ckg/a-rotten-test · Datasets at Hugging Face

text stringlengths 4 267	label class label 2 classes
without heavy-handedness , dong provides perspective with his intelligent grasp of human foibles and contradictions .	1pos
solid , lump-in-the-throat family entertainment that derives its power by sticking to the facts .	1pos
as an entertainment , the movie keeps you diverted and best of all , it lightens your wallet without leaving a sting .	1pos
it is interesting and fun to see goodall and her chimpanzees on the bigger-than-life screen .	1pos
it won't bust your gut -- and it's not intended to -- it's merely a blandly cinematic surgical examination of what makes a joke a joke .	1pos
a somewhat crudely constructed but gripping , questing look at a person so racked with self-loathing , he becomes an enemy to his own race .	1pos
it extends the writings of jean genet and john rechy , the films of fassbinder , perhaps even the nocturnal works of goya .	1pos
narc may not get an 'a' for originality , but it wears its b-movie heritage like a badge of honor .	1pos
with the film's striking ending , one realizes that we have a long way to go before we fully understand all the sexual permutations involved .	1pos
[drumline] is entertaining for what it does , and admirable for what it doesn't do .	1pos
at its best early on as it plays the culture clashes between the brothers .	1pos
[a] rare , beautiful film .	1pos
an unabashedly schmaltzy and thoroughly enjoyable true story .	1pos
a thoughtful look at a painful incident that made headlines in 1995 .	1pos
you walk out of the good girl with mixed emotions disapproval of justine combined with a tinge of understanding for her actions .	1pos
tsai ming-liang has taken his trademark style and refined it to a crystalline point .	1pos
purely propaganda , a work of unabashed hero worship , it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that u . s . foreign policy has played in the rise of castro .	1pos
now trimmed by about 20 minutes , this lavish three-year-old production has enough grandeur and scale to satisfy as grown-up escapism .	1pos
we get some truly unique character studies and a cross-section of americana that hollywood couldn't possibly fictionalize and be believed .	1pos
though this film can be clumsy , its ambitions are equally -- and admirably -- uncommercial .	1pos
daring , mesmerizing and exceedingly hard to forget .	1pos
the dangerous lives of altar boys' take on adolescence feels painfully true .	1pos
moore's performance impresses almost as much as her work with haynes in 1995's safe .	1pos
visits spy-movie territory like a novel you can't put down , examines a footnote to history seldom brought to light on the screen , and keeps you guessing from first frame to last .	1pos
an absorbing , slice-of-depression life that touches nerves and rings true .	1pos
mr . parker has brilliantly updated his source and grasped its essence , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom .	1pos
the result is something quite fresh and delightful .	1pos
all but the most persnickety preteens should enjoy this nonthreatening but thrilling adventure .	1pos
despite its many infuriating flaws -- not the least of which is amy's self-absorbed personality -- amy's o's honesty will win you over .	1pos
this is one of polanski's best films .	1pos
day is not a great bond movie , but it is a good bond movie , which still makes it much better than your typical bond knock-offs .	1pos
polished korean political-action film is just as good -- and bad -- as hollywood action epics . is this progress ?	1pos
elling , portrayed with quiet fastidiousness by per christian ellefsen , is a truly singular character , one whose frailties are only slightly magnified versions of the ones that vex nearly everyone .	1pos
denis and co-writer michele petin's impeccable screenplay penetrates with a rawness that that is both unflinching and tantalizing . lead provocatuers testud and parmentier give superlative performances	1pos
an absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .	1pos
i admired it , particularly that unexpected downer of an ending .	1pos
the passions aroused by the discord between old and new cultures are set against the strange , stark beauty of the mideast desert , so lovingly and perceptively filmed that you can almost taste the desiccated air .	1pos
remarkably accessible and affecting .	1pos
never mind whether you buy the stuff about barris being a cia hit man . the kooky yet shadowy vision clooney sustains throughout is daring , inventive and impressive .	1pos
a triumph of art direction over narrative , but what art direction !	1pos
behan himself knew how to spin a tale and one can't help but think he'd appreciate this attempt to turn his life into art .	1pos
jirí hubac's script is a gem . his characters are engaging , intimate and the dialogue is realistic and greatly moving . the scope of the silberstein family is large and we grow attached to their lives , full of strength , warmth and vitality . .	1pos
moore's complex and important film is also , believe it or not , immensely entertaining , a david and goliath story that's still very much playing itself out .	1pos
the additional storyline is interesting and entertaining , but it doesn't have the same magical quality as the beginning of the story . i like the new footage and still love the old stuff .	1pos
though mama takes a bit too long to find its rhythm and a third-act plot development is somewhat melodramatic , its ribald humor and touching nostalgia are sure to please anyone in search of a jules and jim for the new millennium .	1pos
you might not buy the ideas . but you'll definitely want the t-shirt .	1pos
provides an intriguing window into the imagination and hermetic analysis of todd solondz .	1pos
windtalkers is shapelessly gratifying , the kind of movie that invites you to pick apart its faults even as you have to admit that somehow it hit you where you live .	1pos
presents an astute appraisal of middle american musical torpor and the desperate struggle to escape it .	1pos
just what makes us happy , anyway ?	1pos
a thoughtful , moving piece that faces difficult issues with honesty and beauty .	1pos
one of the greatest romantic comedies of the past decade .	1pos
you wouldn't call the good girl a date movie ( an anti-date movie is more like it ) , but when it's good , it's good and horrid .	1pos
benefits from a strong performance from zhao , but it's dong jie's face you remember at the end .	1pos
this is a film brimming with detail and nuance and one that speaks volumes about the ability of the human spirit to find solace in events that could easily crush it forever .	1pos
the director , steven shainberg , has succeeded by focusing intently on his characters , making them quirky individuals rather than figures of fun .	1pos
it ultimately stands forth as an important chronicle of the abuses of one of latin america's most oppressive regimes .	1pos
the movie has a soft , percolating magic , a deadpan suspense .	1pos
a well-made and often lovely depiction of the mysteries of friendship .	1pos
using his audience as a figurative port-of-call , dong pulls his even-handed ideological ship to their dock for unloading , before he continues his longer journey still ahead .	1pos
. . . understands that a generation defines its music as much as the music defines a generation .	1pos
the transporter is as lively and as fun as it is unapologetically dumb	1pos
as a witness to several greek-american weddings -- but , happily , a victim of none -- i can testify to the comparative accuracy of ms . vardalos' memories and insights .	1pos
has it ever been possible to say that williams has truly inhabited a character ? it is now .	1pos
by presenting an impossible romance in an impossible world , pumpkin dares us to say why either is impossible -- which forces us to confront what's possible and what we might do to make it so .	1pos
an impressive debut for first-time writer-director mark romanek , especially considering his background is in music video .	1pos
an incendiary , deeply thought-provoking look at one of the most peculiar ( and peculiarly venomous ) bigotries in our increasingly frightening theocracy	1pos
all the performances are top notch and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .	1pos
" its successes are also tempered with elements which prove the direct antithesis of what it gets right . "	1pos
it's solid and affecting and exactly as thought-provoking as it should be .	1pos
this is such a dazzlingly self-assured directorial debut that it's hard to know what to praise first .	1pos
parker holds true to wilde's own vision of a pure comedy with absolutely no meaning , and no desire to be anything but a polished , sophisticated entertainment that is in love with its own cleverness .	1pos
münch's genuine insight makes the film's occasional overindulgence forgivable .	1pos
thankfully , the film , which skirts that rapidly deteriorating line between fantasy and reality . . . takes a tongue-in-cheek attitude even as it pushes the croc hunter agenda .	1pos
ultimately , the message of trouble every day seems to be that all sexual desire disrupts life's stasis .	1pos
if you're like me , a sucker for a good old fashion romance and someone who shamelessly loves to eat , then mostly martha offers all the perfect ingredients to more than satisfy your appetite .	1pos
the film has just enough of everything -- re-enactments , archival footage , talking-head interviews -- and the music is simply sublime .	1pos
there are a few stabs at absurdist comedy . . . but mostly the humor is of the sweet , gentle and occasionally cloying kind that has become an iranian specialty .	1pos
a wonderful character-based comedy .	1pos
it would be interesting to hear from the other side , but in talk to her , the women are down for the count .	1pos
an endearingly offbeat romantic comedy with a great meet-cute gimmick .	1pos
the unique tug-of-war with viewer expectations is undeniable , if not a pleasure in its own right .	1pos
it uses an old-time formula , it's not terribly original and it's rather messy -- but you just have to love the big , dumb , happy movie my big fat greek wedding .	1pos
it's almost impossible not to be moved by the movie's depiction of sacrifice and its stirring epilogue in post-soviet russia .	1pos
who knows what exactly godard is on about in this film , but his words and images don't have to add up to mesmerize you .	1pos
the tone is balanced , reflective and reasonable .	1pos
the principals in this cast are all fine , but bishop and stevenson are standouts .	1pos
it could change america , not only because it is full of necessary discussion points , but because it is so accessible that it makes complex politics understandable to viewers looking for nothing but energetic entertainment .	1pos
what's most striking about this largely celebratory film . . . is the sense of isolation that permeates these bastions of individuality in an ikea world .	1pos
. . . if you're in a mind set for goofy comedy , the troopers will entertain with their gross outs , bawdy comedy and head games .	1pos
somewhat blurred , but kinnear's performance is razor sharp .	1pos
as a director , mr . ratliff wisely rejects the temptation to make fun of his subjects .	1pos
for anyone who remembers the '60s or is interested in one man's response to stroke , ram dass : fierce grace is worth seeking out .	1pos
intriguing and beautiful film , but those of you who read the book are likely to be disappointed .	1pos
the new guy does have a heart . now , if it only had a brain .	1pos
a savvy exploration of paranoia and insecurity in america's culture of fear .	1pos
legendary irish writer brendan behan's memoir , borstal boy , has been given a loving screen transferral .	1pos
the film's greatest asset is how much it's not just another connect-the-dots , spy-on-the-run picture .	1pos
this clever caper movie has twists worthy of david mamet and is enormous fun for thinking audiences .	1pos
it's one of the saddest films i have ever seen that still manages to be uplifting but not overly sentimental .	1pos

without heavy-handedness , dong provides perspective with his intelligent grasp of human foibles and contradictions .

1pos

solid , lump-in-the-throat family entertainment that derives its power by sticking to the facts .

1pos

as an entertainment , the movie keeps you diverted and best of all , it lightens your wallet without leaving a sting .

1pos

it is interesting and fun to see goodall and her chimpanzees on the bigger-than-life screen .

1pos

it won't bust your gut -- and it's not intended to -- it's merely a blandly cinematic surgical examination of what makes a joke a joke .

1pos

a somewhat crudely constructed but gripping , questing look at a person so racked with self-loathing , he becomes an enemy to his own race .

1pos

it extends the writings of jean genet and john rechy , the films of fassbinder , perhaps even the nocturnal works of goya .

1pos

narc may not get an 'a' for originality , but it wears its b-movie heritage like a badge of honor .

1pos

with the film's striking ending , one realizes that we have a long way to go before we fully understand all the sexual permutations involved .

1pos

[drumline] is entertaining for what it does , and admirable for what it doesn't do .

1pos

at its best early on as it plays the culture clashes between the brothers .

1pos

[a] rare , beautiful film .

1pos

an unabashedly schmaltzy and thoroughly enjoyable true story .

1pos

a thoughtful look at a painful incident that made headlines in 1995 .

1pos

you walk out of the good girl with mixed emotions disapproval of justine combined with a tinge of understanding for her actions .

1pos

tsai ming-liang has taken his trademark style and refined it to a crystalline point .

1pos

purely propaganda , a work of unabashed hero worship , it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that u . s . foreign policy has played in the rise of castro .

1pos

now trimmed by about 20 minutes , this lavish three-year-old production has enough grandeur and scale to satisfy as grown-up escapism .

1pos

we get some truly unique character studies and a cross-section of americana that hollywood couldn't possibly fictionalize and be believed .

1pos

though this film can be clumsy , its ambitions are equally -- and admirably -- uncommercial .

1pos

daring , mesmerizing and exceedingly hard to forget .

1pos

the dangerous lives of altar boys' take on adolescence feels painfully true .

1pos

moore's performance impresses almost as much as her work with haynes in 1995's safe .

1pos

visits spy-movie territory like a novel you can't put down , examines a footnote to history seldom brought to light on the screen , and keeps you guessing from first frame to last .

1pos

an absorbing , slice-of-depression life that touches nerves and rings true .

1pos

mr . parker has brilliantly updated his source and grasped its essence , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom .

1pos

the result is something quite fresh and delightful .

1pos

all but the most persnickety preteens should enjoy this nonthreatening but thrilling adventure .

1pos

despite its many infuriating flaws -- not the least of which is amy's self-absorbed personality -- amy's o's honesty will win you over .

1pos

this is one of polanski's best films .

1pos

day is not a great bond movie , but it is a good bond movie , which still makes it much better than your typical bond knock-offs .

1pos

polished korean political-action film is just as good -- and bad -- as hollywood action epics . is this progress ?

1pos

elling , portrayed with quiet fastidiousness by per christian ellefsen , is a truly singular character , one whose frailties are only slightly magnified versions of the ones that vex nearly everyone .

1pos

denis and co-writer michele petin's impeccable screenplay penetrates with a rawness that that is both unflinching and tantalizing . lead provocatuers testud and parmentier give superlative performances

1pos

an absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .

1pos

i admired it , particularly that unexpected downer of an ending .

1pos

the passions aroused by the discord between old and new cultures are set against the strange , stark beauty of the mideast desert , so lovingly and perceptively filmed that you can almost taste the desiccated air .

1pos

remarkably accessible and affecting .

1pos

never mind whether you buy the stuff about barris being a cia hit man . the kooky yet shadowy vision clooney sustains throughout is daring , inventive and impressive .

1pos

a triumph of art direction over narrative , but what art direction !

1pos

behan himself knew how to spin a tale and one can't help but think he'd appreciate this attempt to turn his life into art .

1pos

jirí hubac's script is a gem . his characters are engaging , intimate and the dialogue is realistic and greatly moving . the scope of the silberstein family is large and we grow attached to their lives , full of strength , warmth and vitality . .

1pos

moore's complex and important film is also , believe it or not , immensely entertaining , a david and goliath story that's still very much playing itself out .

1pos

the additional storyline is interesting and entertaining , but it doesn't have the same magical quality as the beginning of the story . i like the new footage and still love the old stuff .

1pos

though mama takes a bit too long to find its rhythm and a third-act plot development is somewhat melodramatic , its ribald humor and touching nostalgia are sure to please anyone in search of a jules and jim for the new millennium .

1pos

you might not buy the ideas . but you'll definitely want the t-shirt .

1pos

provides an intriguing window into the imagination and hermetic analysis of todd solondz .

1pos

windtalkers is shapelessly gratifying , the kind of movie that invites you to pick apart its faults even as you have to admit that somehow it hit you where you live .

1pos

presents an astute appraisal of middle american musical torpor and the desperate struggle to escape it .

1pos

just what makes us happy , anyway ?

1pos

a thoughtful , moving piece that faces difficult issues with honesty and beauty .

1pos

one of the greatest romantic comedies of the past decade .

1pos

you wouldn't call the good girl a date movie ( an anti-date movie is more like it ) , but when it's good , it's good and horrid .

1pos

benefits from a strong performance from zhao , but it's dong jie's face you remember at the end .

1pos

this is a film brimming with detail and nuance and one that speaks volumes about the ability of the human spirit to find solace in events that could easily crush it forever .

1pos

the director , steven shainberg , has succeeded by focusing intently on his characters , making them quirky individuals rather than figures of fun .

1pos

it ultimately stands forth as an important chronicle of the abuses of one of latin america's most oppressive regimes .

1pos

the movie has a soft , percolating magic , a deadpan suspense .

1pos

a well-made and often lovely depiction of the mysteries of friendship .

1pos

using his audience as a figurative port-of-call , dong pulls his even-handed ideological ship to their dock for unloading , before he continues his longer journey still ahead .

1pos

. . . understands that a generation defines its music as much as the music defines a generation .

1pos

the transporter is as lively and as fun as it is unapologetically dumb

1pos

as a witness to several greek-american weddings -- but , happily , a victim of none -- i can testify to the comparative accuracy of ms . vardalos' memories and insights .

1pos

has it ever been possible to say that williams has truly inhabited a character ? it is now .

1pos

by presenting an impossible romance in an impossible world , pumpkin dares us to say why either is impossible -- which forces us to confront what's possible and what we might do to make it so .

1pos

an impressive debut for first-time writer-director mark romanek , especially considering his background is in music video .

1pos

an incendiary , deeply thought-provoking look at one of the most peculiar ( and peculiarly venomous ) bigotries in our increasingly frightening theocracy

1pos

all the performances are top notch and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .

1pos

" its successes are also tempered with elements which prove the direct antithesis of what it gets right . "

1pos

it's solid and affecting and exactly as thought-provoking as it should be .

1pos

this is such a dazzlingly self-assured directorial debut that it's hard to know what to praise first .

1pos

parker holds true to wilde's own vision of a pure comedy with absolutely no meaning , and no desire to be anything but a polished , sophisticated entertainment that is in love with its own cleverness .

1pos

münch's genuine insight makes the film's occasional overindulgence forgivable .

1pos

thankfully , the film , which skirts that rapidly deteriorating line between fantasy and reality . . . takes a tongue-in-cheek attitude even as it pushes the croc hunter agenda .

1pos

ultimately , the message of trouble every day seems to be that all sexual desire disrupts life's stasis .

1pos

if you're like me , a sucker for a good old fashion romance and someone who shamelessly loves to eat , then mostly martha offers all the perfect ingredients to more than satisfy your appetite .

1pos

the film has just enough of everything -- re-enactments , archival footage , talking-head interviews -- and the music is simply sublime .

1pos

there are a few stabs at absurdist comedy . . . but mostly the humor is of the sweet , gentle and occasionally cloying kind that has become an iranian specialty .

1pos

a wonderful character-based comedy .

1pos

it would be interesting to hear from the other side , but in talk to her , the women are down for the count .

1pos

an endearingly offbeat romantic comedy with a great meet-cute gimmick .

1pos

the unique tug-of-war with viewer expectations is undeniable , if not a pleasure in its own right .

1pos

it uses an old-time formula , it's not terribly original and it's rather messy -- but you just have to love the big , dumb , happy movie my big fat greek wedding .

1pos

it's almost impossible not to be moved by the movie's depiction of sacrifice and its stirring epilogue in post-soviet russia .

1pos

who knows what exactly godard is on about in this film , but his words and images don't have to add up to mesmerize you .

1pos

the tone is balanced , reflective and reasonable .

1pos

the principals in this cast are all fine , but bishop and stevenson are standouts .

1pos

it could change america , not only because it is full of necessary discussion points , but because it is so accessible that it makes complex politics understandable to viewers looking for nothing but energetic entertainment .

1pos

what's most striking about this largely celebratory film . . . is the sense of isolation that permeates these bastions of individuality in an ikea world .

1pos

. . . if you're in a mind set for goofy comedy , the troopers will entertain with their gross outs , bawdy comedy and head games .

1pos

somewhat blurred , but kinnear's performance is razor sharp .

1pos

as a director , mr . ratliff wisely rejects the temptation to make fun of his subjects .

1pos

for anyone who remembers the '60s or is interested in one man's response to stroke , ram dass : fierce grace is worth seeking out .

1pos

intriguing and beautiful film , but those of you who read the book are likely to be disappointed .

1pos

the new guy does have a heart . now , if it only had a brain .

1pos

a savvy exploration of paranoia and insecurity in america's culture of fear .

1pos

legendary irish writer brendan behan's memoir , borstal boy , has been given a loving screen transferral .

1pos

the film's greatest asset is how much it's not just another connect-the-dots , spy-on-the-run picture .

1pos

this clever caper movie has twists worthy of david mamet and is enormous fun for thinking audiences .

1pos

it's one of the saddest films i have ever seen that still manages to be uplifting but not overly sentimental .

1pos