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Also Fyodor created The Inhabited Island (2008). In 2006 Boris Strugatskiy gave him the rights to adapt the fantasy novel Prisoners of Power. The overall time of the shooting took 222 days. Production and distribution of Inhabited Island was realized by Fyodor Bondarchuk's film company Art Pictures Studio. The film earned $30 million and took the third place of the box office of CIS area in 2009. In 2012 Bondarchuk received the Golden Eagle Award for the Best Actor in the film Two Days (2011) by Avdotya Smirnova. At the same year, Fyodor and film producer Alexander Rodnyansky officially announced the beginning of the cooperation with IMAX Filmed Entertainment (also known as IMAX Corporation).

Fyodor sì tún ṣe The Inhabited Island (2008). Ní ọdún 2006, Boris Strugatskiy fún un ní ẹtọ láti ṣe aṣẹṣe iṣẹ́ àkọsílẹ̀ ọlọ́kan-ọ̀run Prisoners of Power. Àkókò gbogbo tí wọ́n fi ṣe fíìmù náà jẹ́ ọjọ́ 222. Fyodor Bondarchuk's film company Art Pictures Studio ni ó ṣe àgbéjáde àti ìgbéṣẹ̀ fún Inhabited Island. Fíìmù náà mú owó $30 million àti gba ipò kẹta ní àgbègbè CIS ní ọdún 2009. Ní ọdún 2012, Bondarchuk gbà àmì-ẹ̀yẹ Golden Eagle Award fún Òṣèré tó dára jùlọ nínu fíìmù Two Days (2011) tí Avdotya Smirnova ṣe. Ní ọdún kàn náà, Fyodor àti olùṣẹ̀ṣẹ́ fíìmù Alexander Rodnyansky ṣe àṣẹṣe ìbẹ̀rẹ̀ àwọn iṣẹ́ wọn pẹ̀lú IMAX Filmed Entertainment (tun mọ̀ sí IMAX Corporation).

As a result, their project Stalingrad was the first Russian film shown in IMAX format. It was released in October 2013.

Nigba to, awo won Stalingrad jẹ akọkọ filmu Russian ti a fi sori IMAX format. A tẹjade rẹ ni Oṣu Kẹ̀wá ọdun 2013.

In 2017 Fedor Bondarchuk directed the science fiction film Attraction. It was a box office success and earned $18 million. Over 4 million viewers watched Attraction in cinema, and it was the leader of online streaming after the digital release. The follow-up of this story, the film Invasion, came out in theaters in January 2020 and grossed over $11.5 millions in cinemas (with more than 2 million audience). Fedor Bondarchuk's most recent project is his first TV-series Psycho – a dramatic story about a modern psychotherapist with Konstantin Bogomolov and Elena Lyadova in leading roles. Psycho was released on more.tv streaming service on 5 November. Russian NMG Studio and Renta Videostudio are producing.

Ni ọdun 2017, Fedor Bondarchuk darapọ film sayẹnsi Attraction. O jẹ aṣeyọri ibi iṣura owo ati gba $18 million. Oṣere 4 million kan ri Attraction ni sinima, ati pe o jẹ olori ni streaming online lẹhin ti a tọ filmu naa jade ni digital. Aṣẹyọri ti o tẹle yi, filmu Invasion, jade ni theater ni January 2020 ati gba ju $11.5 million lo ni sinima (pẹlu oṣere 2 million kan). Iṣẹ ti o tẹle yi ni iṣẹ TV-series akọkọ rẹ, Psycho – ọrọ drama ti o sọrọ nipa psychotherapist ti o ni oye ni Konstantin Bogomolov ati Elena Lyadova ni ipa ti oga. Psycho jade ni streaming service more.tv ni 5 November. Russian NMG Studio ati Renta Videostudio ni aṣẹyọri.

Bondarchuk is chair of the board of trustees of the Kinotavr Film Festival, a member of the Russian Academy of Cinema Arts and Science (responsible for the Nika Awards) and a member of the National Academy of Motion Pictures Arts and Sciences of Russia (responsible for the Golden Eagle Awards.

Bondarchuk ni olori ode oniwa ibi ti aye Kinotavr Film Festival, omowe ti Russian Academy of Cinema Arts and Science (eni ti nse adari fun Nika Awards) ati omowe ti National Academy of Motion Pictures Arts and Sciences ti Russia (eni ti nse adari fun Golden Eagle Awards).

Fyodor is a founder of Art Pictures Studio production company, which he founded in 1991 together with his friends Juhan Saul Gross and Stepan Mikhalkov and reorganized it into the Art Pictures Studio in 2006 with his partner Dmitry Rudovskiy. The main area of the company is film and video production and distribution. The company is working with a variety of projects, ranging from music and advertising videos to feature films.

Fyodor jẹ oludasile ile-iṣẹ Art Pictures Studio, ti o daṣilẹ ni ọdun 1991 pẹlu ọrẹ rẹ Juhan Saul Gross ati Stepan Mikhalkov ati yi iṣẹgun rẹ si Art Pictures Studio ni ọdun 2006 pẹlu ọrẹ rẹ Dmitry Rudovskiy. Agbegbe akọkọ ile-iṣẹ ni iṣẹ filmu ati video ati ipese. Ile-iṣẹ n ṣiṣẹ pẹlu awọn iṣẹ ọlọpọlọpọ, lati awọn viṣi orin ati awọn viṣi amayederun de ọ si awọn filmu agbelebu.

Musical and advertising videos made by Art Pictures received a lot of Russian and international awards. The company worked with Heinz, Philips, Sony, Zikr (Colgate total), Pepsi etc. In 2002 Art Pictures moved into film production.

Vidiyo orin ati vidio amayederun ti Art Pictures se da lori awon ami-eye Russia ati agbaye. Kompani naa ti se ise pelu Heinz, Philips, Sony, Zikr (Colgate total), Pepsi ati bebe lo. Ni 2002, Art Pictures lo si ise fidio sinima.

In 2012 Fyodor Bondarchuk produced the screen adaption of Sergey Minaev's book of the same name, Dukhless. Released in October 2012, it became the most successful Russian fiction film that year. The sequel, Dukhless 2, was released in 2015.

Ni ọdun 2012, Fyodor Bondarchuk ṣe atunṣe ifarahanṣe ti iwe Sergey Minaev ti orukọ to yi, Dukhless. Ti a tẹjade ni Oṣu Kẹ̀wá ọdun 2012, o di fimu Russian fiction ti o rọrun jùlọ ni ọdun naa. Akọkọ, Dukhless 2, ti a tẹjade ni ọdun 2015.

In 2018 he produced another Minaev adaptation, Selfie, and the box-office hit musical film Ice which grossed $22 million against the budget of $2 million.

Ni ọdun 2018 o ṣe atunṣe Minaev miiran, Selfie, ati filmu orin Ice ti o gba owó lori box-office ti o gba $22 million lori budget ti o to $2 million.

Among the most famous Art Picture Studio's film projects are the dilogy Soulles (2012) and Soulles 2 (2015) (both features were based on Sergey Minaev's books of the same name). The first picture of this series became the most successful Russian fiction film in 2012. The sequel Soulles 2 grossed more than $8 million. In 2018 Fedor Bondarchuk produced another Minaev's adaptation Selfie (grossed more than $4 million). In 2018 APS also released a musical film Ice that became a box-office hit and grossed more than $22 million against the budget of $2 million. Its sequel Ice 2 (2020) was released in February and grossed more than $21 million.

Ninu awọn iṣẹ filmu ti Art Picture Studio ti o gbajumo, Soulles (2012) ati Soulles 2 (2015) (awọn aṣẹ yi gbogbo wa ni ibatan si awọn iwe Sergey Minaev ti o ni orukọ to yi) ni awọn ti o ṣe pataki. Awọn akọkọ ninu awọn iṣẹ yi di filmu fiction ti orile-ede Russia ti o ṣe pataki julọ ni 2012. Aṣẹ keji Soulles 2 ti gba ju $8 million lo. Ni 2018, Fedor Bondarchuk ṣe atunṣe Minaev miiran ti a pe ni Selfie (ti gba ju $4 million lo). Ni 2018, APS tẹle awọn filmu orin Ice ti di aṣẹ ti o ṣe pataki ati gba ju $22 million lo lori budget ti $2 million. Aṣẹ keji Ice 2 (2020) ti jade ni Oṣu keji ati gba ju $21 million lo.

One of the latest Studio's projects, sci-fi thriller Sputnik (2020). In Russia the picture was digitally released in April and was viewed more than 1 million times after just one month of streaming. After its release in the USA Sputnik also became Number 1 in American iTunes (the "Horror" category) and made it to the service's top-5 in general. Sputnik's Rotten Tomatoes score is almost 90%, the first Russian project to be rated this highly. APS is also developing its first documentary focusing on a figure of Academy-Award winning director Sergei Bondarchuk. Helming the project are journalists Denis Kataev and Anton Jelnov with Ilya Belov as a director.

Ere kan ni awọn iṣẹ ilẹ Studio, Sputnik (2020) thriller sayẹnsi. Ni Russia, aworan naa jẹ ifilọlẹ digital ni Oṣu Aferele ati pe o jẹ ifiyesi ju 1 million lẹhin oṣu kan ti streaming. Lẹhin ifilọlẹ rẹ ni USA, Sputnik tun di Number 1 ni iTunes ti Amerika (ẹka "Horror") ati pe o de ipo 5 ti ẹka rẹ. Iṣẹju Sputnik ni Rotten Tomatoes jẹ gajulo ju 90%, iṣẹ ilẹ Russia akọkọ ti a ṣe iyasọtọ gẹgẹbi wọnyi. APS tun n ṣe atilẹyin iṣẹ akọọlẹ rẹ akọkọ lori ọmọ egbe oludari ti o gba Academy-Award Sergei Bondarchuk. Awọn oniroyin Denis Kataev ati Anton Jelnov ni oludari iṣẹ naa pẹlu Ilya Belov gẹgẹbi oludari.

Art Pictures Studio also has a subdivision Art Pictures Vision that specializes in TV production. This company's portfolio includes such hits as The Year of Culture (TNT channel), 90's. Funny and loud!, Psychologirls (STS channel). In 2019 other Vision's projects were digitally released on Amazon Prime streaming service: sports drama Junior League (STS), spy thriller Sleepers (TV 1st channel) and a horror story The day after. Among current popular Art Pictures Vision projects are a road-movie type of comedy Let's go!(STS) and sports comedy Lanky Girls (STS). Among new releases are – a detective period piece An Hour before the Dawn (post-production) and story about a Russian moto sport team Kamaz Master – Truck Racer (post-production).

Art Pictures Studio tun lo ile-ẹkọ Art Pictures Vision ti o ni aṣẹ lori ipese TV. Iṣeto ile-ẹkọ yii ni awọn ọna ti o dara bi The Year of Culture (TNT channel), 90's. Funny and loud!, Psychologirls (STS channel). Ni ọdun 2019, awọn ẹka Vision miiran ti a tẹjade ni Amazon Prime streaming service: ere idaraya Junior League (STS), ere ọkọọkan Sleepers (TV 1st channel) ati itan horror The day after. Nipa awọn ẹka Art Pictures Vision ti o wọpọ ni bayi ni a road-movie ọna ti comedy Let's go!(STS) ati sports comedy Lanky Girls (STS). Nipa awọn ifilọlẹ tuntun ni – a detective period piece An Hour before the Dawn (post-production) ati itan ti ọmọ orilẹ-ede Russia moto sport team Kamaz Master – Truck Racer (post-production).

In 2008 Fyodor Bondarchuk together with Konstantin Ernst (Director General of the Russian Channel One) and Ilya Bachurin founded the large-scale project Glavkino. The project consists of a television and television complex, a hardware complex, a production center, a script laboratory. In 2011 Glavkino and New York Art Academy founded a grant named after Sergei Bondarchuk.

Ni ọdun 2008 Fyodor Bondarchuk pẹlu Konstantin Ernst (Olórí Àgbà ti Russian Channel One) àti Ilya Bachurin da ọrọ-aje tó tóbi Glavkino. Ọrọ-aje náà jẹ́ apá kan ti ilé-iṣẹ́ tẹlifíṣọ̀nù, ilé-iṣẹ́ tẹlifíṣọ̀nù, ilé-iṣẹ́ hardware, ilé-iṣẹ́ àgbéjáde, ilé-iṣẹ́ labọratorì àkọsílẹ̀. Ni ọdun 2011 Glavkino àti New York Art Academy da ẹ̀bùn tí wọ́n pè ní orúkọ Sergei Bondarchuk.

In 2017 Glavkino ownership was transferred from its founders, including Fyodor Bondarchuk, Konstantin Ernst, Ilya Bachurin, Vitaly Golovachev and Nikolai Tsvetkov, to the creditor VTB Bank. Each of the five founders of Glavkino received $1800 each, while VTB repaid the studio's debts, estimated at about $52 million.

Ni ọdun 2017, a yí òwò Glavkino jáde láti ọwọ́ àwọn olùdásílẹ̀ rẹ̀, pẹ̀lú Fyodor Bondarchuk, Konstantin Ernst, Ilya Bachurin, Vitaly Golovachev àti Nikolai Tsvetkov, sí ẹlẹ́gbẹ́ rẹ̀ VTB Bank. Ọ̀kan nínú àwọn olùdásílẹ̀ mẹ́fà ti Glavkino gbà $1800, nígbà tí VTB sì san owó ẹ̀ṣẹ̀ rẹ̀, tí a rí wí pé ó tó $52 million.

In 2009 Fyodor Bondarchuk with producer Sergey Selianov initiated the project Kinositi. The main mission of this company is to create network of multimedia educational cinema complexes throughout Russia. In 2012, Kinositi became the official partner of cinema chain Premier Zal.

Ni ọdun 2009, Fyodor Bondarchuk pẹlu oluṣẹṣẹ Sergey Selianov bẹrẹ ẹgbẹ Kinositi. Iṣẹ ipinnu ti ẹgbẹ yii ni lati ṣẹda ile-iṣẹ sinima multimedia ati ile-ẹkọ ti o ni agbara ni gbogbo Russia. Ni ọdun 2012, Kinositi di ọmọ ẹgbẹ ti ile-iṣẹ sinima Premier Zal.

Fyodor Bondarchuk is a co-owner of two restaurants in Moscow (together with his friends and partners Stepan Mikhalkov, Arkadiy Novikov and Kirill Gusev).

Fyodor Bondarchuk jẹ ọmọ ẹgbẹ ti ọja ọkọọkan mejeeji ni Moscow (pẹlu ọrẹ ati ọlọpa rẹ Stepan Mikhalkov, Arkadiy Novikov ati Kirill Gusev).

Fyodor Bondarchuk is a popular television host in Russia. His show about the world of cinema aired weekly on the STS TV channel in Russia. His guests in the studio included Oliver Stone, Darren Aronofsky, Michael Bay, Christoph Waltz, Daniel Craig, Til Schweiger etc.

Fyodor Bondarchuk jẹ́ olùgbéréjáde tẹlifíṣọ̀n tó ń gbajúmọ̀ ní Rọ́síà. Ẹ̀rọ rẹ̀ nípa àgbáyé sinimá gbé kalẹ̀ lọ́jọ́ ọ̀sẹ̀ lórí ẹ̀rọ tẹlifíṣọ̀n STS ní Rọ́síà. Àwọn ọmọ ẹgbẹ́ rẹ̀ ní studio pẹ̀lú Oliver Stone, Darren Aronofsky, Michael Bay, Christoph Waltz, Daniel Craig, Til Schweiger àti bẹ̀bẹ̀ lọ.

In 2003 he received TEFI as the best TV host of entertainment program, in March 2004 Bondarchuk became a member of Russian Television Academy's fund. At the same year Fyodor started to host the reality show You are a Supermodel.

Ni ọdun 2003 o gba TEFI bi oludari TV ti o dara julọ ninu eré itẹlentọ, ni March 2004 Bondarchuk di adehun fun Russian Television Academy's fund. Ni ọdun naa Fyodor bẹrẹ si ṣe oludari eré reality You are a Supermodel.

In March 2014, he signed a letter in support of the position of the President of Russia Vladimir Putin on Russia's military intervention in Ukraine.

Ni Oṣu Kẹta ọdun 2014, o si amọ̀we fun ipo Aare orile-ede Russia Vladimir Putin lori ipa awọn ologun Russia ni Ukraine.

Golden Aries Award (Russia), 2006 – Best directing debut (The 9th Company, director Fedor Bondarchuk)

Ẹ̀bùn Golden Aries (Russia), 2006 – Àkọ́kọ́ ìṣe olùdarí tó dára jùlọ (The 9th Company, olùdarí Fedor Bondarchuk)

Golden Aries Award (Russia), 2006 – People's choice Award (The 9th Company, director Fedor Bondarchuk)

Ẹ̀bùn Golden Aries (Rọ́síà), 2006 – Ẹ̀bùn Ọdọọdún (The 9th Company, olùdarí Fedor Bondarchuk)

Golden Aries Award (Russia), 2006 – Best feature film according to Internet voting (The 9th Company, director Fedor Bondarchuk)

Ẹ̀bùn Golden Aries (Russia), 2006 – Fíìmù àgbéléwò tó dára jùlọ láti ọ̀nà àpótí intẹnẹ́tì (The 9th Company, olùdarí Fedor Bondarchuk)

International Antalya Golden Orange Film Festival (Turkey), 2010 – special prize for the contribution to the world cinema

Ere Idije Fimuu Antalya Golden Orange Agbaye (Turkey), 2010 – ẹbun ọ̀rọ̀ọ̀rọ̀ fún ipa ti a n fun sinima agbaye

Golden Eagle Award, 2012 – Golden Eagle Award for Best Leading Actor (Two Days, director Dunya Smirnova)

Àmì-ẹ̀yẹ Golden Eagle, 2012 – Àmì-ẹ̀yẹ Golden Eagle fún Òṣèré Àgbẹ̀gbẹ̀rẹ̀ tó dára jùlọ (Two Days, olùdarí Dunya Smirnova)

Fyodor was married for more than 20 years to Svetlana Bondarchuk (née Rudskaya), main editor of Hello! magazine (Russia). They have 2 children: son Sergey and daughter Varvara. After divorcing from Svetlana, Fyodor became romantically involved with actress Paulina Andreeva. In March 2021, the couple gave birth to their son, Ivan.

Fyodor ti fẹ̀ Svetlana Bondarchuk (née Rudskaya) fún ọdún 20 lọ, ó jẹ̀ olùdarí àgbà fún iwe-ìròsọ Hello! (Russia). Wọ́n bí ọmọ méjì: ọmọkunrin Sergey àti ọmọbìnrin Varvara. Lẹ́yìn tí Fyodor kọ̀ ọ̀rẹ̀ Svetlana, ó bẹ̀rẹ̀ sí fẹ́ràn Paulina Andreeva, òṣèrébìnrin. Ní oṣù Kẹta ọdún 2021, ẹgbẹ́ náà bí ọmọkunrin wọn, Ivan.

Willamette Valley National Wildlife Refuge Complex is a National Wildlife Refuge complex in the state of Oregon.

Willamette Valley National Wildlife Refuge Complex jẹ́ National Wildlife Refuge complex ní ìpínlẹ̀ Oregon.

A champion seed is indicated in bold text while text in italics indicates the round in which that seed was eliminated.

Ajeji champion ni a n fi fonti odidi soju, nigba ti fonti italiki n soju ipo to ajeji na je.

The American Tobacco Company was a tobacco company founded in 1890 by J. B. Duke through a merger between a number of U.S. tobacco manufacturers including Allen and Ginter and Goodwin & Company. The company was one of the original 12 members of the Dow Jones Industrial Average in 1896. The American Tobacco Company dominated the industry by acquiring the Lucky Strike Company and over 200 other rival firms. Federal Antitrust action begun in 1907 broke the company into several major companies in 1911.

Kọmpání Taba Amerika jẹ kọmpání taba ti a daṣilẹ ni 1890 nipasẹ J. B. Duke lori apapọ ọpọlọpọ awọn kọmpání taba ti U.S. pẹlu Allen ati Ginter ati Goodwin & Company. Kọmpání yii jẹ ọkan ninu awọn ọmọ ẹgbẹ 12 akọkọ ti Dow Jones Industrial Average ni 1896. Kọmpání Taba Amerika jẹ olori ni ẹgbẹ yii nipasẹ igbasilẹ Lucky Strike Company ati awọn kọmpání ọta mẹrin ti o ju 200 lọ. Aṣẹ Federal Antitrust ti bẹrẹ ni 1907 ya kọmpání yii si ọpọlọpọ awọn kọmpání ọlọla ni 1911.

The American Tobacco Company restructured itself in 1969, forming a holding company called American Brands, Inc., which operated American Tobacco as a subsidiary. American Brands acquired a variety of non-tobacco businesses during the 1970s and 1980s and sold its tobacco operations to Brown & Williamson in 1994. American Brands subsequently renamed itself "Fortune Brands".

Kọmpání Taba Amerika ṣe atunṣe ara rẹ ni ọdun 1969, o si da ile-iṣẹ agbẹjọro kan ti a n pe ni American Brands, Inc., ti o ṣe American Tobacco gẹgẹ bi ile-iṣẹ ọmọ. American Brands gbe awọn iṣẹ alaṣẹ taba pọ ni ọdun 1970 ati 1980, o si tọju awọn iṣẹ taba rẹ si Brown & Williamson ni ọdun 1994. American Brands ti yọ orukọ rẹ di "Fortune Brands" lẹhinna.

James Buchanan Duke's entrance into the cigarette industry came about in 1879 when he elected to enter a new business rather than face competition in the shredded pouched smoking tobacco business against the Bull Durham brand, also from Durham, North Carolina.

Ipo James Buchanan Duke wole si ile ise sigareti bere ni 1879 nigba to yan lati dibo ise tuntun ki o to ba mu ipa pataki ninu ise taba tifa to n je Bull Durham, to si wa lati Durham, North Carolina.

In 1881, two years after W. Duke, Sons & Company entered into the cigarette business, James Bonsack invented a cigarette-rolling machine. It produced over 200 cigarettes per minute, the equivalent of what a skilled hand roller could produce in one hour, and reduced the cost of rolling cigarettes by 50%. It cut each cigarette with precision, creating uniformity in the cigarettes it rolled. Public stigma was attached to this machine-rolled uniformity, and Allen & Ginter rejected the machine almost immediately.

Ni ọdun 1881, ọdun meji lẹhin ti W. Duke, Sons & Company bẹrẹ iṣẹ igbọọgbọ, James Bonsack ṣẹ̀dá ọna igbọọgbọ. O ṣẹ̀dá igbọọgbọ 200 lọpọlọpọ ni wakati kan, eyi ti aṣẹṣẹ igbọọgbọ le ṣẹ̀dá ni wakati kan, ati gbigbe owó igbọọgbọ kẹta. O ṣẹ̀dá igbọọgbọ gbogbo ni ọna ti o ṣẹ̀dá, ṣẹ̀dá igbọọgbọ ti o ṣẹ̀dá. Iṣẹju ọjọgbọn wà lori ọna igbọọgbọ yi, ati Allen & Ginter pinnu ọna igbọọgbọ yi gbigbe.

Duke set a deal with the Bonsack Machine Company in 1884. Duke agreed to produce all cigarettes with his two rented Bonsack machines and in return, Bonsack reduced Duke’s royalties from $0.30 per thousand to $0.20 per thousand. Duke also hired one of Bonsack’s mechanics, resulting in fewer breakdowns of his machines than his competitors’. This secret contract resulted in a competitive advantage over Duke's competitors; he was able to lower his prices further than others could.

Duke ṣe ọrọ pẹlu Bonsack Machine Company ni ọdun 1884. Duke ti gba ọrọ lati ṣe igba ọkọọkan ni pẹlu awọn oniṣẹ Bonsack meji ti o gbejade ati ni apẹẹrẹ, Bonsack ti gba owó ẹṣọ Duke lati $0.30 fun igba 1000 si $0.20 fun igba 1000. Duke tun gbe ọkan ninu awọn oniṣẹ Bonsack, ti o fa igba ti o ṣẹlẹ siwajuju awọn ọta ti o. Ọrọ aṣẹ yi fa ẹgbẹ agbese si awọn ọta Duke; o ni anfani lati gba owó rẹ kuro ju awọn miiran.

In the 1880s, while Duke was beginning to machine-roll all his cigarettes, he saw that growth rates in the cigarette industry were declining. His solution was to combine companies and found “one of the first great holding companies in American history.” Duke spent $800,000 on advertising in 1889 and lowered his prices, accepting net profits of less than $400,000, forcing his major competitors to lower their prices and, in 1890, join his consortium by the name of the American Tobacco Company. The five constituent companies of American Tobacco: W. Duke & Sons, Allen & Ginter, W.S. Kimball & Company, Kinney Tobacco, and Goodwin & Company – produced 90% of the cigarettes made in 1890, the first year the American Tobacco Company was listed on the NYSE. Within two decades of its founding, the American Tobacco company absorbed about 250 companies and produced 80% of the cigarettes, plug tobacco, smoking tobacco, and snuff produced in the United States. With Duke's market control, American Tobacco grew its equity from $25,000,000 to $316,000,000.

Ni ọdun 1880, nigba ti Duke ti bẹrẹ si ṣe igbọọga igbọọga rẹ, o ri pe ọ̀nà eko nla ni ile-iṣẹ igbọọga ti n mu. Iwọ̀n rẹ ni lati pọ si awọn ile-iṣẹ ati da “ọkan ninu awọn ile-iṣẹ agbegbe akọkọ ni itan Amerika.” Duke fi $800,000 mulẹ fun igbọọga ni 1889 ati gbe owọ rẹ, gba owọ net ti o kere ju $400,000, n ṣe ifọwọsi awọn ọlọla rẹ pataki lati gbe owọ wọn ati, ni 1890, jọba consortium rẹ pẹlu orukọ ti American Tobacco Company. Awọn ile-iṣẹ mẹfa ti American Tobacco: W. Duke & Sons, Allen & Ginter, W.S. Kimball & Company, Kinney Tobacco, ati Goodwin & Company – ṣe 90% ti awọn igbọọga ti a ṣe ni 1890, ọdun akọkọ ti American Tobacco Company ti jẹ lilo lori NYSE. Laarin ọgọrun ọdun meji ti a da ile-iṣẹ na, ile-iṣẹ American Tobacco ti ṣe awọn ile-iṣẹ 250 ati ṣe 80% ti awọn igbọọga, plug tobacco, igbọọga, ati snuff ti a ṣe ni Orilẹ-ede Amerika. Pẹlu agbara Duke, American Tobacco ti dagba owọ rẹ lati $25,000,000 si $316,000,000.

American Tobacco Company quickly became known as the “Tobacco Trust” upon its founding. Duke controlled the cigarette market, and his trust caught the attention of legislators in the United States, a country with historical aversion to monopolies.

Kọmpani Tabá Amerika di gbajumo bi "Tobacco Trust" lẹyin ti a da kalẹ. Duke ni olori agbega tabá, ati pe trust ree han awọn oludije ni Orile-ede Amerika, orile-ede kan ti o ni itọsọna si awọn monopolies.

American Tobacco Company focused solely on making and selling cigarettes, leaving growing of tobacco and retail distribution to independent entrepreneurs. Nonetheless, Duke aimed to eliminate inefficiencies and middlemen through vertical consolidation. The American Tobacco Company began to expand to Great Britain, China, and Japan. The company also maintained an interest in producing other tobacco products in case fads shifted; Duke wanted to be sure that he would be prepared with a multitude of tobacco styles. The Tobacco Trust's international expansion in conjunction with its consolidation of all types of tobacco “ultimately made the Trust so vulnerable to regulation and judicial dissolution”.

Kọmpani Tabá Amerika dara pọ̀ pẹlu ẹkọ ati tita tabá, o si fagile eko tabá ati itaja lori ọja si awọn onisowo to ni ibatan. Sugbon, Duke fẹ pa awọn aṣẹ ati awọn oluṣowo laarin laarin ipinlẹ. Kọmpani Tabá Amerika bẹrẹ si ṣe iranlọwọ si Great Britain, China, ati Japan. Kọmpani naa tun ṣeto ifẹ si ẹkọ awọn oja tabá miiran nigba ti awọn fad si; Duke fẹ ṣe afikun pe o yoo ṣe aṣẹ pẹlu awọn ọna tabá. Iṣetoju ile-ẹkọ ti Tobacco Trust ni ẹkọ ati ipinlẹ gbogbo ọna tabá “ṣe pataki ṣe Trust ti o ni ibatan si ẹkọ ati ipinlẹ ẹjọ”.

The Sherman Antitrust Act was passed in 1890, and in 1907, the American Tobacco Company was indicted in violation of it. In 1908, when the Department of Justice filed suit against the company, 65 companies and 29 individuals were named in the suit. The Supreme Court ordered the company to dissolve in 1911 on the same day that it ordered the Standard Oil Trust to dissolve. The ruling in United States v. American Tobacco Co. stated that the combination of the tobacco companies “in and of itself, as well as each and all of the elements composing it whether corporate or individual, whether considered collectively or separately [was] in restraint of trade and an attempt to monopolize, and a monopolization within the first and second sections of the Anti-Trust Act.”

Ofin Sherman Antitrust ti won da lori ni 1890, ati ni 1907, ilana American Tobacco Company ti won fun ni ipo ti o yori ofin na. Ni 1908, nigba ti ile-ẹjọ ti orilẹ-ede Amerika ti da awọn ẹjọ si ilana na, awọn ilana 65 ati awọn eniyan 29 ni won ti n pe ni awọn ẹjọ. Igbimọ Apejọ Agba ti o da ilana na lati ya jade ni 1911 ni ọjọ kan na ti o da ilana Standard Oil Trust lati ya jade. Iṣiro ni United States v. American Tobacco Co. ti sọ pe apapọ awọn ilana taba “ni ara rẹ, gẹgẹ bi ati awọn ẹka ti o n ṣe e, eyi ti o jẹ korporẹẹti tabi eniyan, eyi ti a ṣe ni kolektif tabi kọọkan [jẹ] ni ipo ti o yori ofin ti asẹ ati iṣẹṣe lati ṣe aṣẹ, ati aṣẹ ni awọn ẹka akọkọ ati keji ti Ofin Anti-Trust.

Dissolution proved complicated. The American Tobacco Company had combined many prior companies and processes. One department would manage a certain process for the entire organization, producing brands previously owned by other companies. “Plants had been assigned specific products without regard for previous ownership.” Over the course of eight months, a plan for the dissolution, meant to assure competition among the new companies, was negotiated.

Ipo igbero dara. American Tobacco Company ti kopa awon ile-iṣẹ ati awọn aṣẹ to ku. Ile-iṣẹ kan yoo ṣakoso aṣẹ kan fun gbogbo ile-iṣẹ, ṣe awọn orukọ ti ile-iṣẹ miiran ti ni. “Awọn ile-iṣẹ ti a ti fun ni awọn oja kan laisi iye pe awọn ile-iṣẹ ti ni laipe. Laarin oṣu mejo, aṣẹ fun igbero, ti o ni lati ṣẹgun idagbasoke laarin awọn ile-iṣẹ titun, ti a ṣe aṣẹ.

The trust needed to dissolve in such a way that no manufacturer had a monopoly on any type of tobacco product. Investors, holding millions of dollars of securities, also needed to be considered. A large question was how to distribute trademarks and brands between the resulting companies.

Ọláṣẹ tí ó gbọdọ̀ yọ kúrú nínú ọ̀nà bẹ́ẹ̀ tí kò sí olùkọ̀tẹ̀nṣẹ́ kan tí ó ní ìwọ̀nba lórí ẹ̀yà ọ̀gbìn taba kan. Àwọn olùṣìnàáyè, tí ó ń ṣe àṣẹ àti dọ́là míràn, tún gbọdọ̀ jẹ́ kí a ṣe àkíyèsí wọn. Ẹ̀jẹ́ ńlá ni kí wọ́n ṣe pẹ̀lú orúkọ àmì àti àmì-ẹ̀yẹ láàrín àwọn ilé-iṣẹ́ tí ó yẹ̀wò.

The American Tobacco Company's assets were split off into: American Tobacco Company, the existing R. J. Reynolds, Liggett & Myers, and Lorillard. The monopoly became an oligopoly. The main result of the dissolution of American Tobacco Trust and the creation of these companies was an increase in advertising and promotion in the industry as a form of competition.

Ipo ilowosi American Tobacco Company je dida si: American Tobacco Company, R. J. Reynolds ti a n se, Liggett & Myers, ati Lorillard. Ipo ilowosi yan padanu si oligopoly. Esi yioku ni ipo ilowosi American Tobacco Trust ati ise ise awon ile-iwele yi je ki owo ofe ati ise ise ni ile-iwele yi gbe leyin.

Liggett & Myers kept control of these plants: Liggett and Myers, St. Louis; Spaulding and Merrick, Chicago; Allen and Ginter, Richmond; smoking tobacco factory in Chicago; Nall and Williams, Louisville; John Bollman Company, San Francisco; Pinkerton Company, Toledo; W. R. Irby, New Orleans; two cigar factories in Baltimore and Philadelphia, and the Duke-Durham branch of the American Tobacco Company.

Liggett & Myers sọ agbara rẹ̀ sí àwọn eréjà wọ̀nyí: Liggett and Myers, St. Louis; Spaulding and Merrick, Chicago; Allen and Ginter, Richmond; ilé-iṣẹ́ tábà tó ń ṣe tábà ní Chicago; Nall and Williams, Louisville; John Bollman Company, San Francisco; Pinkerton Company, Toledo; W. R. Irby, New Orleans; àwọn ilé-iṣẹ́ kigbe méjì ní Baltimore àti Philadelphia, àti ẹ̀ka Duke-Durham ti American Tobacco Company.

P. Lorillard retained the Lorillard properties in addition to S. Anargyos; the Luhrman and Wilburn Tobacco Company; plants in Philadelphia, Wilmington, Brooklyn, Baltimore, and Danville; and the Federal Cigar Company.

P. Lorillard gbe awọn ọja Lorillard, pẹlu S. Anargyos; Luhrman ati Wilburn Tobacco Company; awọn ile-iṣẹ ni Philadelphia, Wilmington, Brooklyn, Baltimore, ati Danville; ati Federal Cigar Company.

At the same time as the antitrust action in 1911, the company's share in British American Tobacco (BAT) was sold. In 1994, BAT acquired its former parent, American Tobacco Company (though reorganized after antitrust proceedings). This brought the Lucky Strike and Pall Mall brands into BAT's portfolio as part of BAT's American arm, Brown & Williamson. B&W later merged with R. J. Reynolds Tobacco Company in 2004.

Nigba to fi se ase antitrust ni 1911, apapo ile-iṣẹ ti British American Tobacco (BAT) ti jade. Ni 1994, BAT ti gbe ile-iṣẹ baba rẹ tẹlẹ, American Tobacco Company (ṣugbọn ti a ṣe atunṣe lẹhin ase antitrust). Eyi mu awọn orukọ Lucky Strike ati Pall Mall jade ninu apapo BAT gẹgẹ bi apapo BAT ti Amerika, Brown & Williamson. B&W ti darapọ mọ R. J. Reynolds Tobacco Company ni 2004.

American Tobacco left Durham in the late 1980s. Brown & Williamson took over the Reidsville, North Carolina operation in 1995 and closed it, costing 1000 people their jobs, but Commonwealth Brands took it over in a deal completed in October 1996, when the plant had 311 employees, and kept 100 of them. ITG Brands announced November 1, 2018 that the plant would close in 2020.

American Tobacco ti kuro ni Durham ni akoko ewe 1980. Brown & Williamson gbe ile ise Reidsville, North Carolina lọwọ wọn ni 1995, si sese e, o si fa awọn eniyan 1000 jade lọdọ ọrọ ajẹ. Ṣugbọn Commonwealth Brands gbe ile ise naa lọwọ wọn ni ipinle October 1996, nigba ti ile ise naa ti ni awọn ọmọ ẹgbẹ 311, o si fi awọn ọmọ ẹgbẹ 100 jade. ITG Brands ti ṣe ifilọle ni November 1, 2018 pe ile ise naa yoo sese ni 2020.

In 2004, the previously abandoned American Tobacco Campus (ATC) in Durham was reopened as a complex of offices, shops, and restaurants. Developed by Capitol Broadcasting and reopened as the American Tobacco Historic District, phase 1 consisted of the Fowler, Crowe, Strickland, Reed, and Washington Buildings, and included the construction of two new parking garages and a waterfall feature through the center of the campus designed by Smallwood, Reynolds, Stewart, Stewart of Atlanta, Georgia and constructed by W. P. Law, Inc. based in Lexington, South Carolina. Phase 2, consisting of the remaining buildings and expansion of the water feature at the north end of the site, was under construction as of late 2006. Many office spaces in the ATC are now used by Duke University. It was listed on the National Register of Historic Places in 2000 as the American Tobacco Company Manufacturing Plant. The nearby Watts and Yuille Warehouses were listed in 1984 and the Smith Warehouse in 1985.

Ni ọdun 2004, ile-iṣẹ American Tobacco Campus (ATC) ti a ti yọ kuro ni Durham ti ṣe ifilọle si gẹgẹ bi ile-iṣẹ, ọja, ati ile itọju. Capitol Broadcasting ni o ṣe idagbasoke rẹ ati ifilọle si gẹgẹ bi American Tobacco Historic District, ipinle 1 jẹ Fowler, Crowe, Strickland, Reed, ati Washington Buildings, ati ṣe agbekalẹ meji garages ile-iṣẹ tuntun ati awọn ọna omi ni ọgbọn ile-iṣẹ ti a ṣe nipasẹ Smallwood, Reynolds, Stewart, Stewart ti Atlanta, Georgia ati ṣe nipasẹ W. P. Law, Inc. ni Lexington, South Carolina. Ipinle 2, ti o jẹ awọn ile-iṣẹ ti o kọja ati agbekalẹ awọn ọna omi ni ọgbọn ariwa ti ibi naa, ni ipinle iṣẹ ni ọdun 2006. Awọn ile-iṣẹ pupọ ni ATC ni a nlo ni Duke University. A ṣe ifilọle rẹ ni National Register of Historic Places ni ọdun 2000 gẹgẹ bi American Tobacco Company Manufacturing Plant. Watts ati Yuille Warehouses ni a ṣe ifilọle rẹ ni ọdun 1984 ati Smith Warehouse ni ọdun 1985.

The American Tobacco Trail, named for the company, is a multi-use rail-trail that begins just south of the Durham complex and runs towards Chatham and Wake Counties. It follows the route of the railroad (Norfolk Southern Railway (former) Durham Branch) that once served the factories, but was later abandoned when these facilities were shut down.

Oju-ona American Tobacco, to n je pe oruko ile-iṣẹ na, jẹ oju-ona rail-trail ti o bẹrẹ ni apa gusu Durham complex ati o si lọ si Chatham ati Wake Counties. O si awọn ọna ọja ije oko (Norfolk Southern Railway (ti kọja) Durham Branch) ti o ti ṣe iranṣẹ fun awọn ile-iṣẹ, ṣugbọn o jẹ ifarakanṣẹ nigbati awọn ile-iṣẹ wọnyi ti pari.

In 1925 George Washington Hill's father died and he became the new president of the company. A year later Lucky Strike accounted for one fifth of U.S. cigarette sales, and the brand was among the five best-selling US-consumed cigarettes. In 1927 Hill began directing his marketing efforts toward women, which was a first. The success of the advertising campaign, which used movie actors and singers to promote the brand, can be attributed to Albert Lasker of the Lord & Thomas agency, and Edward Bernays, both of whom were hired by Hill. Lucky Strike soon accounted for 38 percent of U.S. cigarette sales. During the Great Depression the company remained successful and Hill's salary exceeded $2,000,000. He made a substantial investment in advertising and sponsored Your Hit Parade and the Jack Benny Show. He also sponsored Frank Sinatra, Ethel Smith and Lawrence Tibbett. In the golden age of radio, as well as early television, American Tobacco was known for advertisements featuring a fast-talking tobacco auctioneer named L. A. "Speed" Riggs. His rapid-fire and song-like patter would always end with the exclamation, "Sold, American!" Another famous tobacco auctioneer, F. E. Boone, was often heard in tandem with Riggs.

Ni ọdun 1925, baba George Washington Hill ku, o si di adari tuntun ile-iṣẹ naa. Ọdun kan lẹhinna, Lucky Strike jẹ ẹka ti o ni ọkan larin awọn ọta mẹta ti aṣẹ aṣẹ igboro ti U.S., ati pe ile-iṣẹ naa jẹ ọkan larin awọn ile-iṣẹ igboro ti o ṣe pataki julọ ni U.S. Ni ọdun 1927, Hill bẹrẹ si ṣe aṣẹ aṣẹ rẹ pẹlu awọn obinrin, eyi o si jẹ akọkọ. Aṣẹ aṣẹ naa, ti o lo awọn osere sinima ati akorin lati ṣe aṣẹ aṣẹ ile-iṣẹ naa, jẹ Albert Lasker ti ile-iṣẹ Lord & Thomas, ati Edward Bernays, awọn meji ti Hill yan. Lucky Strike si jẹ ẹka ti o ni 38% ti aṣẹ aṣẹ igboro ti U.S. Nigba Ọ̀rọ̀ Ọ̀fẹ́, ile-iṣẹ naa sọ di ọlọla, ati ẹbun Hill di $2,000,000. O ṣe aṣẹ aṣẹ pẹlu Your Hit Parade ati Jack Benny Show. O ṣe aṣẹ aṣẹ pẹlu Frank Sinatra, Ethel Smith ati Lawrence Tibbett. Ni ọ̀rọ̀ ọ̀fẹ́ ti redio, ati awọn ọ̀rọ̀ ọ̀fẹ́ ti tẹlifisionu, American Tobacco jẹ ile-iṣẹ ti a mọ si aṣẹ aṣẹ ti o lo ọkọ aṣẹ igboro kan ti orukọ rẹ jẹ L. A. "Speed" Riggs. Aṣẹ aṣẹ rẹ ti o ṣe pẹlu orin, ati aṣẹ aṣẹ rẹ ti o ṣe pẹlu orin, jẹ "Sold, American!" Ọkọ aṣẹ igboro miiran, F. E. Boone, jẹ ọkan larin awọn ọkọ aṣẹ igboro ti o ṣe pẹlu Riggs.

From the 1870s to the 1940s, cigarette companies often included collectible trading cards with their packages of cigarettes. Cigarette card sets document popular culture from the turn of the century, often depicting the period's actresses, costumes, and sports, as well as offering insights into mainstream humor and cultural norms.

Lati 1870s de 1940s, kompani sigareti ti ma n se kaadi eso kolektibulu pẹlu pakiti sigareti wọn. Awọn seti kaadi sigareti ṣe akọsilẹ ọgbọọgbọ aṣa, ọpọlọpọ igba ti o ṣe aṣọ orisirisi, ọpọlọpọ igba ti o ṣe ere idaraya, gẹgẹbi ti o ṣe ifihan inawo si ẹri ọlọlọlọ ati awọn ofin aṣa.

American Tobacco commercialised its cards through several brands, such as Recruit, Mecca, Fatima, Ramly, Turkey Red. Old Judge. Old Mill, among others

American Tobacco ṣe atunṣe kaadi rẹ pẹlu ọpọlọpọ awọn orukọ, bi Recruit, Mecca, Fatima, Ramly, Turkey Red. Old Judge. Old Mill, ati awọn miiran.

Beard, F. and A. Klyueva. "George Washington Hill and the 'Reach for a Lucky...' campaign", Journal of Historical Research in Marketing, (2010), 2#2 pp. 148-165. https://doi.org/10.1108/17557501011042524

Beard, F. ati A. Klyueva. "George Washington Hill ati 'Reach for a Lucky...' ipolongo", Journal of Historical Research in Marketing, (2010), 2#2 pp. 148-165. https://doi.org/10.1108/17557501011042524

Cox, Howard. The global cigarette: Origins and evolution of British American Tobacco, 1880-1945 (Oxford University Press, 2000).

Cox, Howard. Igboro taba: Ibi isele ati ifeleyin British American Tobacco, 1880-1945 (Oxford University Press, 2000).

Hannah, Leslie. "The Whig Fable of American Tobacco, 1895-1913," Journal of Economic History 66#1 (2006), pp. 42-73 online, argues most historians misinterpret the company.

Hannah, Leslie. "Iṣẹṣe Whig ti American Tobacco, 1895-1913," Journal of Economic History 66#1 (2006), pp. 42-73 online, ro pe awọn itanilori tobi julọ ṣe atunṣe ile-iṣẹ na.

Porter, Patrick G. "Origins of the American Tobacco Company." Business History Review 43.1 (1969): 59-76. online

Porter, Patrick G. "Ọ̀nà Ìbẹ̀rẹ̀ Ilé-iṣẹ́ Taba Amerika." Iwe-ẹkọ Iṣẹ-ọ̀rọ̀ 43.1 (1969): 59-76. online

Porter, Patrick G. "Advertising in the early cigarette industry: W. Duke, Sons & Company of Durham." North Carolina Historical Review 48.1 (1971): 31-43.

Porter, Patrick G. "Ipolowo ni awon igba to kere ni ile-iṣẹ igbọọgbọ: W. Duke, Sons & Company ti Durham." North Carolina Historical Review 48.1 (1971): 31-43.

Tilley, Nannie M. The R.J. Reynolds Tobacco Company (1988) part of American Tobacco Company 1899-191, then independent again.

Tilley, Nannie M. The R.J. Reynolds Tobacco Company (1988) akọle American Tobacco Company 1899-191, nigba ti o gba agbara lati ara re.

Tilley, Nannie May. "Agitation Against the American Tobacco Company in North Carolina, 1890-1911." North Carolina Historical Review 24.2 (1947): 207-223.

Tilley, Nannie May. "Iwuri Lati Duro De American Tobacco Company ni North Carolina, 1890-1911." North Carolina Historical Review 24.2 (1947): 207-223.

"Bills, Bills, Bills" is a song by American girl group Destiny's Child from their second studio album, The Writing's on the Wall (1999). It was written by Beyoncé Knowles, LeToya Luckett, Kelly Rowland, Kandi Burruss, and Kevin "She'kspere" Briggs and produced by the latter. The song was released as the lead single from The Writing's on the Wall on May 31, 1999, by Columbia Records.

"Bills, Bills, Bills" jẹ orin ti ẹgbẹ awọn obinrin Amerika Destiny's Child ti album studio wọn keji, The Writing's on the Wall (1999). Beyoncé Knowles, LeToya Luckett, Kelly Rowland, Kandi Burruss, ati Kevin "She'kspere" Briggs kọ orin na, Briggs sọ orin na pọ si. Orin na jẹ orin akọkọ ti a fi jade lati The Writing's on the Wall ni May 31, 1999, ni ọwọ Columbia Records.

"Bills, Bills, Bills" became Destiny's Child's first number-one single on the US Billboard Hot 100. Internationally, it reached the top 10 in Belgium, Canada, Iceland, the Netherlands, and the United Kingdom. Critically acclaimed, the song was nominated for two Grammy Awards in 2000–Best R&B Performance by a Duo or Group with Vocals and Best R&B Song.

"Bills, Bills, Bills" di orin akọkọ ti Destiny's Child ti de ipo kinni lori US Billboard Hot 100. Ni ibi keji aye, o de ipo 10 ni Belgium, Canada, Iceland, Netherlands, ati United Kingdom. Ti a gba ga julọ, orin naa ni a yan fun Grammy Awards meji ni 2000–Best R&B Performance by a Duo or Group with Vocals ati Best R&B Song.

The accompanying music video for "Bills, Bills, Bills", directed by Darren Grant, was filmed in a beauty salon as a tribute to Beyoncé's mother Tina Knowles. In 2021, the song resurged in popularity on streaming platforms, as well as TikTok, where it became the most popular "comeback" track in the United States and the United Kingdom that year.

Vidiyo orin pẹlu "Bills, Bills, Bills", ti Darren Grant se daru, jẹ ifilọlẹ ni salon ti owo ofurufu bi ẹbun fun iya Beyoncé Tina Knowles. Ni ọdun 2021, orin na bẹrẹ si gba aṣeyọri lọwọ awọn ẹrọ ọrọ-aje, gẹgẹbi TikTok, nibi ti o di orin "comeback" ti o gbajumọ jùlọ ni orilẹ-ede Amerika ati orilẹ-ede Geesi ni ọdun na.

"Bills, Bills, Bills" is one of the five tracks that Destiny's Child worked with Kandi Burruss and Kevin "She'kspere" Briggs on their sophomore album that would help create their signature sound. Burruss stated that the idea for the song came to them when they were in a store and Briggs began beat-boxing the beat in his head. Burruss also claimed that the lyrics, specifically the verses for the song, were inspired by personal dating experiences she had. The group members expanded on writing lyrics for the song after the concept was presented to them.

"Bills, Bills, Bills" jẹ ọkan ninu awọn orin marun ti Destiny's Child ṣe pẹlu Kandi Burruss ati Kevin "She'kspere" Briggs lori album wọn ti o kẹhin to yoo ṣe iranṣẹ awọn orin wọn. Burruss sọ pe oṣere fun orin naa de wọn nigbati wọn wà nínú ọja ati Briggs bẹrẹ si ṣe beat-boxing beat naa ninu okan rẹ. Burruss tun sọ pe aro, pẹṣẹwẹ awọn iṣẹju, jẹ ọkan ninu awọn orin naa, jẹ ẹgbẹgbẹrẹ fun ẹgbẹgbẹrẹ ti o ni pẹlu ẹgbẹgbẹrẹ ti o ni pẹlu ẹgbẹgbẹrẹ. Awọn ẹgbẹgbẹrẹ ti ẹgbẹgbẹrẹ ṣe aṣẹ lori kíkọ aro fun orin naa lẹyin ti aṣẹ naa ti jẹ ifọwọsowọpo wọn.

Musically, the song is a sassy, playful, and jittery R&B track with slinky instrumentation led by harpsichord-synthesizers. The track is described to have a quirky melody and descriptive lyrics that draw attention to listeners because of the story the group members are singing.

Ninu ere orin, orin naa je orin R&B to n gbona, to n gbona, to n gbona pẹlu aṣẹ orin to n gbona ti harpsichord-synthesizers n gbe. A ti ṣe apejuwe pe orin naa ni aro orin to n gbona ati orin to n gbona ti o n fa aṣẹ awọn olorin ni awọn akọọlẹ.

In the United States, "Bills, Bills, Bills" was serviced to urban and rhythmic contemporary radio stations on May 31, 1999, and June 1, 1999, respectively. The single was then released physically in the United States on CD, maxi-CD, 12-inch vinyl, and cassette. In the United Kingdom, the song was issued on July 12, 1999, as a cassette and two maxi-CDs. Germany and France soon followed with maxi-CDs for the song being released on July 16, and July 26, respectively. The track was later sent to US contemporary hit radio on July 20, 1999.

Nílẹ̀ Amẹ́ríkà, "Bills, Bills, Bills" jẹ́ ìpolówó sí ilé-iṣẹ́ redio aládùn àti àṣẹ́yọrí àwọn ọdún 1990 ní ọjọ́ 31 oṣù kàrún, 1999, àti ọjọ́ 1 oṣù kẹfà, 1999, bí ó tilẹ̀ jẹ́. Àwo orin náà jẹ́ ìgbéhìn sílẹ̀ ní Amẹ́ríkà lórí CD, maxi-CD, 12-inch vinyl, àti kaseti. Nílẹ̀ United Kingdom, orin náà jẹ́ ìpolówó ní ọjọ́ 12 oṣù keje, 1999, bí kaseti àti mẹ́ta maxi-CD. Jẹ́mánì àti Faransé jẹ́ ìgbéhìn sílẹ̀ pẹ̀lú maxi-CD fún orin náà tí wọ́n gbé jáde ní ọjọ́ 16, àti ọjọ́ 26, bí ó tilẹ̀ jẹ́. Ìtọ́ka orin náà jẹ́ ìpolówó sí US contemporary hit radio ní ọjọ́ 20 oṣù keje, 1999.

In the United States, "Bills, Bills, Bills" debuted at number 84 on the Billboard Hot 100 chart and climbed to number one five weeks later, dethroning Jennifer Lopez's debut single "If You Had My Love" from the top spot. It was Destiny's Child's first song to peak at number one on the Billboard Hot 100 and was the ninth-best-selling single of 1999 in the United States. "Bills, Bills, Bills" also reached number one on the Hot R&B/Hip-Hop Songs for nine consecutive weeks. In the United Kingdom, "Bills, Bills, Bills" peaked at number six on the UK Singles Chart.

Nílẹ̀ Amẹ́ríkà, "Bills, Bills, Bills" bẹ̀rẹ̀ sí ipò 84 lórí àtòjọ Billboard Hot 100, ó sì dé ipò kinni ní ọ̀sẹ̀ mẹ́ta lẹ́yìn, ó sì mú Jennifer Lopez's orin àkọ́kọ́ "If You Had My Love" jáde ní ipò àkọ́kọ́. Ó jẹ́ orin àkọ́kọ́ Destiny's Child tó dé ipò kinni lórí Billboard Hot 100, ó sì jẹ́ orin tó ta ọgọ́rùn mẹ́sàn án 1999 ní Amẹ́ríkà. "Bills, Bills, Bills" dé ipò kinni lórí Hot R&B/Hip-Hop Songs fún ọ̀sẹ̀ mẹ́sàn án. Nílẹ̀ United Kingdom, "Bills, Bills, Bills" dé ipò mẹ́fà lórí UK Singles Chart.

The video takes place in a hair salon, inspired by Tina Knowles, Beyoncé's mother and the group's fashion stylist at the time. The video starts with Beyoncé arguing with her boyfriend and being fed up with him asking for her car keys. Destiny's Child are seen doing hair styling on clients. The members then do some choreography with salon chairs in light pink ensembles. In another setting, Destiny's Child are wearing black and white, zebra-like patterned outfits while so-called "broke", "tired", and "good for nothin'" men are seen in rooms behind them. The final setting for the video takes place in front a wall of glass block windows. Here, the members are wearing shiny blue outfits. The video is edited when the members are singing to the camera to make them move jittery to the beat. The video made its premiere on music video stations such as BET, MTV, and The Box on the week ending June 13, 1999.

Vidiyo naa se alaye ni salonu irun, ti o je didasile nipasẹ Tina Knowles, iya Beyoncé ati olori aṣọ Destiny's Child ni igba naa. Vidiyo naa bere pẹlu Beyoncé ti o n soro pẹlu oṣere rẹ ati pe o ti jade pẹlu rẹ nitori o n beere fun oṣere rẹ lati mu owo ọkọ rẹ. Destiny's Child wa ni a ri nṣe aṣọ fun awọn ọmọdele. Awọn ẹgbẹ naa si ṣe aṣẹjuju kan pẹlu salon chairs ni aṣọ pinki ala. Ni ibi miiran, Destiny's Child wa ni a ri nṣe aṣọ pẹlu aṣọ ala dudu ati funfun, awọn ọkunrin ti a pe ni "broke", "tired", ati "good for nothin'" wa ni a ri ni ọkọọkan wọn ni ibi miiran. Ibi ikẹhin fun vidiyo naa se alaye ni ibi oju ile kan ti o ni windo glass block. Ni ibi yi, awọn ẹgbẹ naa wa ni a ri nṣe aṣọ blue ala. Vidiyo naa ti ṣe aṣẹjuju nigba ti awọn ẹgbẹ naa n soro si kamera lati mu wọn ṣe aṣẹjuju. Vidiyo naa jade ni ọjọ June 13, 1999 ni ẹ̀ka BET, MTV, ati The Box.

Kevin "She'kspere" Briggs – writing (as Kevin Briggs), all instruments, midi and sound, production, vocal production, recording

Kevin "She'kspere" Briggs – itun kiko (gege bi Kevin Briggs), awọn ọ̀rọ̀ gbogbo, midi ati orin, imọ̀ran, imọ̀ran ohun orin, itọsọpọ

Sporty Thievz, the same group that wrote "No Pigeons" as an answer song to TLC's "No Scrubs", wrote a response to "Bills, Bills, Bills" entitled "No Billz (Why, Why, Why)." Sporty Thievz were also featured on "I Can't Go For That", a re-recorded remix of "Bills, Bills, Bills" with new lyrics, produced by the Trackmasters, along with a rapper called Jazz.

Sporty Thievz, ẹgbẹ kan ti kọ "No Pigeons" gẹgẹbi orin itanilẹyin si "No Scrubs" ti TLC, kọ itanilẹyin si "Bills, Bills, Bills" ti a pe "No Billz (Why, Why, Why)". Sporty Thievz jẹ aṣojú nínú "I Can't Go For That", orin remix ti a ṣe atunṣe ti "Bills, Bills, Bills" pẹlu orin tuntun, ti Trackmasters ṣe, pẹlu rapper kan ti a pe Jazz.

In 2015, New York-based rock band They Might Be Giants recorded a cover version, later released on their album Phone Power.

Ni ọdun 2015, ọmọ egbe rock ti New York They Might Be Giants yi orin na, ti won si tẹ jade ni album wọn Phone Power.

The song was also performed a cappella by the fictional Dalton Academy Warblers group on the American musical television series Glee in the eleventh episode of the second season, entitled The Sue Sylvester Shuffle.

Orin naa tun je didari a cappella nipasẹ ẹgbẹ Dalton Academy Warblers ti a ko si ninu ere orin Amerika ti a pe Glee ni episode kọkanla ti okele meta, ti a pe The Sue Sylvester Shuffle.

Muftau Adegoke Babatunde Elegbede (13 August 1939 – 19 June 1994) or Tunde Elegbede was Chief of Nigeria's Defence Intelligence Agency from July 1986 to January 1990 and Military Governor of Cross River State, Nigeria between July 1975 and October 1978.

Muftau Adegoke Babatunde Elegbede (13 Oṣù Kẹjọ 1939 – 19 Oṣù Kẹfà 1994) tàbí Tunde Elegbede jẹ́ Olórí Àjọ̀ Ìṣẹ̀lẹ̀ Ọ̀rọ̀ Àwọn Ọmọ Ogun ti Nàìjíríà láti Oṣù Keje ọdún 1986 títí di Oṣù Kínní ọdún 1990 àti Gómìnà Ọmọ Ogun ti Ìpínlẹ̀ Cross River, Nàìjíríà láti Oṣù Keje ọdún 1975 títí di Oṣù Kẹ̀wá ọdún 1978.

As a Navy Captain, Elegbede was appointed Military Governor of Cross River State between 28 July 1978 and 30 September 1979, when he handed over power to the elected civilian governor Clement Isong at the start of the Nigerian Second Republic.

Gẹgẹ bi Olori Navy, Elegbede jẹ apamọ bi Gomina Ọjọgbọn ti Ipinle Cross River laarin 28 Oṣu Jùlọ 1978 ati 30 Oṣu Kẹsán 1979, nigba ti o fọwọ si agbara si Gomina Ọjọgbọn ti a yan Clement Isong ni ibẹrẹ Aṣẹgun Ọjọgbọn ti Naijiria.

During the military regime of General Muhammadu Buhari that followed the Second Republic after a 31 December 1983 coup, Elegbede was Chairman of the Kaduna Zone military tribunal, which was set up to try public officers from the previous civilian regime who had been accused of embezzling public funds.

Ninu igba isejoba ologun General Muhammadu Buhari to ba ile-igbimọ ayeji ti o si wọ inu ayeji keji lẹhin ipinu 31 December 1983, Elegbede jẹ Adipọni tribunal ologun agbegbe Kaduna, ti a da silẹ lati darí awọn ofisọ agbegbe lati igba ayeji to kọja ti a ti fi si ẹsẹ lati gbe owo orilẹ-ede.

He was appointed director of the Defence Intelligence Agency, and was later head of administration in Defence Headquarters under General Ibrahim Babangida.

Won yan gege bi olori ile-iṣẹ akọọlẹ Defence Intelligence Agency, o si ti di olori iṣẹ akọọlẹ ni Defence Headquarters labẹ General Ibrahim Babangida.

In September 1985, Commodore Elegbede was Flag Officer Commanding, Sea Training Command. He was a member of Babangida's Armed Forces Ruling Council from 1983 to 1993.

Ni Oṣu Kẹsán ọdún 1985, Commodore Elegbede jẹ Flag Officer Commanding, Sea Training Command. O jẹ ọmọ ẹgbẹ Babangida's Armed Forces Ruling Council lati ọdun 1983 de 1993.

Elegbede was assassinated by gunmen on 19 June 1994 along the Gbagada/Owonshoki expressway in Lagos, hit by more than 70 automatic rifle bullets.

Elegbede jẹ́ apẹrẹ ni ọwọ́ ọmọ ogun lọ́jọ́ kẹrìndínlógún oṣù kẹfà ọdún 1994 lórí ọ̀nà ìjọba Gbagada/Owonshoki ní Ìpínlẹ̀ Èkó, ó jẹ́ àṣẹ àwọn ọmọ ogun tó ju ọ̀rọ̀ 70 lọ.

Jaysh al-Mu'ammal (), also known as Liwa al-Mu'ammal or as the Popular Mobilization Forces' 99th Brigade, is a Shia Islamist Iraqi private militia that is led by Sa'ad Sawar and has fought in the Syrian Civil War and Iraqi Civil War. Founded as a splinter faction of the Sadrist Movement, Jaysh al-Mu'ammal is supported by Iran and former Iraqi Prime Minister Nouri al-Maliki.

Jaysh al-Mu'ammal, ti a tun mo si Liwa al-Mu'ammal tabi 99th Brigade ti Popular Mobilization Forces, jẹ ẹgbẹ́ ọmọ ogun Shia Islamist ti orilẹ-ede Iraq ti Sa'ad Sawar ni olori rẹ, ti o ti ja ninu ogun abẹlẹ Syrian ati ogun abẹlẹ Iraq. Ti a da silẹ bi ẹgbẹ́ ti o ya siwaju lati Sadrist Movement, Jaysh al-Mu'ammal jẹ ẹgbẹ́ ti Iran ati Nouri al-Maliki, Alakoso Agba Iraq to ti jẹ, n soju re.

Jaysh al-Mu'ammal reportedly emerged due to disputes among the Iraqi Sadrist Movement. After the Syrian Civil War's outbreak, Muqtada al-Sadr had decided not to aid the Syrian government of Bashar al-Assad, which led to discontent among his followers. One of the leading commanders of the Sadrist Peace Companies, Sa'ad Sawar, openly broke with Muqtada al-Sadr and travelled to Damascus, where he joined another Iraqi militia, Liwa Assad Allah al-Ghalib fi al-Iraq wa al-Sham, to fight against the Syrian insurgents.

Jaysh al-Mu'ammal ti gbe jade ni ibamu si iroro laarin awon Sadrist Movement ti Iraq. Lẹyin ti ogun abẹlẹ Syria bẹrẹ, Muqtada al-Sadr ti gbe adele fun pe ki o ma se iranlowo ijoba Syria ti Bashar al-Assad, eyi lo fa ajeji si awon oludari re. Ọkan ninu awon olori ọrọ ti Sadrist Peace Companies, Sa'ad Sawar, gbe adele fun pe ki o ma se iranlowo Muqtada al-Sadr ati lo si Damascus, nibi ti o darapo mọ ẹgbẹ olọgbọn Iraq miiran, Liwa Assad Allah al-Ghalib fi al-Iraq wa al-Sham, lati gbeja pẹlu awọn ọmọ ogun Syria.

As time went on, disputes over the leadership and course of the Sadrist Movement continued, with a number of factions breaking off. After returning to Iraq, Sa'ad Sawar consequently managed to rally a substantial number of dissatisfied Sadrists to his cause, and announced the foundation of "Jaysh al-Mu'ammal" in June 2016. The new group reportedly received substantial aid from Nouri al-Maliki, the former Prime Minister of Iraq and a rival to Muqtada al-Sadr, who provided Jaysh al-Mu'ammal with 3 million United States dollar in cash, weapons worth $1,5 million, and the support from a number of tribal sheikhs in central and southern Iraq. Sa'ad Sawar also received support from Iran and other splinter faction of the Sadrist Movements as well, such as Asa'ib Ahl al-Haq.

Gege bi ojo sile, awon iranlowo lori ipo olori ati ise Ilosiwaju Sadristi sise, pẹlu ọpọlọpọ awọn ẹgbẹ ti o ya kuro. Lẹhin ti o padanu si Iraki, Sa'ad Sawar ni ipo ti o mu awọn Sadristi ti o ni iriri lati inu re, ati pe o ti da "Jaysh al-Mu'ammal" ni Osu Kefa 2016. Awọn akọsilẹ ti so pe ẹgbẹ titun yi gba iranlowo pipẹ lati Nouri al-Maliki, Alakoso Agba Iraki to ku ati oloro Muqtada al-Sadr, ti fun Jaysh al-Mu'ammal ni dola 3 million ti orilẹ-ede Amerika, awọn ọja ti o ni iye $1,5 million, ati iranlowo lati ọpọlọpọ awọn sheikh awọn ẹbi ni Iraki guusu ati apaiwoorun. Sa'ad Sawar gba iranlowo lati Iran ati awọn ẹgbẹ miran ti Ilosiwaju Sadristi, bi Asa'ib Ahl al-Haq.

Since then, Jaysh al-Mu'ammal has been operating in Syria and Iraq, where it has joined the Popular Mobilization Forces as "99th Brigade". By mid-2018, Jaysh al-Mu'ammal was involved in anti-ISIL counter-insurgency operations in Saladin Governorate.

Leyin igba naa, Jaysh al-Mu'ammal ti n gbero ni Syria ati Iraq, nibi ti o ti darapo mo Forces Mobilization Awon eniyan bi "99th Brigade". Ni awon ose 2018, Jaysh al-Mu'ammal je mo ipinnu anti-ISIL counter-insurgency ni Saladin Governorate.

Led by Sa'ad Sawar, Jaysh al-Mu'ammal is headquartered in Sadr City, Baghdad, where it also recruits most of its forces. A number of pro-Nouri al-Maliki elements in central and southern Iraq have also joined the group or at least provide support.

Ti Sa'ad Sawar ba, Jaysh al-Mu'ammal ni ile ise re wa ni Sadr City, Baghdad, nibi ti o si n gba awon omo egbe re tobi jade. Awon oludije Nouri al-Maliki ni ilu agbegbe ati guusu Iraq ti tun da bale se ati be sisa awon egbe tabi be sise fun won.

Unlike Muqtada al-Sadr, who is focused on Iraq, Sa'ad Sawar has emphasized his readiness to provide military support to Shia groups outside of his home country. His group consequently operates in both Iraq as well as Syria, and has also declared its willingness to support the Houthis in the Yemeni Civil War, and to fight with the Bahraini opposition against the Sunni House of Khalifa.

Bẹẹ ni Muqtada al-Sadr ti ń ṣe, ti o ń fojusi lori Iraki, Sa'ad Sawar ti ń ṣe aṣẹjuwe rẹ pe o ti seto lati fun awọn ẹgbẹ Shia lori ayika lọpọlọpọ lori ile rẹ. Ẹgbẹ rẹ ṣaṣẹ ni Iraki ati Syria, ati pe o ti ṣe aṣẹjuwe rẹ pe o ti seto lati fun awọn Houthi ni ogun abẹlẹ ti Yemen, ati lati ṣaja pẹlu awọn ọmọ ogun ti Bahrain lori ẹgbẹ Sunni ti ilẹ Khalifa.

Brian Babylon is an American comedian and radio host from Chicago.. Babylon is a regular panelist on NPR's Wait Wait... Don't Tell Me!, a regular host of The Moth story telling event in Chicago, has appeared on the national broadcast, and is a regular contributor to Chicago Ideas.

Brian Babylon jẹ́ aṣẹṣẹṣẹ Amerika ati oluṣọọri redio lati Chicago. Babylon jẹ́ oludije paneli to lagbara ni NPR's Wait Wait... Don't Tell Me!, oluṣọọri to lagbara ti The Moth ẹ̀ka akọọlẹ ni Chicago, ti fi awọn ipa han ni ifọrọwanilẹnuwo orilẹ-ede, ati pe o jẹ́ oludije to lagbara ni Chicago Ideas.

From 2009 to 2015, he co-hosted "The Morning AMP" radio show on Vocalo with Molly Adams and regularly appeared on WBEZ talk shows. As an actor, he appeared on Inside Amy Schumer. He was also on the production team of Why? with Hannibal Buress. He founded the Bronzeville Comedy Showcase in 2007.

Lati 2009 de 2015, o ti se asefihin "The Morning AMP" iroyin reede lori Vocalo pẹlu Molly Adams ati pe o ti fi igba kan sọ ọrọ lori WBEZ iroyin ọrọ. Bi olorin, o ti fi igba kan sọ ọrọ lori Inside Amy Schumer. Oun naa wa ni ẹgbẹ agbejade ti Why? pẹlu Hannibal Buress. O da Bronzeville Comedy Showcase kalẹ ni 2007.

Mizumaki has a train station on the Kagoshima Main Line, and another on the Fukuhoku Yutaka Line at Higashi-Mizumaki, both operated by Kyushu Railway Company (JR Kyushu).

Mizumaki ni ọdun ẹkun raili kan lori Kagoshima Main Line, ati ọdun ẹkun raili miiran lori Fukuhoku Yutaka Line ni Higashi-Mizumaki, gbogbo wọn ni Kyushu Railway Company (JR Kyushu) ni o n ṣe.

About 3000 years ago, the large Ko-Onga Bay covered the area where the town of Mizumaki now lies. Soil and silt carried by the Onga River gradually built up until a flat plain was built up in the area. People began living and planting rice crops on that ground. Terrible floods continually plagued the area.

Ni ọdun 3000 sẹyin, Ko-Onga Bay ti o tobi gbe agbegbe to wa ni ibi ti ilu Mizumaki wa ni ayé yi. Ilẹ̀ ati silt ti Onga River mu wa ni aṣẹ ni aṣẹ ti o ṣẹgun ni agbegbe naa. Eniyan bẹrẹ si ni ibi naa ati si ṣeto ewa ni ilẹ̀ naa. Ọ̀ṣọ̀ọ̀sẹ̀ ti o buru si ni aṣẹ ni aṣẹ ti o ṣẹgun ni agbegbe naa.

In the year 1889, the village of Mizumaki was formed when nine villages merged. From that time, the population expanded as workers moved in to work in the prosperous coal mines.

Ni ọdun 1889, abule Mizumaki ti dasilẹ nigbati awọn abule mẹsaa ti darapọ mọ. Lati igba naa, alaye ti fọwọsi gẹgẹbi awọn onisẹ ti nmu lati ṣiṣẹ ni awọn ilẹ̀ kọ̀kọ̀rọ̀ ajeji.

Mizumaki was the site of "Japan Coal Mining Company, Onga Coal Mine" which used forced laborers in the mine, particularly Dutch, American and British POWs in World War II. A memorial called "The Memorial Cross " commemorates the allied POWs who died during the war.

Mizumaki ni ibi ti "Japan Coal Mining Company, Onga Coal Mine" ti lo n lo ogunja ninu miina, orisirisi ogunja Dutch, American ati British POWs ni World War II. Ibi ifunni kan ti a n pe ni "The Memorial Cross " ni ifunni fun ogunja POWs ti ku si ogun.

Thomas Francis Zuber (born March 25, 1972) is an American attorney, entrepreneur, and inventor. He is the creator and CEO of LawLoop.com, a cloud computing portal for lawyers, and a Co-Founder and Partner of Zuber Lawler & Del Duca, a bi-coastal law firm headquartered in Los Angeles, California, with additional offices in Chicago, Illinois, New York, New York, Phoenix, Arizona and Silicon Valley, California. He is also known for directing, co-writing, and producing the independent motion picture Little Athens, which was an Official Selection of the 2005 Toronto International Film Festival.

Thomas Francis Zuber (ti a bi ni March 25, 1972) jẹ ọmọ Amerika oníṣe, onísọwọ, ati oníṣẹ́ ọ̀kan. O jẹ oludasile ati CEO ti LawLoop.com, ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka ọ̀fẹ̀ ẹ̀ka

Zuber grew up in Piscataway, New Jersey. He received his M.P.P. from Harvard University, and his J.D. from Columbia Law School, where he was a Harlan Fiske Stone Scholar. He graduated with a B.S. summa cum laude in engineering from Rutgers University. Tom Zuber is admitted to the New York State Bar and the California State Bar.

Zuber dagba ni Piscataway, New Jersey. O gba M.P.P. re lati Harvard University, ati J.D. re lati Columbia Law School, nibi ti o je Harlan Fiske Stone Scholar. O ti gba B.S. summa cum laude ninu engineering lati Rutgers University. Tom Zuber je aye si New York State Bar ati California State Bar.

Zuber began his legal career in the New York office of White & Case in 1999. In 2001, he joined the Los Angeles office of O’Melveny & Myers. Shortly thereafter, Zuber left O’Melveny & Myers to co-found Zuber & Zuber, now Zuber Lawler & Del Duca.

Zuber bẹrẹ iṣẹ rẹ ni ile-iṣẹ White & Case ni New York ni ọdun 1999. Ni ọdun 2001, o darapọ mọ ile-iṣẹ O’Melveny & Myers ni Los Angeles. Lẹhinna, Zuber fọwọ si O’Melveny & Myers lati da Zuber & Zuber silẹ, ti a mọ ni Zuber Lawler & Del Duca lọwọlọwọ.

Zuber created LawLoop.com, a cloud-computing portal for lawyers, with offices in Los Angeles, California. LawLoop.com uses an online business-network platform to integrate front-and-back office software solutions. LawLoop.com operates completely in the cloud, and includes software application services relating to document management, contact management, client management, and matter management, among other services.

Zuber da LawLoop.com silẹ, ẹ̀rọ ayelujara fun awọn agbẹjọro, pẹlu ilé-iṣẹ ni Los Angeles, California. LawLoop.com lo ayelujara ọja-ọja ilẹ-ẹ̀rọ lati ṣe atunṣe awọn ẹ̀rọ ayelujara fun ile-iṣẹ. LawLoop.com n ṣiṣẹ pataki ni ayelujara, ati pe o ni ẹ̀rọ ayelujara fun awọn iṣẹ bili, ibi-iṣẹ, agbẹjọro, ati iṣẹ, laarin awọn iṣẹ miiran.

On January 30, 2012, LawLoop.com launched at LegalTech New York 2012. LawLoop.com’s launch triggered positive responses from major media outlets such as Los Angeles Business Journal, CNNMoney, Yahoo! Finance, and Corporate Counsel. Following the launch at LegalTech, competing among some 600 start-up companies, LawLoop.com won the start-up competition at IT Expo East 2012, which took place in Miami, Florida.

Ojo keta din logun Oṣu Kinni, odun 2012, LawLoop.com bere si aaye ni LegalTech New York 2012. Ibirisi LawLoop.com mu awọn iroyin nla bi Los Angeles Business Journal, CNNMoney, Yahoo! Finance, ati Corporate Counsel. Lẹhin ibirisi ni LegalTech, nigba ti o di ọkan ninu awọn ile-iṣẹ 600 ti o bẹrẹ, LawLoop.com gba ipo keji ninu idije ile-iṣẹ ti o bẹrẹ ni IT Expo East 2012, ti o waye ni Miami, Florida.

Zuber’s inventions relating to LawLoop.com have resulted in over 10 patents and patents pending. On February 7, 2012, Zuber received his first patent relating to LawLoop.com, U.S. Patent No. 8,112,713 B2, relating to a "Method for Providing Alias Folders in a Document Management System."

Iṣẹ́-ọnà ti Zuber ti ń ṣe pẹlu LawLoop.com ti fa igbasilẹ ẹ̀wẹ̀ ọ̀kan lọ́rùn un 10 ati ẹ̀wẹ̀ ọ̀kan lọ́rùn un ti ń dàgbà. Ní Ọjọ́ keje oṣù kejì ọdún 2012, Zuber gba ẹ̀wẹ̀ ọ̀kan lọ́rùn un rẹ̀ àkọ́kọ́ ti ń ṣe pẹlu LawLoop.com, U.S. Patent No. 8,112,713 B2, ti ń ṣe pẹlu "Ọna ti o ṣe pẹlu Alias Folders nínú Ìṣàkóso Àwọn Àṣẹ".

With his brother Jeff Zuber, Zuber co-founded Zuber & Zuber, now Zuber Lawler & Del Duca, in 2003 as a 3rd-year associate with no clients, and served as its Managing Partner for the first 7 years of its history. During his tenure, Zuber managed Zuber Lawler & Del Duca's growth from 2 attorneys working out of a Los Angeles domestic kitchen to over 25 attorneys working in 11 different languages representing clients throughout the world from offices in Los Angeles, California; New York, New York; and San Francisco, California.

Pẹlu arakunrin rẹ Jeff Zuber, Zuber da Zuber & Zuber, ti a mọ̀ sí Zuber Lawler & Del Duca lọwọlọwọ, ni ọdun 2003 gẹgẹ bi ọmọ ẹgbẹ ọdun mẹta ti kọ̀ọ̀kan, o si ṣe olori ọmọ ẹgbẹ rẹ fún ọdun mẹfa akọkọ ti o wa. Nínú ìgbà tó wà, Zuber ṣe aṣojú Zuber Lawler & Del Duca lọ́wọ́ ìdàgbàsókè rẹ̀ láti ọmọ ẹgbẹ méjì tí wọ́n ń ṣiṣẹ́ láti ilé ìgbẹ̀hìn Los Angeles sí ọmọ ẹgbẹ ogójì mẹ́tàlá tí wọ́n ń ṣiṣẹ́ ní èdè kọ̀kan mẹ́tàlá, tí wọ́n sì ń ṣe aṣojú àwọn ọmọ ẹgbẹ láti ayé gbogbo láti ilé-iṣẹ́ wọn ní Los Angeles, California; New York, New York; àti San Francisco, California.

Zuber Lawler & Del Duca currently represents nine of the Fortune 100 companies, and government entities such as the Federal Deposit Insurance Corporation (FDIC). At the end of 2010, Zuber stepped down as Managing Partner to focus more precisely on client service, attorney recruitment and business development, and to serve as CEO of LawLoop.com. Zuber Lawler & Del Duca is now governed by a Management Committee, on which Zuber serves. He continues to chair Zuber Lawler & Del Duca's Recruiting Committee and Business Development Committee.

Zuber Lawler & Del Duca lọwọlọwọ ńṣe aṣojú fún ọgọrun mẹrin mẹrin (9) ninu àwọn ilé-iṣẹ Fortune 100, àti àwọn ẹgbẹ́ ìjọba bíi Federal Deposit Insurance Corporation (FDIC). Níparí ọdún 2010, Zuber fi ipò rẹ̀ sílẹ̀ gẹgẹ bí Olórí Aláṣẹ láti ṣe aṣẹṣe lórí ìṣẹ́ àwọn ọmọ-ẹgbẹ́, àwọn agbẹjọrọ àti ìdàgbàsókè ilé-iṣẹ́, àti láti ṣe gẹgẹ bí CEO LawLoop.com. Zuber Lawler & Del Duca lọwọlọwọ ńṣe aṣẹṣe ní ọwọ́ Kọmiti Ìṣe, èyí tí Zuber ńṣe. Ó tún ńṣe adarí fún Kọmiti Ọmọ-ẹgbẹ́ àti Kọmiti Ìdàgbàsókè ilé-iṣẹ́ Zuber Lawler & Del Duca.