questioning their sanity and intelligence. The plan is since the hotel sits alongside a canal, on the count of three Ray will run back into his room, jump out the window and Harry can run outside to the bridge and try to catch him in the canal. Plan made, they both just stand there, each waiting for the other to start counting with the proprietress looking on in disbelief. Harry tells Ray to count to three. Ray counts, Harry runs out the door in time to see Ray leap from his window into the canal and onto a passing boat. Ray thinking he's far enough away from Harry not to be hit is surprised when Harry shoots him from the bridge square in the stomach.At the first dock, Ray gets off the boat and continues to try to get away albeit badly hurt and again Harry gives chase. They end up at the location where Jimmy's movie is filming which is a very surreal scene with bizarre costumes and circusque people lingering around. Jimmy sees Ray and realizing something isn't right walks over to him at the same time Harry approaches Ray from behind and shoots him several times in the back just as Ray had shot the priest. We hear Ray faintly say "a little boy" before he falls over and crawls agonizingly over to the dead and horrifically disfigured body of Jimmy who was hit by one of the bullets in the forehead. Still wearing the little boy costume and unrecognizable facially, Harry sees what he thinks to be a child and saying "you have to stick to your principals" puts the gun in his mouth and kills himself.The final scene is of Chloe screaming over Ray, as he's loaded onto a gurney and into an ambulance and his voice over talking about Heaven and Hell and Purgatory and no matter what he just doesn't want to die in Bruges.

In Bruges

55440b23-1c89-4ab0-50fb-aa5c5c04e173

Whose head is blown apart?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

6346f80c-37bb-38ea-450d-bc22a0a052b6

Who does Sue free?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

bfa65997-9cb3-4652-1853-1c4b92e5998a

Who is placed under arrest for the murder?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

b179f5b6-3cd5-b7c7-c040-e240373755fb

Whose gang continues to pressure Thao?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

3b26e758-bbb7-4b6c-5ff7-965207ed0413

What item does Walt give to Thao?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

97a4b4a7-6527-f592-5f5b-b5a37eb9ab46

Who is a retired Polish American assembly line worker?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

e7f35255-dbd7-441f-c830-9d4863c0bfd4

Why did Walt suffer from coughing fits?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

2f7c4d1e-ae76-d0b9-c9ac-354e2e7eecec

Thao gets Walt's Gran Torino, with one condition, which is what?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

78107444-73c5-3431-316f-1b1e15e72fe0

Who is assaulted on his way home from work?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

07103dc9-2342-fd56-3dbd-b83c0aaf618b

Why does Walt go to the doctor?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

a3b52852-5444-a67e-4320-399723497258

Who is the celebrant for Walt's funeral?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

6cfd0ee5-382c-b630-03f6-efaf0d022784

Who does Thao work for?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

6e6397c2-06a4-a511-437f-b477b3301a45

What does Walt do to prepare for the revenge?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

9835eaa9-c610-a091-f13e-f7632404f23e

What is the major ethnic group of Highland Park?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

3348eaf1-dee5-de94-9152-7de76dcbc1e2

What is on the lighter?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

c755267a-5303-2f7e-8a57-0368d642384d

What memories haunted Walt?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

ead878c0-21a9-5ee2-3711-8970fd5e521e

Where does Walt take Thao?

/m/04q01mn

Walt Kowalski (Clint Eastwood), a retired Polish American Ford automobile assembly line worker and Korean War veteran, haunted by memories of that conflict, lives with his Labrador Retriever Daisy in a changing Highland Park, Michigan neighborhood which is dominated by immigrants. At the start of the movie, Walt is attending his wife's funeral, bristling at the shallow eulogy of young Father Janovich (Christopher Carley). Similarly, he has little patience with his two sons, Mitch (Brian Haley) and Steve (Brian Howe), and their families, who show little regard for Walt's grief or the memory of their dead mother. Throughout the movie Walt views his relatives as rude, spoiled and self-absorbed, always avoiding him unless it is in their own interest to pay him some attention. Walt's sons see him as "always disappointed" with them and their families, unaware of their own obnoxiousness. Father Janovich tells Walt that his late wife, Dorothy, made Father Janovich promise to try to get Walt to go to a confession. Walt writes Janovich off as knowing nothing about life or death, and insists on being called "Mr. Kowalski" rather than "Walt" because he feels he neither knows, nor wants to know, Father Janovich.Walt's teenage Hmong neighbors, a shy Thao Vang Lor (Bee Vang) and his feisty sister Sue (Ahney Her), live with their widowed mother and grandmother. When a Hispanic gang confronts Thao, the Hmong gang, led by Thao's older cousin Spider (Doua Moua), helps Thao by frightening the Hispanic gang and forcing them to flee. The Hmong gang, at that point, tries to persuade Thao to join them. Thao's initiation is to steal Walt's prized car, a 1972 Gran Torino Sport. Walt interrupts the robbery, pointing a rifle in Thao's face and forcing him to flee. After a few days, Spider and his gang return. With Sue at his side, Thao manages to verbally confront them to no avail. The gang drags Thao off his porch in an attempt to assault him. His family tries desperately to fend off Spider and his cohorts. The conflict ends when Walt threatens the gang members with his M1 Garand rifle and orders them to get off his lawn. They leave the neighborhood, telling Walt to watch his back.The Vang Lors thank a grumpy and impatient Walt, who insists he only wanted the "gooks" off his property. When the neighborhood hears of Walt's brave act, they reward him by leaving on his porch gifts of Hmong dishes and garden plants. Thao admits to trying to steal his Gran Torino. Walt is not pleased, seeking only to be left alone. Father Janovich goes to Walt, reminding him of his wife's desire for him to go to confession. Walt refuses.Mitch and his wife, Karen (Geraldine Hughes) go to visit Walt on his birthday, bringing him a cake and a few gifts meant to make certain menial tasks easier. Presentation, and explanation, of these gifts quickly turn into a shamelessly brazen pitch to get Walt to move into a senior's retirement home. Knowing that Mitch and Karen just want to get their hands on his house, Walt growls in anger and throws them out; gifts, cake and all. Mitch and Karen cannot understand Walt's reaction.After seeing Sue being harassed by three black teenagers, Walt steps in to rescue her, confronting the teenagers and threatening them with a Colt 1911 pistol. Sue gets to know Walt, and invites him to a family barbecue on his birthday, bringing him closer to her family, explaining Hmong culture and that during the Vietnam War they fought on "his" side. Sue, Thao, and their mother visit Walt the next day, with Thao's family forcing him to work for Walt for a week to atone for his attempted theft of the Gran Torino. Walt has Thao clean up the neighborhood until his debt is paid and shows Thao the ways of American men. He gets Thao a construction job and encourages him to ask out another Hmong girl called Youa.After discovering blood when he coughs, Walt visits the doctor. After viewing the results of his examination, which indicate that his health isn't good, he calls his son Mitch and awkwardly tries to tell him about it; but he can't bring himself to do it and just tries to make small talk. However, Mitch and Karen say they are too busy to talk to him. Meanwhile, the Hmong gang keeps pressuring Thao to join them. When they find Thao walking home alone after work, they rob him and burn his face with a cigarette. Walt confronts Smokie, second-in-command in the Hmong gang, at the gang's house, and beats him up in retaliation. The gang returns days later and shoots up the Vang Lors' home in a drive-by, wounding Thao in the neck. Walt runs to check on them and hears that Sue, who had left for her aunt's house before the shooting, never arrived. A few minutes later another Hmong gang car drives by and throws Sue out into the street. Sue gets to her feet and walks into the house, and it's seen she's been beaten to a pulp and raped. The family chooses not to tell police who did it. Walt storms home, punching cupboards and bloodying his knuckles in anger. Father Janovich goes to visit him later, deeply concerned about both Walt and Sue. Walt gives Janovich a beer and they talk openly. Janovich calls Walt 'Mr. Kowalski,' but Walt is now open to Janovich calling him by his first name.An angry Thao urges Walt to take vengeance on the Hmong gang with him. Walt first tells him to come back later as revenge must be planned carefully. He tells Thao to return late in the afternoon. During this time, Walt indulges in a few luxuries. He gets a haircut, tipping the barber generously. He buys a new tailored suit. He goes to Church and much to the amazement of Father Janovich, asks to make confession. Janovich hears confession of a few minor sins and prescribes a standard penitence prayer.When Thao returns to Walt's house at the appointed time, Walt gives him the Silver Star medal he earned in Korea, but then locks him in the basement, saying he does not want him to live with the consequences of killing someone. Walt tells Thao about a sin that haunted him every day - killing a young enemy soldier, who wanted to "just give up". Walt then leaves Daisy with Sue's grandmother, and from a bar he often went to, calls Sue, telling her where to find the key to unlock his basement so she can let Thao out.Meanwhile, Father Janovich is with two police officers outside the Hmong gang house. Janovich had talked the sergeant into sending them on a stakeout, because he believes Walt will bring Thao there for a shootout confrontation with the gang. But the whole neighborhood remains quiet and the sergeant finally recalls the officers, who make Janovich leave with them.Sue arrives at Walt's house to let Thao out of the basement. He hurriedly explains Walt's leaving him there and they hurry off to the Hmong gang house.Outside the gang members' house, Walt confronts them for the shootout and raping of Sue, causing the neighbours to come out and observe the confrontation. He takes out a cigarette from his jacket, puts it in his mouth, asks the gang for a light, and then slowly reaches into his jacket before pulling his hand out quickly. Thinking Walt is going to shoot, the gang members gun him down. A shot of Walt lying dead on the ground reveals he had grabbed his 1st Cavalry Division Zippo lighter, not a gun. When Thao and Sue arrive at the crime scene, they are told by the police that the gang has been arrested and, with the rest of the community prepared to testify against them, they will be imprisoned for a long time, having killed an unarmed man. Thao, still with Walt's Silver Star pinned to his shirt, glares at Spider and Smokie as they are loaded into police cars.A funeral service is held for Walt with Father Janovich delivering a memorable eulogy of Walt. Thao and his family attend the funeral opposite Walt's large extended family, and Mitch is annoyed at their presence. At the reading of Walt's will, it's revealed that Walt left his house to the church, and his Gran Torino to Thao, much to the disappointment and puzzlement of Walt's family. In the final scene, Thao is driving the Gran Torino up Lake Shore Road with Daisy next to him.

Gran Torino

5d1a4f63-dfd2-f285-5959-c96d0829e579

How are Sue and Thao related?

/m/05zkcsk

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2015) (Learn how and when to remove this template message) Adam Raki (Dancy) is a young man, who has Asperger syndrome, living alone in Manhattan after his father's recent death. He has a friend, Harlan Keyes (Frankie Faison), an old army friend of his father's, who is always there for him. Because of his condition, Adam has difficulty communicating with others and likes to escape into his love of space exploration. His fixation on detail, repetitive behaviors, and mind-blindness cost him his job at a toy manufacturing company and nearly get him arrested after he is mistaken for a pedophile. He does not want to leave the apartment he and his father had been living in, but the loss of his job leaves him with an uncertain future, including the problem of continuing to pay the mortgage. Although he has Asperger syndrome and likes to stick to his own routine, avoiding socializing with others, Adam is lonely and wishes things could be different. Beth Buchwald (Byrne), a school teacher and aspiring children's book writer, moves into the apartment above his and they strike up an awkward friendship. One night, Beth is shocked to find him trying to clean her apartment windows suspended from the roof of the building in a space suit. Beth takes a liking to Adam despite his oddities. Adam hopes for a relationship, but the first attempts are uneasy due to his fear of social interaction. Eventually he breaks out of his beloved routines enough to be able to date Beth. When Adam asks Beth if she was aroused, as he was during an outing to Central Park, she is taken aback. Adam admits his Asperger's to her, explaining his inability to interpret her emotions. Surprised by his innocence, Beth understands the reason for his question. The next day she asks a co-worker about Asperger's syndrome and concludes with the assertion that surely Adam is not "dating material". However, Beth is drawn to Adam and, the eccentricities of Asperger's serve to make him more attractive to her. Adam's innocence, honesty and unique ways endear him to her and she falls in love. Eventually their relationship becomes sexually intimate and Beth also helps him understand how to better connect with her, and how to interview for a new job. As time goes on, there are moments in which Beth and Adam do not understand each other. One of those moments involves Adam's suggestion to Beth that her children's book on raccoons simply be true to life and avoid anthropomorphizing the animals. Things go downhill as Beth's father, Marty (Peter Gallagher), gets into legal trouble. Adam naively asks him about the details of Marty's alleged crimes, to make conversation, not understanding how to make small talk. This creates a rift with Beth, who does not understand Adam's mistake as unintentional, although she later apologizes to him. Marty pleads guilty and is about to be sentenced. Beth's mother (Amy Irving) calls Adam trying to find Beth. She asks him to check Beth's calendar for any way to reach her. He finds that Beth had put down a reminder to meet her parents on the night they "unexpectedly" bumped into each other. Beth knew that Adam would be uncomfortable, so she and her father engineered an "accidental" meeting. When Beth confirms this, Adam angrily accuses her of being a liar and her father a criminal. Beth storms out and goes to her parents' home. Adam gets a call from the Mount Wilson Observatory in California offering a job there building microcircuits for satellite guidance and navigation systems. He is uncertain about leaving the home he has known all his life. Feeling guilty for the things he said to Beth, he sets out by any means of transportation to the Buchwalds' home in upstate New York, even on foot, to apologize to Beth. He asks her to go to California with him. Marty tries to convince Beth not to go with someone "not of this world." This leads to a heated argument with Beth, who tells her father that he has lied to her and the family about his crimes. Beth returns with Adam to New York City to prepare to go to California, but she has second thoughts when she asks Adam exactly why he wants her to come with him. Not realizing this is meant to be an opportunity for him to express his feelings for her, he lists practical ways in which she helps him, which Beth interprets as meaning that Adam doesn't feel love for her in the same way that she feels it for him. Realizing that the ways in which they express themselves are extremely different, she tells Adam she can't go with him. Beth, therefore, essentially submits to her father's view that they are from different worlds. To navigate the continuation of learning to be with each other is too much for Beth, while she struggles with the strong emotions connected to her father's imprisonment. A year later, Adam is working at the observatory, where his keen interest in space telescopes and his eidetic memory have made him successful and fulfilled in his job. He has also seemingly learned much more about picking up on social cues and making an effort to deliberately put himself in social situations. Adam receives a package from Beth, containing her first published children's book inspired by Adam and Asperger syndrome. He reads the first page in which Beth has anthropomorphized raccoons, used to represent Adam and his family and that Adam did not feel he had a place in society in New York. Adam looks deep in thought and has a moment of realization, he understands why Beth wanted to anthropomorphize the raccoons. Even after a year apart, this moment of clarity seems to bring him closer to Beth and he smiles in happiness.

Adam

71e763db-b629-6274-5409-0c5c56291ab7

How does Beth meet Adam?

/m/05zkcsk

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2015) (Learn how and when to remove this template message) Adam Raki (Dancy) is a young man, who has Asperger syndrome, living alone in Manhattan after his father's recent death. He has a friend, Harlan Keyes (Frankie Faison), an old army friend of his father's, who is always there for him. Because of his condition, Adam has difficulty communicating with others and likes to escape into his love of space exploration. His fixation on detail, repetitive behaviors, and mind-blindness cost him his job at a toy manufacturing company and nearly get him arrested after he is mistaken for a pedophile. He does not want to leave the apartment he and his father had been living in, but the loss of his job leaves him with an uncertain future, including the problem of continuing to pay the mortgage. Although he has Asperger syndrome and likes to stick to his own routine, avoiding socializing with others, Adam is lonely and wishes things could be different. Beth Buchwald (Byrne), a school teacher and aspiring children's book writer, moves into the apartment above his and they strike up an awkward friendship. One night, Beth is shocked to find him trying to clean her apartment windows suspended from the roof of the building in a space suit. Beth takes a liking to Adam despite his oddities. Adam hopes for a relationship, but the first attempts are uneasy due to his fear of social interaction. Eventually he breaks out of his beloved routines enough to be able to date Beth. When Adam asks Beth if she was aroused, as he was during an outing to Central Park, she is taken aback. Adam admits his Asperger's to her, explaining his inability to interpret her emotions. Surprised by his innocence, Beth understands the reason for his question. The next day she asks a co-worker about Asperger's syndrome and concludes with the assertion that surely Adam is not "dating material". However, Beth is drawn to Adam and, the eccentricities of Asperger's serve to make him more attractive to her. Adam's innocence, honesty and unique ways endear him to her and she falls in love. Eventually their relationship becomes sexually intimate and Beth also helps him understand how to better connect with her, and how to interview for a new job. As time goes on, there are moments in which Beth and Adam do not understand each other. One of those moments involves Adam's suggestion to Beth that her children's book on raccoons simply be true to life and avoid anthropomorphizing the animals. Things go downhill as Beth's father, Marty (Peter Gallagher), gets into legal trouble. Adam naively asks him about the details of Marty's alleged crimes, to make conversation, not understanding how to make small talk. This creates a rift with Beth, who does not understand Adam's mistake as unintentional, although she later apologizes to him. Marty pleads guilty and is about to be sentenced. Beth's mother (Amy Irving) calls Adam trying to find Beth. She asks him to check Beth's calendar for any way to reach her. He finds that Beth had put down a reminder to meet her parents on the night they "unexpectedly" bumped into each other. Beth knew that Adam would be uncomfortable, so she and her father engineered an "accidental" meeting. When Beth confirms this, Adam angrily accuses her of being a liar and her father a criminal. Beth storms out and goes to her parents' home. Adam gets a call from the Mount Wilson Observatory in California offering a job there building microcircuits for satellite guidance and navigation systems. He is uncertain about leaving the home he has known all his life. Feeling guilty for the things he said to Beth, he sets out by any means of transportation to the Buchwalds' home in upstate New York, even on foot, to apologize to Beth. He asks her to go to California with him. Marty tries to convince Beth not to go with someone "not of this world." This leads to a heated argument with Beth, who tells her father that he has lied to her and the family about his crimes. Beth returns with Adam to New York City to prepare to go to California, but she has second thoughts when she asks Adam exactly why he wants her to come with him. Not realizing this is meant to be an opportunity for him to express his feelings for her, he lists practical ways in which she helps him, which Beth interprets as meaning that Adam doesn't feel love for her in the same way that she feels it for him. Realizing that the ways in which they express themselves are extremely different, she tells Adam she can't go with him. Beth, therefore, essentially submits to her father's view that they are from different worlds. To navigate the continuation of learning to be with each other is too much for Beth, while she struggles with the strong emotions connected to her father's imprisonment. A year later, Adam is working at the observatory, where his keen interest in space telescopes and his eidetic memory have made him successful and fulfilled in his job. He has also seemingly learned much more about picking up on social cues and making an effort to deliberately put himself in social situations. Adam receives a package from Beth, containing her first published children's book inspired by Adam and Asperger syndrome. He reads the first page in which Beth has anthropomorphized raccoons, used to represent Adam and his family and that Adam did not feel he had a place in society in New York. Adam looks deep in thought and has a moment of realization, he understands why Beth wanted to anthropomorphize the raccoons. Even after a year apart, this moment of clarity seems to bring him closer to Beth and he smiles in happiness.

Adam

8cd941aa-1e2c-22c9-2690-4e6fbef1686a

Who plays the role of Adam?

/m/05zkcsk

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2015) (Learn how and when to remove this template message) Adam Raki (Dancy) is a young man, who has Asperger syndrome, living alone in Manhattan after his father's recent death. He has a friend, Harlan Keyes (Frankie Faison), an old army friend of his father's, who is always there for him. Because of his condition, Adam has difficulty communicating with others and likes to escape into his love of space exploration. His fixation on detail, repetitive behaviors, and mind-blindness cost him his job at a toy manufacturing company and nearly get him arrested after he is mistaken for a pedophile. He does not want to leave the apartment he and his father had been living in, but the loss of his job leaves him with an uncertain future, including the problem of continuing to pay the mortgage. Although he has Asperger syndrome and likes to stick to his own routine, avoiding socializing with others, Adam is lonely and wishes things could be different. Beth Buchwald (Byrne), a school teacher and aspiring children's book writer, moves into the apartment above his and they strike up an awkward friendship. One night, Beth is shocked to find him trying to clean her apartment windows suspended from the roof of the building in a space suit. Beth takes a liking to Adam despite his oddities. Adam hopes for a relationship, but the first attempts are uneasy due to his fear of social interaction. Eventually he breaks out of his beloved routines enough to be able to date Beth. When Adam asks Beth if she was aroused, as he was during an outing to Central Park, she is taken aback. Adam admits his Asperger's to her, explaining his inability to interpret her emotions. Surprised by his innocence, Beth understands the reason for his question. The next day she asks a co-worker about Asperger's syndrome and concludes with the assertion that surely Adam is not "dating material". However, Beth is drawn to Adam and, the eccentricities of Asperger's serve to make him more attractive to her. Adam's innocence, honesty and unique ways endear him to her and she falls in love. Eventually their relationship becomes sexually intimate and Beth also helps him understand how to better connect with her, and how to interview for a new job. As time goes on, there are moments in which Beth and Adam do not understand each other. One of those moments involves Adam's suggestion to Beth that her children's book on raccoons simply be true to life and avoid anthropomorphizing the animals. Things go downhill as Beth's father, Marty (Peter Gallagher), gets into legal trouble. Adam naively asks him about the details of Marty's alleged crimes, to make conversation, not understanding how to make small talk. This creates a rift with Beth, who does not understand Adam's mistake as unintentional, although she later apologizes to him. Marty pleads guilty and is about to be sentenced. Beth's mother (Amy Irving) calls Adam trying to find Beth. She asks him to check Beth's calendar for any way to reach her. He finds that Beth had put down a reminder to meet her parents on the night they "unexpectedly" bumped into each other. Beth knew that Adam would be uncomfortable, so she and her father engineered an "accidental" meeting. When Beth confirms this, Adam angrily accuses her of being a liar and her father a criminal. Beth storms out and goes to her parents' home. Adam gets a call from the Mount Wilson Observatory in California offering a job there building microcircuits for satellite guidance and navigation systems. He is uncertain about leaving the home he has known all his life. Feeling guilty for the things he said to Beth, he sets out by any means of transportation to the Buchwalds' home in upstate New York, even on foot, to apologize to Beth. He asks her to go to California with him. Marty tries to convince Beth not to go with someone "not of this world." This leads to a heated argument with Beth, who tells her father that he has lied to her and the family about his crimes. Beth returns with Adam to New York City to prepare to go to California, but she has second thoughts when she asks Adam exactly why he wants her to come with him. Not realizing this is meant to be an opportunity for him to express his feelings for her, he lists practical ways in which she helps him, which Beth interprets as meaning that Adam doesn't feel love for her in the same way that she feels it for him. Realizing that the ways in which they express themselves are extremely different, she tells Adam she can't go with him. Beth, therefore, essentially submits to her father's view that they are from different worlds. To navigate the continuation of learning to be with each other is too much for Beth, while she struggles with the strong emotions connected to her father's imprisonment. A year later, Adam is working at the observatory, where his keen interest in space telescopes and his eidetic memory have made him successful and fulfilled in his job. He has also seemingly learned much more about picking up on social cues and making an effort to deliberately put himself in social situations. Adam receives a package from Beth, containing her first published children's book inspired by Adam and Asperger syndrome. He reads the first page in which Beth has anthropomorphized raccoons, used to represent Adam and his family and that Adam did not feel he had a place in society in New York. Adam looks deep in thought and has a moment of realization, he understands why Beth wanted to anthropomorphize the raccoons. Even after a year apart, this moment of clarity seems to bring him closer to Beth and he smiles in happiness.

Adam

60e6266d-1193-f2fb-53c4-5c9606a32eda

What genre is this film?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

be2f8243-7f75-7ced-822e-a41ad842c384

What hit the boy's mother's car?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

b44e4b03-5f1b-b06b-013c-bf3f23f03ea3

Who commits suicide?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

009bcc04-4b1b-e3ef-089d-14aac1d53bb3

How old was the boy?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

707fdc92-c632-bf57-1ca9-f7947ff66ae7

What is "the only way" ?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

afe24726-74cd-d96b-68bd-267477f43064

Does the engineer make the boy go back to foster care?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

d3fe989b-a3f8-e7bc-e794-2c7571aa3a71

Who died in the accident?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

4f532d26-4652-c26e-e506-0a906d25ccf1

Is there a happy character in this film?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

cc1c56b1-0c9a-e29f-4bb9-6da5e284a5cf

How was the life of the suicided woman?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

79027ae1-535e-6e80-7926-a93b0a0baaa7

Who plays the engineer?

/m/027kw3m

Laura Danner is a mentally ill, single mother who takes illegal drugs and is unable to care for her 10-year-old son Davey. Driven to despair, she decides to commit suicide by driving a car on to a railway track, taking Davey with her. She offers him some tranquillisers beforehand but, unbeknownst to her, he spits them out. His mother drives on to the tracks. As a train approaches, Davey tries in vain to drag her out of the car, himself jumping clear just in time. Two train crewmen, Tom Stark and Otis Higgs, seeing the car on the tracks ahead, argue about whether an emergency stop will derail the train or not. However, the train hits and kills the boy's mother. Subsequently, the railroad company calls for an internal inquiry and suspends the two drivers. Davey has spent the first night after the incident with an empathetic social worker, Susan Garcia. However, she places the boy with a cold-hearted, disciplinarian foster mother. Later on, after being confined to his room, he escapes by shattering the window. The authorities are alerted and a missing persons search is initiated. The boy obtains train conductor Tom Stark's home address. He turns up at the Starks' home and berates Tom for accidentally killing his mother in the train crash, but eventually he is placated. Tom's wife Megan insists on letting the boy stay although Tom initially disapproves. Caring for Davey gradually helps the couple rebond with each other. Megan is suffering from breast cancer. Having already undergone a mastectomy, she has decided that she will no longer endure chemotherapy and must accept her inevitable death. The couple have no children, partly due to Megan's illness and partly because of Tom's job. Tom is unable to deal with his wife's illness and implores her to continue treatment. Meanwhile, the social worker, Susan, hearing that the boy may have sought out the Stark's home, arrives at the house and even searches it, suspecting the boy is there, but finds only a visibly sick Megan Stark. The family continues to bond, but the social worker keeps an eye on the family. When she sees them out in the park for a picnic, she decides to call the police, but stops when she realizes that the boy is clearly part of a devoted family. Megan's condition deteriorates and Davey discovers that she is indeed dying. He has a fit, blaming himself not only for Megan's death but also for the suicide of his own mother. Tom Stark placates the boy, reassuring him that it is not his fault. A few hours prior to her death, Megan tells a saddened Davey how much she loves him. She dies in her sleep. Some time after the funeral, Tom informs Davey that it is perhaps now time to contact the social worker to see if he can adopt him. The film ends with Tom and Davey approaching Susan's office hand-in-hand.

Rails & Ties

94922339-ec55-8d01-ee78-4b33ffba4bcf

What kind of cancer does the engineer's wife have?

/m/06wbn1v

Leon Maria Lozano is a humble worker and a Colombian Conservative Party member living in Tulua, Colombia, in a time where liberals rule following the close 1946 presidential election. For his activism he is discriminated against by the majority of people except by Gertrude Potes, a senior military liberal and a few other liberals. In those years political killing were common. News of conservatives crimes against liberals leads to the Liberals being condemned as Masons and atheists. Rosendo Zapata, a senior member of the Liberal party insults the conservative party when talking with Lozano, but Lozano demands respect. Leon Maria's job as a bookseller is poor, but Miss Gertrudis convinces the mayor to give him a job as a cheese salesman in the market square. On the presidential election day, to his surprise, Leon Maria learns that the Conservative Party has won the elections. Miss Gertrudis hopes the victory is temporary. Two years later news spreads of around the country of the assassination of popular Liberal leader Jorge Eliecer Gaitán. The village church and other Conservative-leaning institutions close fearing reprisal. Leon Maria notes the rising revolutionary atmosphere and wishing to protect the interests of conservatives, he and other militants get weapons and keep watch. That night Maria Leon scares the protesters with dynamite before they can burn the church. The next day Gertrudis and the town liberals are surprised to find Leon Maria hailed as a hero of the conservatives. Leon Maria is quick to capitalized on his new fame. No longer an outcast, he begins to build up power and influence in the town and receives support from the Conservative party in the capital. By 1950 the Liberals do not return to power and the liberal mayor of Tulua is replaced by a conservative, Leon Maria soon after becomes an assassin taking advantage of the situation to eliminate his enemies. His conservative supporters become his henchmen called The Birds (in Spanish: Pajaros) and they begin a campaign of murder and intimidation. They strike down Rosendo Zapata and many others, often with little or no cause. Gertrude begin to fear for her life. In one of his first hits, he sends a "Pajaro" attack against the local jail to free imprisoned conservatives to join his private army. The Mayor passes by Leon Maria overseeing the operation from his car and asked what is happening. The mayor is frightened by this man, but Leon Maria Lozano does not hesitate to criticize him, treating him as a weak and insisting that he should be sponsoring this fight. The mayor disagrees, pointing out that many of the prisoners are common criminals, but he can do nothing to stop Leon Maria Lozano. The Conservative Party reward Leon Maria Lozano by inviting him to Bogotá to show their full support and protection for the continuation of their patriotic mission. Leon Maria has his daughter, who is beginning to fall in love with a local liberal boy, accepted into a prestigious boarding school. Meanwhile, the Liberals in Tulua come together to express concern over the Pajaros and the reign of terror: For if the threat is the birds, what we face is a condor, in Spanish: Pues si la amenaza son los pájaros, a lo que nos enfrentamos es a un cóndor. With this phrase, Gertrude Potts gives Leon Maria Lozano his famous alias. During the wave of killings the murdered liberals are left in other municipalities to be buried anonymously as "N.N.". All the people are afraid to confess or speak out, for fear of being killed by "The Condor" Leon Maria Lozano, now "the Condor" is transformed into a sinister and Machiavellian man, not only pursuing the Liberals, but anyone who opposes his regime. After being criticized by a journalist, one of "the birds" travels to the man's office and abruptly shoots him. Later, Leon Maria Lozano is poisoned with a cheese fritter and seems on the verge of death. The whole village comes out to celebrate at night, singing, dancing and shooting off fireworks just outside his house . But the Condor doesn't die. After recovering, Leon Maria Lozano orders to kill the musicians who played that night. No one attends the funeral, afraid they will be the next victims of the condor. Leon Maria Lozano now has absolute power. The Liberals must choose between leaving town or staying and dying. Leon Maria becomes increasingly power mad and paranoid. He imagines that he is pursued by The Four Horsemen of the Apocalypse, who want his soul. Leon Maria Lozano reign begins to crumble after a massacre in Recreo, close to Tulua, where women are raped and killed. Leon Maria is blamed though he was not involved. He is unable to determine who gave the order and is outraged and frustrated, while popular sentiment turns even further against him, even within the conservatives. Around this time President Gustavo Rojas Pinilla loses power, and the Condor loses his political protection. Committees meet to discuss an end to The Violence. The Conservative Party, no longer willing to tolerate the atrocities of Leon Maria Lozano, sends him to Pereira for protection and promises him a pension. In Pereira he hears the four horsemen of the apocalypse again and soon Leon Maria Lozano dies as he feared he would: In the street, alone, surrounded by strangers; not from an asthma attack (as others suspected), but from an assassin's bullet.

A Man of Principle

6d0de4da-e305-e8c6-dd78-2c329648f784

What country does this take place?

/m/06wbn1v

Leon Maria Lozano is a humble worker and a Colombian Conservative Party member living in Tulua, Colombia, in a time where liberals rule following the close 1946 presidential election. For his activism he is discriminated against by the majority of people except by Gertrude Potes, a senior military liberal and a few other liberals. In those years political killing were common. News of conservatives crimes against liberals leads to the Liberals being condemned as Masons and atheists. Rosendo Zapata, a senior member of the Liberal party insults the conservative party when talking with Lozano, but Lozano demands respect. Leon Maria's job as a bookseller is poor, but Miss Gertrudis convinces the mayor to give him a job as a cheese salesman in the market square. On the presidential election day, to his surprise, Leon Maria learns that the Conservative Party has won the elections. Miss Gertrudis hopes the victory is temporary. Two years later news spreads of around the country of the assassination of popular Liberal leader Jorge Eliecer Gaitán. The village church and other Conservative-leaning institutions close fearing reprisal. Leon Maria notes the rising revolutionary atmosphere and wishing to protect the interests of conservatives, he and other militants get weapons and keep watch. That night Maria Leon scares the protesters with dynamite before they can burn the church. The next day Gertrudis and the town liberals are surprised to find Leon Maria hailed as a hero of the conservatives. Leon Maria is quick to capitalized on his new fame. No longer an outcast, he begins to build up power and influence in the town and receives support from the Conservative party in the capital. By 1950 the Liberals do not return to power and the liberal mayor of Tulua is replaced by a conservative, Leon Maria soon after becomes an assassin taking advantage of the situation to eliminate his enemies. His conservative supporters become his henchmen called The Birds (in Spanish: Pajaros) and they begin a campaign of murder and intimidation. They strike down Rosendo Zapata and many others, often with little or no cause. Gertrude begin to fear for her life. In one of his first hits, he sends a "Pajaro" attack against the local jail to free imprisoned conservatives to join his private army. The Mayor passes by Leon Maria overseeing the operation from his car and asked what is happening. The mayor is frightened by this man, but Leon Maria Lozano does not hesitate to criticize him, treating him as a weak and insisting that he should be sponsoring this fight. The mayor disagrees, pointing out that many of the prisoners are common criminals, but he can do nothing to stop Leon Maria Lozano. The Conservative Party reward Leon Maria Lozano by inviting him to Bogotá to show their full support and protection for the continuation of their patriotic mission. Leon Maria has his daughter, who is beginning to fall in love with a local liberal boy, accepted into a prestigious boarding school. Meanwhile, the Liberals in Tulua come together to express concern over the Pajaros and the reign of terror: For if the threat is the birds, what we face is a condor, in Spanish: Pues si la amenaza son los pájaros, a lo que nos enfrentamos es a un cóndor. With this phrase, Gertrude Potts gives Leon Maria Lozano his famous alias. During the wave of killings the murdered liberals are left in other municipalities to be buried anonymously as "N.N.". All the people are afraid to confess or speak out, for fear of being killed by "The Condor" Leon Maria Lozano, now "the Condor" is transformed into a sinister and Machiavellian man, not only pursuing the Liberals, but anyone who opposes his regime. After being criticized by a journalist, one of "the birds" travels to the man's office and abruptly shoots him. Later, Leon Maria Lozano is poisoned with a cheese fritter and seems on the verge of death. The whole village comes out to celebrate at night, singing, dancing and shooting off fireworks just outside his house . But the Condor doesn't die. After recovering, Leon Maria Lozano orders to kill the musicians who played that night. No one attends the funeral, afraid they will be the next victims of the condor. Leon Maria Lozano now has absolute power. The Liberals must choose between leaving town or staying and dying. Leon Maria becomes increasingly power mad and paranoid. He imagines that he is pursued by The Four Horsemen of the Apocalypse, who want his soul. Leon Maria Lozano reign begins to crumble after a massacre in Recreo, close to Tulua, where women are raped and killed. Leon Maria is blamed though he was not involved. He is unable to determine who gave the order and is outraged and frustrated, while popular sentiment turns even further against him, even within the conservatives. Around this time President Gustavo Rojas Pinilla loses power, and the Condor loses his political protection. Committees meet to discuss an end to The Violence. The Conservative Party, no longer willing to tolerate the atrocities of Leon Maria Lozano, sends him to Pereira for protection and promises him a pension. In Pereira he hears the four horsemen of the apocalypse again and soon Leon Maria Lozano dies as he feared he would: In the street, alone, surrounded by strangers; not from an asthma attack (as others suspected), but from an assassin's bullet.

A Man of Principle

7124187e-22e0-e2f3-fc74-3117f642c166

The political leader assignated in 1948?

/m/06wbn1v

Leon Maria Lozano is a humble worker and a Colombian Conservative Party member living in Tulua, Colombia, in a time where liberals rule following the close 1946 presidential election. For his activism he is discriminated against by the majority of people except by Gertrude Potes, a senior military liberal and a few other liberals. In those years political killing were common. News of conservatives crimes against liberals leads to the Liberals being condemned as Masons and atheists. Rosendo Zapata, a senior member of the Liberal party insults the conservative party when talking with Lozano, but Lozano demands respect. Leon Maria's job as a bookseller is poor, but Miss Gertrudis convinces the mayor to give him a job as a cheese salesman in the market square. On the presidential election day, to his surprise, Leon Maria learns that the Conservative Party has won the elections. Miss Gertrudis hopes the victory is temporary. Two years later news spreads of around the country of the assassination of popular Liberal leader Jorge Eliecer Gaitán. The village church and other Conservative-leaning institutions close fearing reprisal. Leon Maria notes the rising revolutionary atmosphere and wishing to protect the interests of conservatives, he and other militants get weapons and keep watch. That night Maria Leon scares the protesters with dynamite before they can burn the church. The next day Gertrudis and the town liberals are surprised to find Leon Maria hailed as a hero of the conservatives. Leon Maria is quick to capitalized on his new fame. No longer an outcast, he begins to build up power and influence in the town and receives support from the Conservative party in the capital. By 1950 the Liberals do not return to power and the liberal mayor of Tulua is replaced by a conservative, Leon Maria soon after becomes an assassin taking advantage of the situation to eliminate his enemies. His conservative supporters become his henchmen called The Birds (in Spanish: Pajaros) and they begin a campaign of murder and intimidation. They strike down Rosendo Zapata and many others, often with little or no cause. Gertrude begin to fear for her life. In one of his first hits, he sends a "Pajaro" attack against the local jail to free imprisoned conservatives to join his private army. The Mayor passes by Leon Maria overseeing the operation from his car and asked what is happening. The mayor is frightened by this man, but Leon Maria Lozano does not hesitate to criticize him, treating him as a weak and insisting that he should be sponsoring this fight. The mayor disagrees, pointing out that many of the prisoners are common criminals, but he can do nothing to stop Leon Maria Lozano. The Conservative Party reward Leon Maria Lozano by inviting him to Bogotá to show their full support and protection for the continuation of their patriotic mission. Leon Maria has his daughter, who is beginning to fall in love with a local liberal boy, accepted into a prestigious boarding school. Meanwhile, the Liberals in Tulua come together to express concern over the Pajaros and the reign of terror: For if the threat is the birds, what we face is a condor, in Spanish: Pues si la amenaza son los pájaros, a lo que nos enfrentamos es a un cóndor. With this phrase, Gertrude Potts gives Leon Maria Lozano his famous alias. During the wave of killings the murdered liberals are left in other municipalities to be buried anonymously as "N.N.". All the people are afraid to confess or speak out, for fear of being killed by "The Condor" Leon Maria Lozano, now "the Condor" is transformed into a sinister and Machiavellian man, not only pursuing the Liberals, but anyone who opposes his regime. After being criticized by a journalist, one of "the birds" travels to the man's office and abruptly shoots him. Later, Leon Maria Lozano is poisoned with a cheese fritter and seems on the verge of death. The whole village comes out to celebrate at night, singing, dancing and shooting off fireworks just outside his house . But the Condor doesn't die. After recovering, Leon Maria Lozano orders to kill the musicians who played that night. No one attends the funeral, afraid they will be the next victims of the condor. Leon Maria Lozano now has absolute power. The Liberals must choose between leaving town or staying and dying. Leon Maria becomes increasingly power mad and paranoid. He imagines that he is pursued by The Four Horsemen of the Apocalypse, who want his soul. Leon Maria Lozano reign begins to crumble after a massacre in Recreo, close to Tulua, where women are raped and killed. Leon Maria is blamed though he was not involved. He is unable to determine who gave the order and is outraged and frustrated, while popular sentiment turns even further against him, even within the conservatives. Around this time President Gustavo Rojas Pinilla loses power, and the Condor loses his political protection. Committees meet to discuss an end to The Violence. The Conservative Party, no longer willing to tolerate the atrocities of Leon Maria Lozano, sends him to Pereira for protection and promises him a pension. In Pereira he hears the four horsemen of the apocalypse again and soon Leon Maria Lozano dies as he feared he would: In the street, alone, surrounded by strangers; not from an asthma attack (as others suspected), but from an assassin's bullet.

A Man of Principle

b73d6265-5596-344a-27cb-828c5f239113

The most notorious hired killer?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

92bede79-f026-c23e-ad6f-ee8ce2b11735

What is the game that the waiters play?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

83083145-e7d9-0efc-1164-a09fe9cf431e

How is Monty related to Dean

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

95154962-1a76-8423-ab60-93d40af18eb1

Who is Monty put in charge of training

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

9c1d9bf0-530f-5abf-744d-ececcb32f07a

What game is the Goat from?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

3899bd00-611d-0cb5-510c-7d41b626c5a6

Who does Monty swear his undying allegiance to?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

5e73b7b0-fc0f-1ebc-1e39-280a05c69d64

What is the name of the Restaurant?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

cd6d7fe4-6f7b-ce91-f87e-b2e329917beb

Where is the party?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

6a5ec082-077d-f042-3368-5dcb7b97deb8

How do the waiters occupy themselves in the movie "Waiting"?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

e5c1a8de-6626-6234-e3e2-fd1bcabb5c51

What is the name of the special game played by the weight staff?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

7a6af07b-0323-65ad-e71a-e90275d26f99

What is the name of the restaurant?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

f824fb49-3f21-e53b-9dec-1d5761fe46d0

What position does Dean turn down?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

6ddacf82-4fd9-0490-c05e-b34bed749c46

What is the new waiter's name?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

834bb024-9420-1d4f-b167-d699b115264a

Who does Monty resist having sex with?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

45ae4d06-5bb7-b5be-9172-c673b202931d

Who is the lesbian bartender

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

04fd8b86-744f-21c4-3001-13d9f71dd162

Who do the waiters flash their genitalia at?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

033dd363-9724-8d7d-f65a-5ce0905029f4

What does Mitch give everyone?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

583701bc-b0ba-39c1-a4d0-e8b421534d5e

Who is the hopeless romantic who cannot urinate in public

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

4fa5f4bc-f705-433e-3767-a6d26bfc8430

How long has Dean been working at the Shenaneganz

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

a6bbd3d7-5994-fba1-6b1b-c3fd66823353

Who's house was the party held?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

0fe86885-cf08-e1fc-f7f4-e3e979a16aed

What can Calvin not do in public?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

89dc05ee-8d7c-abc7-3433-c835f4a4d31b

is the movie about one employee at a restaurant?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

4287b455-ab2f-f727-acc1-b56fb5c4dddd

Who does Monty not have sex with?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

1586b998-6c10-cadc-b0b9-016598002cd9

What is the phrase used throughout the film?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

299c4128-34cb-85b5-d518-2d8c6592cf4d

Who is grooming Dean as his Protege

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

fee348c3-309d-bb48-0424-7505fbfeb4e6

When will Natasha be 18?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

6be93695-3e69-6c55-08c4-fa77371b2aff

What is the only thing different between ordinary and extraordinary?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

c2872402-324e-a420-b52f-7f97de6b41de

Who do the waitstaff seek revenge against?

/m/077n53

Dean is a 22 year old waiter at "Shenaniganz," a restaurant with a colorful crew and an irreverent disdain for the customer. He is stuck in the point of his life which makes him crave more than a crappy job at a restaurant and a couple classes per semester. When he is offered the job of assistant manager, he is forced to consider the potential benefits/disadvantages of accepting, beating himself up over the fact that his high school classmate recently graduated as an electrical engineer -- a fact his mother reminded him of at their lunch meeting at the start of the movie.Along with his roommate, Dean lives in a house that is the constant host of parties for everyone working at the restaurant, which only makes him wonder even more about his place in life.Dean's roommate Monty is an individual extremely concerned with his getting of the poontang, and throughout the course of the movie his comments are lewd, in-your-face reminders of his sexual perversion and infinite coolness. Monty's current objective is the underage hostess at the restaurant, Natasha, who provokes incessantly an occurrence of statuatory rape between the two [however, when the chance does finally arrive for Monty, he wusses out because she is too young].The movie takes place during Mitch's first day and the nature of things in the restaurant is displayed as Monty tours him around, yet never lets him speak. The "penis-showing game" is the focus of the crew's entertainment -- a game which consists of the male workers showing each other their genitalia in various different shapes and forms. If the other player looks, he gets one or more kicks in the ass. Mitch gets a glimpse of all the characters, including the busboys Nick and T-dawg [two wankstas who hang out by the dumpsters and eat all the vegetables after getting a little green], the bartenders [a sultry lesbian and a sexy lady who is dating the even sexier cook Raddimus -- inventor of the penis showing game and lover of handjobs], the Bishop [the resident philosopher/therapist who also happens to be the chain-smoking dishwasher], Floyd [another cook, though more like a cock], the manager Dan [uptight typical manager --also hits on Natasha], and the waiters/tresses Naomi [bitter little curse of a woman], Serena [sensuous ex-partner of Monty, ridicules him in public about his lacking sexual prowess], Amy [Dean's friend], and Calvin [pushover who can't pee in public bathrooms, and later ends up wetting himself on the couch next to a girl he's trying to impress].Overall, the movie is about Dean trying to figure out what to do with his life, whether Monty will do Natasha, whether Calvin will ever get laid, and will Mitch ever get to say something. Viewers also get a (admittedly over-the-top for shock value) behind-the-scenes glimpse of restaurant antics.All these conflicts are resolved at the party at the end, which ridicules Dan the manager, since Natasha makes him think he is invited but gives him wrong directions, ridicules Calvin for aforementioned reasons, resolves Dean's whiny crisis, lets Monty know he is afraid to touch a minor, and gives Mitch the opportunity to prove himself to the whole restaurant staff by showing them all "The Goat," the most humiliating position of the penis-showing game.Great movie.

Waiting...

54bc4a40-c591-55da-fde1-e1f09834d8f1

Who did Natasha give the wrong address to?

/m/02y8kn

Sir Karell Borotyn [Holmes Herbert] has been murdered just two weeks before the wedding of daughter Irena [Elizabeth Allan] to fiance Fedor Vincenti [Henry Wadsworth]. Sir Karell's body was found with two marks on his neck and drained of blood. The superstitious villagers suspect vampirism and finger the town vampires Count Mora [Bela Lugosi] and his daughter Luna [Carroll Borland], but Police Inspector Neumann [Lionel Atwill] can't buy that. After months of investigation, however, Sir Karell's death is declared 'cause unknown', Irena goes to live in the house of guardian Baron Otto von Zinden [Jean Hersholt], and the wedding plans continue as before.One morning, Fedor stumbles in with two marks on his neck, complaining that he fell and hit his head outside of the now-deserted Borotyn castle where Mora and his daughter are supposedly living. Irena is attacked one evening by Mora's daughter, and Neumann calls in vampire expert Professor Zellen [Lionel Barrymore]. When Sir Karell's signature is found on a lease signed after his death and when Irena claims to have heard her father's voice, Neumann and Otto dig up Sir Karell's coffin and find it empty. Shortly thereafter, the maid and butler see Mora in the house and the Professor sees Mora and Sir Karell walking together in the garden, so Neumann and Otto go snooping at the castle. There, they find Mora, his daughter and Sir Karell. That night, Mora's daughter again attacks Irena. Determined to find and destroy the vampires, Neumann, Otto, and the Professor go to the castle, but Mora's daughter leads Irena there, too. Fedor follows and almost destroys the plan.The plan: The Professor (actually Chief Inspector of Prague Police) hypnotizes Otto into re-enacting Sir Karell's murder. It turns out that Otto drugged Sir Karell and murdered him because he wanted Irena for himself. Mora, his daughter Luna, and "Sir Karell" turn out to be actors from Luna's Bat Woman Theatre, hired by the police to ferret out Otto. [Original synopsis by bj_kuehl.]

Mark of the Vampire

4f5356e5-1202-a65c-60b1-6e8442e268c7

Who is found murdered in his house?

/m/02y8kn

Sir Karell Borotyn [Holmes Herbert] has been murdered just two weeks before the wedding of daughter Irena [Elizabeth Allan] to fiance Fedor Vincenti [Henry Wadsworth]. Sir Karell's body was found with two marks on his neck and drained of blood. The superstitious villagers suspect vampirism and finger the town vampires Count Mora [Bela Lugosi] and his daughter Luna [Carroll Borland], but Police Inspector Neumann [Lionel Atwill] can't buy that. After months of investigation, however, Sir Karell's death is declared 'cause unknown', Irena goes to live in the house of guardian Baron Otto von Zinden [Jean Hersholt], and the wedding plans continue as before.One morning, Fedor stumbles in with two marks on his neck, complaining that he fell and hit his head outside of the now-deserted Borotyn castle where Mora and his daughter are supposedly living. Irena is attacked one evening by Mora's daughter, and Neumann calls in vampire expert Professor Zellen [Lionel Barrymore]. When Sir Karell's signature is found on a lease signed after his death and when Irena claims to have heard her father's voice, Neumann and Otto dig up Sir Karell's coffin and find it empty. Shortly thereafter, the maid and butler see Mora in the house and the Professor sees Mora and Sir Karell walking together in the garden, so Neumann and Otto go snooping at the castle. There, they find Mora, his daughter and Sir Karell. That night, Mora's daughter again attacks Irena. Determined to find and destroy the vampires, Neumann, Otto, and the Professor go to the castle, but Mora's daughter leads Irena there, too. Fedor follows and almost destroys the plan.The plan: The Professor (actually Chief Inspector of Prague Police) hypnotizes Otto into re-enacting Sir Karell's murder. It turns out that Otto drugged Sir Karell and murdered him because he wanted Irena for himself. Mora, his daughter Luna, and "Sir Karell" turn out to be actors from Luna's Bat Woman Theatre, hired by the police to ferret out Otto. [Original synopsis by bj_kuehl.]

Mark of the Vampire

d79c7585-4a72-68a8-2ba4-73783104dbc2

Who is the attending doctor?

/m/02y8kn

Sir Karell Borotyn [Holmes Herbert] has been murdered just two weeks before the wedding of daughter Irena [Elizabeth Allan] to fiance Fedor Vincenti [Henry Wadsworth]. Sir Karell's body was found with two marks on his neck and drained of blood. The superstitious villagers suspect vampirism and finger the town vampires Count Mora [Bela Lugosi] and his daughter Luna [Carroll Borland], but Police Inspector Neumann [Lionel Atwill] can't buy that. After months of investigation, however, Sir Karell's death is declared 'cause unknown', Irena goes to live in the house of guardian Baron Otto von Zinden [Jean Hersholt], and the wedding plans continue as before.One morning, Fedor stumbles in with two marks on his neck, complaining that he fell and hit his head outside of the now-deserted Borotyn castle where Mora and his daughter are supposedly living. Irena is attacked one evening by Mora's daughter, and Neumann calls in vampire expert Professor Zellen [Lionel Barrymore]. When Sir Karell's signature is found on a lease signed after his death and when Irena claims to have heard her father's voice, Neumann and Otto dig up Sir Karell's coffin and find it empty. Shortly thereafter, the maid and butler see Mora in the house and the Professor sees Mora and Sir Karell walking together in the garden, so Neumann and Otto go snooping at the castle. There, they find Mora, his daughter and Sir Karell. That night, Mora's daughter again attacks Irena. Determined to find and destroy the vampires, Neumann, Otto, and the Professor go to the castle, but Mora's daughter leads Irena there, too. Fedor follows and almost destroys the plan.The plan: The Professor (actually Chief Inspector of Prague Police) hypnotizes Otto into re-enacting Sir Karell's murder. It turns out that Otto drugged Sir Karell and murdered him because he wanted Irena for himself. Mora, his daughter Luna, and "Sir Karell" turn out to be actors from Luna's Bat Woman Theatre, hired by the police to ferret out Otto. [Original synopsis by bj_kuehl.]

Mark of the Vampire

c94e9527-c393-6cf6-13d2-7addd252a50e

Who is the expert on vampires and the occult?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

1a7c286e-7084-4e49-145c-5db29f0c8dd2

Who is an actual vampire?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

5c03f7cc-0216-fd7c-103b-f77ac143969e

Who does Schreck pin to the floor?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

24066b4a-4490-5de7-2519-4921e0e011a2

Who is German director in the movie?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

b0f7b758-0778-e4de-ce15-0639fc860162

Where does the first scene with the vampire begin?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

dd56e2ce-3e5d-e773-dc99-cd7999436fa4

What does Gustav find among the crew's food supplies?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

1c065e0b-3eea-d7be-3408-fd46d41b3a0f

Who films Shreck's death?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

ce80e8a6-dc65-da0c-f4f6-39c0b51acbba

Who is the leading actress in the movie the team is filming?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

eb2e96c1-3b71-15fc-c137-2a031f01401c

What animal does Schreck catch and drink its blood?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

3456adcf-7c99-7ef6-d0e0-bbfd87207e55

Who is given to the vampire so the others can survive?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

c55cd465-10eb-e14b-a242-92a1722a5728

What word does landlady mutter?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

73b25fdf-dd7b-b5df-0398-8e0a5eea7ee9

What is in Greta's blood that puts Shreck to sleep?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

abcd926b-d371-9783-9a29-ac0b4dbad48f

Who did Murnau promise as a reward?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

73cc72a4-3e6a-f2f3-8558-a4c8964a47c6

Where did F. W. Murnau takes his cast?

/m/01f7b2

Bram Stoker's widow has refused to sell the film rights for Dracula to F.W. Murnau, so Murnau [John Malkovich] decides to film it anyway, changing the names of the characters, the title, and the locations. Thus, Dracula becomes Nosferatu, Transylvania and England become Germany, Count Dracula becomes Count Orlock, and Mina becomes Ellen. After filming the beginnings of the movie on a soundstage in Berlin, Murnau is anxious to get cast and crew to Czechloslovakia where they will be meeting up with Max Schreck [Willem Dafoe], the vampire hired by Murnau to play an actor playing a vampire.Murnau introduces Max Schreck as a character actor from the Reinhold Company and explains that Schreck will remain in character at all times. Yet no one, not even producer Albin Grau [Udo Kier] knows anything about him. As a vampire, Schreck is no Dracula. He is old and bald. He can't remember his humanity; he knows only that his turning had to do with a woman, whose face has long ago passed from his memory. He has lost most of his powers, e.g., his strength and his ability to pass through locked doors. He hasn't seen the light of the sun for centuries. He lives in the filth of an abandoned abbey, keeping himself alive on the blood of the occasional rat he can catch. He thinks the saddest part of Dracula, which he read after Murnau gave him a copy, is when Dracula was forced cook for Harker because he had no servants. He reads and angsts over Goethe's poem about Tithonus, a mortal who wished for immortality but forgot to ask for external youth and is now aged, powerless, and yet must endure...just like himself. He has agreed to make this film only because Murnau has promised to provide him with blood during the filming and, at the end of the movie, Murnau has promised that Schreck can feed on Greta [Catherine McCormack], the actress who is playing Ellen Harker.As the filming progresses, Schreck's performance is both inspiring and creepy, inspiring in how he captures the essence of the vampire and creepy in his own personality and mannerisms. To add to the creepiness, the local villagers are extremely anxious about the nosferatu, particularly after photographer Wolfgang Mueller [Ronan Vibert] is found weak and dazed. While filming the scene where Jonathan Harker cuts his finger with a bread knife, Schreck loses control and takes more blood from Wolfgang, forcing Murnau to threaten Schreck with the admonition that he cannot harm his people or there will be no Greta. Schreck is able to contain himself, feeding on the blood of ferrets, rats, and bats and on the occasional bottle of blood that Murnau supplies, but one thing Schreck refuses to do is to film at sea. Consequently, Murnau is forced to build a replica of the ship on dry ground for the sailing scenes. However, the final scenes of the movie, where Orlock feeds from Ellen and is killed in the morning sunlight, must be shot on the island of Heligoland, so Murnau agrees to fly Orlock there. Unfortunately, Wolfgang is too far gone and must be replaced by another photographer, Fritz Wagner [Cary Elwes].By now, Murnau's people are beginning to suspect that Schreck is a real vampire. All the cast and crew members lock their bedroom doors at night. Albin and Fritz have gone in search of his coffin but found nothing. Their suspicions are confirmed when one night they come upon Murnau in a laudanum stupor. While under the influence, Murnau blurts out that there is no Max Schreck. He found him in a book about despotic Slovakian rulers reputed to be vampires and then, while Murnau was scouting out locations in Czechloslovakia, he came upon him living in the old monastery. When Fritz asks Murnau what he promised Schreck in return for acting in his movie, Murnau tells the truth: Greta. Albin and Fritz are appalled but agree to go ahead that night with the filming of the final scenes.Murnau has set up the final bedroom scene in an old warehouse that is light-tight, but he has taken care to install a safeguard...a door to allow daylight to come streaming into the room at the flick of a switch. Greta, dressed in a nightgown, is positioned on the bed. Orlock is on the set, his eyes filled with lust for Greta and following her every move. Fritz is behind the camera, ready to shoot. Albin is standing by, and Murnau begins barking out directions. Just as the camera is about to roll, Greta notices that Schreck casts no reflection in the mirror next to her bed. She begins to scream, so Murnau shoots her with laudanum, which knocks her into a compliant stupor. Schreck is almost beside herself. 'I vant her now,' he hisses, but Murnau refuses until after he has shot the death scene. When those shots are completed, Schreck can contain himself no longer and pounces at Greta's neck. Amazingly, Murnau keeps the film rolling as Schreck drinks and drinks. After drinking his fill, Schreck falls asleep, as evidenced by his snores. Murnau, Albin, and Fritz wait.It is daybreak. Hoping to get a more realistic death scene, Murnau orders that the door be opened to flood the room with sunlight. Unbeknown to Murnau, however, Schreck has found the trap and dismantled it. In releasing the lever, the noise awakens Schreck, who becomes irate at being tricked. Fritz attempts to fire on him, but Schreck is impervious to bullets and breaks Fritz's neck. Then he chokes Albin. Meanwhile, Murnau has taken over the camera. He informs Schreck that this ending is unworkable and requests that he return to his original mark. Amazingly, Schreck complies, returning to Greta's neck for another sip of blood. Just then, the outside crew breaks down the door, allowing the sunlight into the chamber, and Schreck dies again...this time for real. After ending the shot, Murnau looks up from the camera and says, 'I think we have it.' [Original Synopsis by bj_kuehl.]

Shadow of the Vampire

e0bf5948-6ecd-0e4d-cff7-29f46c2ad250

What scene was filmed between Gustav and Count Orlok?

/m/043lnx9

The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White. Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he is seen visiting Headley Grange, where several songs from Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved from the acoustics of the house it was recorded in. The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots". Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room and sleeping on a piece of foam due to taking out his bed for more room for his music, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing. The touchstone of the film is a meeting of the three guitarists dubbed "The Summit". In these scenes, the three guitarists not only converse about their influences and techniques, but they also play each other's songs together, showing each other how to play "I Will Follow", "Dead Leaves and the Dirty Ground", and "In My Time of Dying". The film concludes with the men playing an impromptu cover version of The Band's "The Weight" on acoustic guitars.

It Might Get Loud

4e501d66-861a-0aac-06ab-d1421a9a886e

How many generations of electric guitar are displayed in the film?

/m/043lnx9

The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White. Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he is seen visiting Headley Grange, where several songs from Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved from the acoustics of the house it was recorded in. The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots". Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room and sleeping on a piece of foam due to taking out his bed for more room for his music, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing. The touchstone of the film is a meeting of the three guitarists dubbed "The Summit". In these scenes, the three guitarists not only converse about their influences and techniques, but they also play each other's songs together, showing each other how to play "I Will Follow", "Dead Leaves and the Dirty Ground", and "In My Time of Dying". The film concludes with the men playing an impromptu cover version of The Band's "The Weight" on acoustic guitars.

It Might Get Loud

fa98bb2f-2724-de3d-4aea-585f5a491d24

Who are viewed in the film?

/m/043lnx9

The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White. Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he is seen visiting Headley Grange, where several songs from Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved from the acoustics of the house it was recorded in. The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots". Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room and sleeping on a piece of foam due to taking out his bed for more room for his music, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing. The touchstone of the film is a meeting of the three guitarists dubbed "The Summit". In these scenes, the three guitarists not only converse about their influences and techniques, but they also play each other's songs together, showing each other how to play "I Will Follow", "Dead Leaves and the Dirty Ground", and "In My Time of Dying". The film concludes with the men playing an impromptu cover version of The Band's "The Weight" on acoustic guitars.

It Might Get Loud

24031c01-51ff-98f8-62fe-e62278d1eca6

This film film penetrates the glamorous surface of what?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

c4ce2e50-bcda-ad07-7d27-764958fd6dc6

What company did Raju work for as an adult?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

d8b9dcbd-74ff-e1d8-23ab-6d9230d6785f

what does raju always carry with him?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

b33adbfa-8a58-8d41-363e-188b275aa16f

What is the name of the orphan Raju meets?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

ebec9835-7a9a-5628-75e1-f3999d436c0c

why have raju's mother been repulsed?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

4e3414dc-2845-50f0-df2d-d046f287af3e

why had raju been infatuated with his teacher?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

a19e442d-7cb4-8209-3164-a64d48246190

How many ladies did Raju fall in love with?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

3937876f-5649-ce8a-bc5c-26ab75406db4

Where is Marina from?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

c217b4fb-84da-2010-f6f8-58199e5a8f09

what does raju believe he is born to do?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

b3cedcde-9aae-c3e2-0984-ea3d7a4228ae

How did Raju's father die?

/m/06_50n

Mera Naam Joker is the story of Raju, considered the best circus clown ever. Ever since Raju's father died in an accident during his performance, Raju's mother had been repulsed by the circus. As luck would have it, Raju had a natural affinity towards the circus world. The film traces Raju's journey from his childhood to the day of his last performance. The first chapter is about the adolescent Raju and deals with his infatuation with his teacher Mary (Simi Garewal). She gives him confidence in himself, and he discovers the world of femininity and desire. She is older than him. He attends her wedding in a state of false merriment. Mary's lessons nevertheless aren't lost: Raju comes to realise that he was born to make the world laugh, despite his own troubles. After his first heartbreak, the story follows adult Raju who has found work with Gemini Circus as a clown. His dream materialises! The circus is owned by Mahendra Singh (Dharmendra) who has understood Raju's potential and hires him. The circus hosts a visiting group of artists from Russia, and he falls in love with Marina (Kseniya Ryabinkina), the lead trapezist. Despite the language barrier they become close, and Raju half hopes that they might live together. But he faces heartbreak once again when the circus ends and Marina returns to Russia. It is in this chapter that Raju's mother dies during his performance, watching him perform the very stunts which caused her husband's death. In the final chapter, Raju has left the circus and wanders aimlessly. One day he meets Meenu (Padmini), an orphaned girl who has ambitions of becoming a famous actress. Meenu and Raju set up an association, start a small circus business and later move on to the theatre. They are quite successful, but their collaboration ends when she is offered a role in a film. She leaves him, and he realises she has used him in her pursuit of success. Raju always carries a clown doll which belonged to his father. Every time he falls in love, he gives away his beloved doll, only to see it come back to him. The doll is used as a metaphor for Raju's simplistic heart where there is room for everyone. At the end of the film, Raju is shown doing his final act, as promised to Mahender. He invites the three ladies he was in love with, to watch his last performance. He also reassures the audience that he will soon be back with more to make his audience laugh again.

Mera Naam Joker

f749dcc6-dc1c-6e3f-9873-0544871450d0

What is Raju's profession?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

caa0776a-482f-4063-fb11-81a76c08efb2

Where is Kathy returning home from?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

c3c018b0-f3a0-b607-099e-34fdbf808807

Who is the prosecutor?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

1f36e085-99f0-ec7a-85e9-7627f7947a38

What is The name of Chris's brother?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

a0fb2f52-150a-e188-7109-c5d85001bc3e

Which brand was used?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

ae34a7ed-9927-4660-aef9-5443bed48b1d

What ultimately happens to Gordon?

/m/0dxlrm

Twenty-one year-old Chris McCormick (Margaux Hemingway) is a top model for a company selling lipstick. McCormick has responsibility for her 14 year-old sister Kathy (Mariel Hemingway) as their parents were killed in a car crash. They share an apartment and Kathy attends a private, Catholic school.Kathy invites her handsome, young music teacher, Gordon Stuart (Chris Sarandon) to come to one of Chris's photo shoots along the ocean because she wants her older sister to hear his somewhat avant garde musical compositions. The shoot runs long, so Chris does not have a chance to hear it, but arrangements are made for him to stop by her apartment the next day to play it for her.The next day, Stuart arrives at the apartment, but Chris has forgotten the appointment and this causes her to greet him fresh out of the shower dressed in nothing but a robe. Stuart obviously hopes that if she likes his music she might be able to use some of her musical connections to help him. While he is playing a selection from his tape recorder (the composition uses a lot of environmental sounds with electronic synthesizers) Chris is interrupted with a phone call from her boyfriend Steve Edison (Perry King) and retreats to her bedroom.The interruption and Chris's apparent apathy toward his music enrages Stuart and he enters her bedroom smashing things and hitting her. He then throws her naked across her four poster bed and secures her spread-eagle on her stomach with silk scarves to the posts and sodomizes her.Toward the end of the rape Chris has stopped struggling so when little sister Kathy arrives home from school she enters the apartment and hears nothing amiss. She walks into Chris's bedroom via a connecting balcony and sees the scene, but does not realize that Chris is being forced against her will, so she leaves quietly, shutting the patio door behind her.Chris hears the patio door shut and realizes that Kathy must be home and begs Stuart to release her. After half-jokingly suggesting they make it "threesome," he does, noting that Kathy must think "her sister just made it with her favorite teacher." Stuart leaves and a crying Chris stumbles to Kathy who finally realizes that something is wrong.The police arrive and gather evidence while Chris talks to a rape-crisis counselor. Later that night the police pick up Stuart and take him to jail.A few days later Chris, Edison and Chris's priest/brother, Martin (John Bennett Perry) meet with district attorney Carla Bondi (Anne Bancroft). Bondi warns Chris that getting a conviction under these circumstances (she invited him to her apartment) will not be easy. Edison also has his doubts about pressing charges as he fears it may damage Chris's career. Chris makes it clear that she want to go ahead, however.Stuart's attorney Nathan Cartright (Robin Gammell) does everything he can to raise doubt in the jury's mind about whether the encounter was consentual even bringing in Chris's sexy pictures from the photo shoot in an attempt to besmirch her reputation. However, in the end it is Chris's own sister's testimony that gets Stuart off the hook: despite Kathy's protests that she believes her sister's story, it is clear that the afternoon of the attack Kathy's failure to call the police after seeing them together in the bedroom is a clear indication that she did not think at the time that her sister was being raped. The jury acquits Stuart.Chris tries to go back to work, but it is clear that she cannot focus her attention on her modeling and the lipstick company decides to suspend her contract. Kathy switches schools as it looks like Stuart may get his old job back.Kathy is watching her older sister at one final shoot being done at a partly completed mall complex and gets bored. She starts exploring the empty mall and stumbles across Stuart and some of her former classmates preparing a dance performance to his music. When the classmates leave, Stuart sees her and invites her to help him with the final mixing of his composition. She approaches and lets him place a contact microphone on her chest to record her heartbeat to add to the music. We hear her heartbeat suddenly speed up as Kathy realizes that Stuart is making sexual advances toward her. She runs and he chases her through the empty mall until he catches her in a sub-basement tunnel. There we see him start to tear her clothes off and the scene ends.Kathy stumbles back to the part of the mall where the photo shoot is going on. She crying and her clothes are torn. Chris asks what happened. At first Kathy tells her nothing, but then admits she ran into Stuart and he attacked her.Chris races to the window and sees Stuart leaving the building. She runs down to her truck and gets a rifle she has in the back and shoots Stuart as he is driving from the parking lot. He crashes his car, then climbs out, but is shot again and again by Chris, including a shot to his genitals. She continues to try and pump bullets into his dead body even after he has stopped moving and the gun is empty. We see the police arrest Chris who is in a state of shock. As the camera pulls away from the scene we hear Bondi, who has apparently left the D.A's office to defend Chris, tell the jury that justice can only be served if they acquit Chris of Stuart's murder.

Lipstick

68ec8da6-935d-e65f-bd73-2aa9baaa993b

What does Chris use to kill Gordon?