idx
int32 0
67.3k
| sentence
stringlengths 2
268
| label
class label 2
classes | constituency_tree
stringlengths 14
806
|
|---|---|---|---|
200 | told in scattered fashion | 0negative
| (ROOT (S (VP (VBD told) (PP (IN in) (NP (JJ scattered) (NN fashion)))))) |
201 | takes chances that are bold by studio standards | 1positive
| (ROOT (VP (VBZ takes) (NP (NP (NNS chances)) (SBAR (WHNP (WDT that)) (S (VP (VBP are) (ADJP (JJ bold)) (PP (IN by) (NP (NN studio) (NNS standards))))))))) |
202 | believe it or not , jason actually takes a backseat in his own film to special effects | 0negative
| (ROOT (S (VP (VB believe) (SBAR (S (NP (NP (PRP it)) (CC or) (RB not)) (, ,) (NP (NN jason)) (ADVP (RB actually)) (VP (VBZ takes) (NP (DT a) (NN backseat)) (PP (IN in) (NP (PRP$ his) (JJ own) (NN film))) (PP (IN to) (NP (JJ special) (NNS effects))))))))) |
203 | only thing to fear about `` fear dot com '' | 0negative
| (ROOT (NP (NP (JJ only) (NN thing)) (SBAR (S (VP (TO to) (VP (VB fear) (PP (IN about) (`` ``) (NP (NN fear) (NN dot) (NN com)) ('' '')))))))) |
204 | whole mess | 0negative
| (ROOT (NP (JJ whole) (NN mess))) |
205 | manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | 1positive
| (ROOT (VP (VBZ manages) (S (VP (TO to) (VP (VB infuse) (NP (DT the) (JJ rocky) (NN path)) (PP (IN to) (NP (NN sibling) (NN reconciliation))) (PP (IN with) (NP (NP (NNS flashes)) (PP (IN of) (NP (NP (NN warmth)) (CC and) (NP (JJ gentle) (NN humor))))))))))) |
206 | working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | 1positive
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207 | a résumé loaded with credits like `` girl in bar # 3 | 0negative
| (ROOT (NP (NP (DT a) (NN résumé)) (VP (VBN loaded) (PP (IN with) (NP (NP (NNS credits)) (PP (IN like) (`` ``) (NP (NP (NN girl)) (PP (IN in) (NP (NN bar))) (NP (NN #) (CD 3))))))))) |
208 | enjoy the ride | 1positive
| (ROOT (S (VP (VB enjoy) (NP (DT the) (NN ride))))) |
209 | very little to add beyond the dark visions already relayed by superb recent predecessors | 0negative
| (ROOT (NP (NP (ADJP (RB very) (JJ little))) (SBAR (S (VP (TO to) (VP (VB add) (PP (IN beyond) (NP (NP (DT the) (JJ dark) (NNS visions)) (VP (ADVP (RB already)) (VBN relayed) (PP (IN by) (NP (JJ superb) (JJ recent) (NNS predecessors)))))))))))) |
210 | the , yes , snail-like pacing | 0negative
| (ROOT (NP (DT the) (, ,) (INTJ (UH yes)) (, ,) (ADJP (NN snail) (HYPH -) (JJ like)) (NN pacing))) |
211 | an extremely unpleasant film . | 0negative
| (ROOT (FRAG (NP (DT an) (ADJP (RB extremely) (JJ unpleasant)) (NN film)) (. .))) |
212 | if it is n't entirely persuasive , it does give exposure to some talented performers | 1positive
| (ROOT (S (SBAR (IN if) (S (NP (PRP it)) (VP (VBZ is) (ADVP (RB n)) (RB 't) (ADJP (RB entirely) (JJ persuasive))))) (, ,) (NP (PRP it)) (VP (VBZ does) (VP (VB give) (NP (NN exposure)) (PP (IN to) (NP (DT some) (JJ talented) (NNS performers))))))) |
213 | the whole affair , true story or not , feels incredibly hokey ... | 0negative
| (ROOT (S (NP (NP (DT the) (JJ whole) (NN affair)) (, ,) (NP (JJ true) (NN story)) (CC or) (RB not) (, ,)) (VP (VBZ feels) (ADJP (RB incredibly) (JJ hokey))) (. ...))) |
214 | are all things we 've seen before | 0negative
| (ROOT (VP (VBP are) (NP (NP (DT all) (NNS things)) (SBAR (S (NP (PRP we)) (VP (VBP ') (VP (VB ve) (VP (VBN seen) (PP (RB before)))))))))) |
215 | poignant and leavened | 1positive
| (ROOT (ADJP (JJ poignant) (CC and) (JJ leavened))) |
216 | breathless anticipation | 1positive
| (ROOT (NP (JJ breathless) (NN anticipation))) |
217 | significantly better | 1positive
| (ROOT (ADJP (RB significantly) (JJR better))) |
218 | as predictable as the tides | 0negative
| (ROOT (ADJP (ADJP (RB as) (JJ predictable)) (PP (IN as) (NP (DT the) (NNS tides))))) |
219 | bewilderingly brilliant and entertaining | 1positive
| (ROOT (ADJP (RB bewilderingly) (JJ brilliant) (CC and) (JJ entertaining))) |
220 | it 's smooth and professional | 1positive
| (ROOT (S (NP (PRP it)) (VP (VBZ 's) (ADJP (JJ smooth) (CC and) (JJ professional))))) |
221 | , unassuming , subordinate | 0negative
| (ROOT (S (, ,) (ADJP (JJ unassuming)) (, ,) (ADJP (JJ subordinate)))) |
222 | the horror | 0negative
| (ROOT (NP (DT the) (NN horror))) |
223 | a technically superb film | 1positive
| (ROOT (NP (DT a) (ADJP (RB technically) (JJ superb)) (NN film))) |
224 | the positive change in tone here seems to have recharged him . | 1positive
| (ROOT (S (NP (NP (DT the) (JJ positive) (NN change)) (PP (IN in) (NP (NN tone))) (ADVP (RB here))) (VP (VBZ seems) (S (VP (TO to) (VP (VB have) (VP (VBN recharged) (NP (PRP him))))))) (. .))) |
225 | pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | 1positive
| (ROOT (VP (VP (VBZ pays) (NP (JJ earnest) (NN homage)) (PP (IN to) (NP (NNS turntablists)))) (CC and) (VP (VB beat) (NP (NP (NNS jugglers)) (, ,) (NP (JJ old) (NNS schoolers)) (CC and) (NP (JJ current) (NNS innovators)))))) |
226 | a dim | 0negative
| (ROOT (NP (DT a) (NN dim))) |
227 | , vicious and absurd | 0negative
| (ROOT (S (, ,) (ADJP (JJ vicious) (CC and) (JJ absurd)))) |
228 | because he acts so goofy all the time | 0negative
| (ROOT (SBAR (IN because) (S (NP (PRP he)) (VP (VBZ acts) (ADJP (ADJP (RB so) (JJ goofy)) (NP (PDT all) (DT the) (NN time))))))) |
229 | to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | 1positive
| (ROOT (S (PP (IN to) (NP (DT a) (JJ kinetic) (NN life))) (ADVP (RB so)) (VP (VBG teeming) (SBAR (IN that) (S (NP (ADJP (RB even) (JJ cranky)) (NNS adults)) (VP (MD may) (VP (VB rediscover) (NP (NP (DT the) (VBG quivering) (NN kid)) (ADVP (RB inside)))))))))) |
230 | 's at once laughable and compulsively watchable , | 1positive
| (ROOT (S (VP (VBZ 's) (PP (IN at) (ADJP (ADJP (RB once) (JJ laughable)) (CC and) (ADJP (RB compulsively) (JJ watchable))))) (, ,))) |
231 | merit its 103-minute length | 1positive
| (ROOT (VP (VB merit) (NP (PRP$ its) (NML (CD 103) (HYPH -) (NN minute)) (NN length)))) |
232 | the value and respect for the term epic cinema | 1positive
| (ROOT (NP (NP (DT the) (NN value) (CC and) (NN respect)) (PP (IN for) (NP (DT the) (NN term) (JJ epic) (NN cinema))))) |
233 | as a dentist 's waiting room | 0negative
| (ROOT (PP (IN as) (NP (NP (DT a) (NN dentist) (POS 's)) (NN waiting) (NN room)))) |
234 | showing honest emotions | 1positive
| (ROOT (S (VP (VBG showing) (NP (JJ honest) (NNS emotions))))) |
235 | amazingly lame . | 0negative
| (ROOT (ADJP (RB amazingly) (JJ lame) (. .))) |
236 | confessions may not be a straightforward bio | 0negative
| (ROOT (S (NP (NNS confessions)) (VP (MD may) (RB not) (VP (VB be) (NP (DT a) (JJ straightforward) (NN bio)))))) |
237 | seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | 0negative
| (ROOT (S (S (VP (VBZ seems) (S (NP (NP (DT a) (ADJP (RB disappointingly) (JJ thin)) (NN slice)) (PP (IN of) (NP (NML (JJR lower) (HYPH -) (NN class)) (NNP london) (NN life))))))) (: ;) (S (PP (IN despite) (NP (DT the) (NN title))) (, ...) (VP (VBZ amounts) (PP (IN to) (ADJP (RB surprisingly) (JJ little))))))) |
238 | the story is bogus and | 0negative
| (ROOT (S (NP (DT the) (NN story)) (VP (VBZ is) (ADJP (JJ bogus))) (CC and))) |
239 | this comic gem is as delightful as it is derivative . | 1positive
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240 | to spare wildlife | 1positive
| (ROOT (S (VP (TO to) (VP (VB spare) (NP (NN wildlife)))))) |
241 | ugly as the shabby digital photography | 0negative
| (ROOT (ADJP (ADJP (JJ ugly)) (PP (IN as) (NP (DT the) (JJ shabby) (JJ digital) (NN photography))))) |
242 | understand the difference between dumb fun and just plain dumb | 0negative
| (ROOT (S (VP (VB understand) (NP (NP (DT the) (NN difference)) (PP (IN between) (NP (NP (JJ dumb) (NN fun)) (CC and) (NP (RB just) (JJ plain) (JJ dumb)))))))) |
243 | traditionally structured | 1positive
| (ROOT (SINV (ADVP (RB traditionally)) (VBN structured))) |
244 | frida is n't that much different from many a hollywood romance . | 0negative
| (ROOT (S (NP (NN frida)) (VP (VBZ is) (ADVP (RB n) (RB 't)) (ADJP (ADVP (RB that) (RB much)) (JJ different) (PP (IN from) (NP (JJ many) (DT a) (JJ hollywood) (NN romance))))) (. .))) |
245 | does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | 1positive
| (ROOT (S (VP (VBZ does) (VP (VB point) (NP (DT the) (NN way)) (PP (IN for) (NP (NP (JJ adventurous) (JJ indian) (NNS filmmakers)) (PP (IN toward) (NP (NP (DT a) (NN crossover)) (PP (IN into) (NP (JJ nonethnic) (NNS markets))))))))) (. .))) |
246 | are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | 1positive
| (ROOT (S (VP (VBP are) (ADJP (JJ worth) (NP (NP (DT the) (NN price)) (PP (IN of) (NP (NN admission)))))) (, ...) (SBAR (IN if) (S (`` ``) (NP (JJ gory) (NN mayhem)) ('' '') (VP (VBZ is) (NP (NP (PRP$ your) (NN idea)) (PP (IN of) (NP (DT a) (JJ good) (NN time))))))))) |
247 | was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | 0negative
| (ROOT (S (VP (VBD was) (VP (VP (VBN produced) (PP (IN by) (NP (NN jerry) (NN bruckheimer)))) (CC and) (VP (VBN directed) (PP (IN by) (NP (NNP joel) (NNP schumacher)))))) (, ,) (CC and) (VP (VBZ reflects) (NP (NP (NP (DT the) (JJS worst)) (PP (IN of) (NP (PRP$ their) (JJ shallow) (NNS styles)))) (: :) (NP (NP (ADJP (RB wildly) (JJ overproduced)) (, ,) (ADJP (RB inadequately) (VBN motivated)) (NP (NP (DT every) (NN step)) (PP (IN of) (NP (DT the) (NN way))))) (CC and) (VP (ADVP (RB demographically)) (VBN targeted) (S (VP (TO to) (VP (VB please) (NP (NP (DT every) (NN one)) (-LRB- -LRB-) (CC and) (NP (DT no) (NN one)) (-RRB- -RRB-))))))))))) |
248 | carnage and | 0negative
| (ROOT (NP (NP (NN carnage)) (CC and))) |
249 | degraded , handheld blair witch video-cam footage | 0negative
| (ROOT (NP (VBN degraded) (, ,) (NML (NN handheld) (NN blair)) (NN witch) (NML (NN video) (HYPH -) (NN cam)) (NN footage))) |
250 | second fiddle | 0negative
| (ROOT (ADJP (JJ second) (NN fiddle))) |
251 | about the folly of superficiality that is itself | 0negative
| (ROOT (PP (IN about) (NP (NP (NP (DT the) (NN folly)) (PP (IN of) (NP (NN superficiality)))) (SBAR (WHNP (WDT that)) (S (VP (VBZ is) (NP (PRP itself)))))))) |
252 | serves as auto-critique , and its clumsiness as its own most damning censure . | 0negative
| (ROOT (S (S (VP (VBZ serves) (PP (IN as) (NP (NN auto-critique))))) (, ,) (CC and) (NP (NP (PRP$ its) (NN clumsiness)) (PP (IN as) (NP (PRP$ its) (JJ own) (ADJP (RBS most) (JJ damning)) (NN censure)))) (. .))) |
253 | tedious norwegian offering which somehow snagged an oscar nomination . | 0negative
| (ROOT (NP (NP (JJ tedious) (JJ norwegian) (NN offering)) (SBAR (WHNP (WDT which)) (S (ADVP (RB somehow)) (VP (VBD snagged) (NP (DT an) (NN oscar) (NN nomination))))) (. .))) |
254 | , esther kahn is unusual but unfortunately also irritating . | 0negative
| (ROOT (S (, ,) (NP (NNP esther) (NNP kahn)) (VP (VBZ is) (ADJP (ADJP (JJ unusual)) (CC but) (ADJP (RB unfortunately) (RB also) (JJ irritating)))) (. .))) |
255 | a stylish exercise | 1positive
| (ROOT (NP (DT a) (JJ stylish) (NN exercise))) |
256 | halfway through this picture i was beginning to hate it | 0negative
| (ROOT (S (ADVP (RB halfway) (IN through) (NP (DT this) (NN picture))) (NP (PRP i)) (VP (VBD was) (VP (VBG beginning) (S (VP (TO to) (VP (VB hate) (NP (PRP it))))))))) |
257 | a setup so easy it borders on facile | 0negative
| (ROOT (NP (NP (DT a) (NN setup)) (ADJP (RB so) (JJ easy) (SBAR (S (NP (PRP it)) (VP (VBZ borders) (PP (IN on) (NP (NN facile))))))))) |
258 | a thoroughly awful movie | 0negative
| (ROOT (NP (DT a) (ADJP (RB thoroughly) (JJ awful)) (NN movie))) |
259 | takes hold and grips hard | 1positive
| (ROOT (VP (VP (VBZ takes) (NP (NN hold))) (CC and) (VP (NNS grips) (ADVP (RB hard))))) |
260 | look smeary and blurry , to the point of distraction | 0negative
| (ROOT (S (VP (VB look) (ADJP (JJ smeary) (CC and) (JJ blurry)) (, ,) (PP (IN to) (NP (NP (DT the) (NN point)) (PP (IN of) (NP (NN distraction)))))))) |
261 | the picture 's fascinating byways | 1positive
| (ROOT (S (NP (DT the) (NN picture)) (VP (VBZ 's) (ADJP (JJ fascinating) (NNS byways))))) |
262 | guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | 0negative
| (ROOT (NP (NP (NNS guns)) (, ,) (NP (ADJP (RB cheatfully) (VBN filmed)) (JJ martial) (NNS arts)) (, ,) (NP (VBG disintegrating) (NML (NN bloodsucker) (NN computer)) (NNS effects)) (CC and) (NP (JJ jagged) (NN camera) (NNS moves)))) |
263 | breezy , distracted rhythms | 0negative
| (ROOT (NP (JJ breezy) (, ,) (VBN distracted) (NNS rhythms))) |
264 | than this mess | 0negative
| (ROOT (PP (IN than) (NP (DT this) (NN mess)))) |
265 | evanescent , seamless and sumptuous stream | 1positive
| (ROOT (NP (ADJP (JJ evanescent) (, ,) (JJ seamless) (CC and) (JJ sumptuous)) (NN stream))) |
266 | slick and manufactured to claim street credibility . | 1positive
| (ROOT (FRAG (ADJP (JJ slick) (CC and) (VBN manufactured)) (S (VP (TO to) (VP (VB claim) (NP (NN street) (NN credibility))))) (. .))) |
267 | take care is nicely performed by a quintet of actresses , | 1positive
| (ROOT (S (S (VP (VB take) (NP (NN care)))) (VP (VBZ is) (ADVP (RB nicely)) (VP (VBN performed) (PP (IN by) (NP (NP (DT a) (NN quintet)) (PP (IN of) (NP (NNS actresses))))))) (, ,))) |
268 | valuable messages | 1positive
| (ROOT (NP (JJ valuable) (NNS messages))) |
269 | in no small part thanks to lau | 1positive
| (ROOT (FRAG (PP (IN in) (NP (DT no) (JJ small) (NN part))) (NP (NN thanks) (PP (IN to) (NP (NNP lau)))))) |
270 | two guys who desperately want to be quentin tarantino when they grow up | 0negative
| (ROOT (NP (NP (CD two) (NNS guys)) (SBAR (WHNP (WP who)) (S (ADVP (RB desperately)) (VP (VBP want) (S (VP (TO to) (VP (VB be) (NP (JJ quentin) (NN tarantino)) (SBAR (WHADVP (WRB when)) (S (NP (PRP they)) (VP (VBP grow) (ADVP (RP up))))))))))))) |
271 | no new plot conceptions | 0negative
| (ROOT (NP (DT no) (JJ new) (NN plot) (NNS conceptions))) |
272 | essentially a collection of bits -- | 0negative
| (ROOT (FRAG (ADVP (RB essentially)) (NP (NP (DT a) (NN collection)) (PP (IN of) (NP (NNS bits)))) (: --))) |
273 | does n't bode well for the rest of it | 0negative
| (ROOT (VP (VBZ does) (RB n) (RB 't) (VP (VB bode) (ADVP (RB well)) (PP (IN for) (NP (NP (DT the) (NN rest)) (PP (IN of) (NP (PRP it)))))))) |
274 | elevated by it -- the kind of movie | 1positive
| (ROOT (S (S (VP (VBN elevated) (PP (IN by) (NP (PRP it))))) (: --) (NP (NP (DT the) (NN kind)) (PP (IN of) (NP (NN movie)))))) |
275 | usual worst | 0negative
| (ROOT (S (ADJP (JJ usual)) (JJS worst))) |
276 | hugh grant , who has a good line in charm | 1positive
| (ROOT (NP (NP (NN hugh) (NN grant)) (, ,) (SBAR (WHNP (WP who)) (S (VP (VBZ has) (NP (NP (DT a) (JJ good) (NN line)) (PP (IN in) (NP (NN charm))))))))) |
277 | arrive early and stay late | 1positive
| (ROOT (S (VP (VP (VB arrive) (ADVP (RB early))) (CC and) (VP (VB stay) (ADVP (JJ late)))))) |
278 | is a pan-american movie , with moments of genuine insight into the urban heart . | 1positive
| (ROOT (S (VP (VBZ is) (NP (DT a) (JJ pan-american) (NN movie)) (, ,) (PP (IN with) (NP (NP (NNS moments)) (PP (IN of) (NP (NP (JJ genuine) (NN insight)) (PP (IN into) (NP (DT the) (JJ urban) (NN heart)))))))) (. .))) |
279 | i could have used my two hours better watching being john malkovich again . | 0negative
| (ROOT (S (NP (PRP i)) (VP (MD could) (VP (VB have) (VP (VBN used) (NP (PRP$ my) (CD two) (NNS hours)) (ADVP (RBR better)) (S (VP (VBG watching) (S (VP (VBG being) (NP (NNP john) (NNP malkovich)) (ADVP (RB again))))))))) (. .))) |
280 | shot in artful , watery tones of blue , green and brown | 1positive
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281 | an unorthodox little film noir organized crime story that includes one of the strangest | 1positive
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282 | considerable aplomb | 1positive
| (ROOT (NP (JJ considerable) (NN aplomb))) |
283 | acted by diane lane and richard gere . | 1positive
| (ROOT (S (VP (VBD acted) (PP (IN by) (NP (NP (NN diane) (NN lane)) (CC and) (NP (NNP richard) (NN gere))))) (. .))) |
284 | scant | 0negative
| (ROOT (ADJP (JJ scant))) |
285 | an admittedly middling film | 1positive
| (ROOT (NP (DT an) (ADJP (RB admittedly) (JJ middling)) (NN film))) |
286 | too ludicrous | 0negative
| (ROOT (ADJP (RB too) (JJ ludicrous))) |
287 | the rock 's fighting skills are more in line with steven seagal | 1positive
| (ROOT (S (NP (NP (DT the) (NN rock) (POS 's)) (NN fighting) (NNS skills)) (VP (VBP are) (PP (ADVP (RBR more)) (IN in) (NP (NP (NN line)) (PP (IN with) (NP (NNP steven) (NN seagal)))))))) |
288 | rich and full | 1positive
| (ROOT (ADJP (JJ rich) (CC and) (JJ full))) |
289 | warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | 1positive
| (ROOT (S (NP (NP (JJ warm) (NN water)) (PP (IN under) (NP (DT a) (JJ red) (NN bridge)))) (VP (VBZ is) (NP (NP (NP (DT a) (NN celebration)) (PP (IN of) (NP (JJ feminine) (NN energy)))) (, ,) (NP (NP (DT a) (NN tribute)) (PP (IN to) (NP (NP (DT the) (NN power)) (PP (PP (IN of) (NP (NNS women))) (SBAR (S (VP (TO to) (VP (VB heal))))))))))) (. .))) |
290 | that uses a sensational , real-life 19th-century crime as a metaphor for | 1positive
| (ROOT (S (NP (DT that)) (VP (VBZ uses) (NP (DT a) (JJ sensational) (, ,) (NML (JJ real) (HYPH -) (NN life)) (NML (JJ 19th) (HYPH -) (NN century)) (NN crime)) (PP (IN as) (NP (NP (DT a) (NN metaphor)) (PP (IN for))))))) |
291 | , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | 1positive
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292 | , the film retains ambiguities that make it well worth watching . | 1positive
| (ROOT (S (, ,) (NP (DT the) (NN film)) (VP (VBZ retains) (NP (NP (NNS ambiguities)) (SBAR (WHNP (WDT that)) (S (VP (VBP make) (S (NP (PRP it)) (ADJP (RB well) (JJ worth) (S (VP (VBG watching)))))))))) (. .))) |
293 | ultra-cheesy dialogue | 0negative
| (ROOT (NP (JJ ultra-cheesy) (NN dialogue))) |
294 | added depth and resonance | 1positive
| (ROOT (VP (VBN added) (NP (NN depth) (CC and) (NN resonance)))) |
295 | the sensational | 1positive
| (ROOT (NP (DT the) (JJ sensational))) |
296 | huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | 1positive
| (ROOT (NP (NP (NML (JJ huge) (HYPH -) (NN screen)) (NN format)) (S (VP (TO to) (VP (VB make) (NP (NP (DT an) (ADJP (JJ old) (HYPH -) (JJ fashioned)) (NN nature) (NN film)) (SBAR (WHNP (WDT that)) (S (VP (VBZ educates) (NP (NNS viewers)) (PP (IN with) (NP (NNS words) (CC and) (NNS pictures))) (SBAR (IN while) (S (VP (VBG entertaining) (NP (PRP them)))))))))))))) |
297 | handsome but unfulfilling suspense drama | 0negative
| (ROOT (NP (ADJP (JJ handsome) (CC but) (JJ unfulfilling)) (NN suspense) (NN drama))) |
298 | 's not very good either . | 0negative
| (ROOT (S (VP (VBZ 's) (RB not) (ADJP (RB very) (JJ good)) (ADVP (RB either))) (. .))) |
299 | in her most charmless | 0negative
| (ROOT (PP (IN in) (NP (PRP$ her) (ADJP (RBS most) (JJ charmless))))) |