Datasets:
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stringlengths 1
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imagewidth (px) 17
6.26k
| language
stringclasses 3
values | not_before
int16 1.5k
1.91k
| not_after
int16 1.55k
2k
| region_type
stringclasses 10
values | line_type
stringclasses 5
values | writing_type
stringclasses 3
values | shelfmark
stringclasses 74
values | genre
stringclasses 13
values | gen_split
stringclasses 3
values | project
stringclasses 6
values | color
stringclasses 2
values |
---|---|---|---|---|---|---|---|---|---|---|---|---|
PEDRO DE MOYA | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
239. 4. XVIII. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
7. IX. 16 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
239. 3. IV. 1-5 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Heilige | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
ALESSANDRO MORETTO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
10. III. 65 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
7. I. 20 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
49. XVI. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
FRANCIS BOTT | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
6. III. 9 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Allegorie | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
VERONESE BONIFAZIO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
47. IV. 18-21 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Amiet : Winter (1921) | deu | 1,900 | 1,999 | GraphicZone | HeadingLine | printed | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Privathesitz | deu | 1,900 | 1,999 | GraphicZone | HeadingLine | printed | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
FRANCESCO BISSOLO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Marienleben | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
41. XII. 1-6 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
(AT) | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
303. I. 1-30 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
REMBRANDT | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
7. IX. 31-33 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
ANAGNI | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Kathedrale | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Dommuseum | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
302. 1. IV. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
HUBERT VAN RAVENSTEYN | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Ohne Mappe | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
MAX HUNZIKER | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
174. XXI. 1-2 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
46. III. 1-10 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
GIOVANNI ANTONIO BOLTRAFFIO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Marienleben | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Kartause | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Kircheninneres Ausstattung | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
ITTINGEN | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
175. XIX. 1-12 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
JOHANNES ILMARI | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Ohne Mappe | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
174. 1. VI. 1-3 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
50. VII. 1-6 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Maria mit Kind und | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Krönenden Engeln | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Maria / Marienleben | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
SANDRO BOTTICELLI | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Bilnisse | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
JAN MOSTAERT | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
239. 4. XVI. 1-3 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
GIOVANNI DI BERTUCCIO BONO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
48. III. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
10. III. 54 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
302. 1. VII. 1-8 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
FERDINAND V RAYSKI | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
239. 4. XV. 5 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
9. VIII. 6 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
11. II. 5 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Kirchen | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
S. Petronio | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
BOLOOGNA | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
11. V. 20-36 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Inneres | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
(Teil 2/3) | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
(ohne Mappe) | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
45. V. 9-17 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
BOLOGNA | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Poläste | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Köln | deu | 1,900 | 1,999 | MarginTextZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
645 | deu | 1,900 | 1,999 | MarginTextZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Jan Mostaert | deu | 1,900 | 1,999 | MarginTextZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
239. 4. XV. 4 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
JOHANNES BOSBOOM | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
49. XI. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
302. VI. 1-13 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
RAVENNA | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Mausoleum von Galla Placidia | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
vom Rahmen des Altars | deu | 1,900 | 1,999 | GraphicZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Musizierender Engel | deu | 1,900 | 1,999 | GraphicZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
der Linaioli. | deu | 1,900 | 1,999 | GraphicZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
10. III. 31 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
42. 1. IX. 40-42 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Oohne Mappe | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
ADED REALNI | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Kaphe eagli Sal. Tiatik | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
173. XXI. 1 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
WERNER V. HOWALD | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Ohne Mappe | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
302. 2. VII. 1-4 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
REICHENAU | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
10. III. 35 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Rechtes Aussenbild der Predella vom Altar der Linaioli | deu | 1,900 | 1,999 | MarginTextZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Altar der hl. Dreifaltigheit (Detail) | deu | 1,900 | 1,999 | MarginTextZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
10. III. 9 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Frankfurt | deu | 1,900 | 1,999 | GraphicZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Moretto | deu | 1,900 | 1,999 | GraphicZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
Museum + Dom | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
302. 1. VIII. 1-2 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
MÜNSTER I. W. | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
FRA ANGELICO | deu | 1,900 | 1,999 | TitlePageZone | HeadingLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
|
11. I. 15-20 | deu | 1,900 | 1,999 | NumberingZone | DefaultLine | handwritten | Zurich, Kunsthistorisches Institut Archive, nobs 1 | documents of practice | train | FoNDUE HTR | True |
Dataset Card for CATMuS Modern and Contemporary (McCATMuS)
Join our Discord to ask questions about the dataset:
Dataset Details
Handwritten Text Recognition (HTR) has emerged as a crucial tool for converting manuscripts images into machine-readable formats, enabling researchers and scholars to analyze vast collections efficiently. Despite significant technological progress, establishing consistent ground truth across projects for HTR tasks, particularly for complex and heterogeneous historical sources, remains nonetheless challenging.
We introduce the Consistent Approaches to Transcribing Manuscripts (CATMuS) dataset for modern and contemporary manuscripts (McCATMuS), which offers:
- a uniform framework framework for annotating modern and contemporary manuscripts;
- a benchmarking environment for evaluating automatic text recognition models across multiple dimensions, enriched with metadata such as century, language, and writing technique;
- a benchmarking environment for additional tasks like script classification and dating approaches;
- a benchmarking environment for exploratory work in computer vision and digital paleography, particularly for line-based tasks including generative approaches.
Built upon datasets from institutions and projects committed to Open Science, McCATMuS provides an interoperable dataset encompassing over 180 manuscripts in 8 different languages. It includes more than 118,000 lines of text and nearly 4 million characters, covering a period from the early 16th century to the present day.
All the datasets were automatically or, when precised, manually corrected to correspond to the CATMuS guidelines, available here: https://catmus-guidelines.github.io/
Train
Writing Type | Total Count | Languages and Counts |
---|---|---|
Handwritten | 71296 | French: 65844, Spanish: 2864, German: 1940, English: 390, Italian: 258 |
Printed | 34684 | French: 30376, Middle French: 1873, Latin: 1592, Italian: 266, Occitan: 258, German: 174, English: 85, Spanish: 60 |
Typewritten | 298 | English: 298 |
Validation
Writing Type | Total Count | Languages and Counts |
---|---|---|
Handwritten | 3833 | French: 3662, Spanish: 149, English: 21, German: 1 |
Printed | 1825 | French: 1608, Middle French: 115, Latin: 82, Occitan: 12, Spanish: 4, English: 3, German: 1 |
Typewritten | 18 | English: 18 |
Test
Writing Type | Total Count | Languages and Counts |
---|---|---|
Handwritten | 3898 | French: 3724, Spanish: 152, English: 21, German: 1 |
Printed | 1760 | French: 1546, Middle French: 115, Latin: 82, Occitan: 12, English: 3, Spanish: 1, German: 1 |
Typewritten | 18 | English: 18 |
Uses
Direct Use
- Handwritten Text Recognition
- Date classification
- Script classification
Out-of-Scope Use
- Text-To-Image
Dataset Structure
- Data contains the main
split
that can be loaded throughload_dataset("CATMuS/modern")
- Data can also be split with each manuscript represented in train, val and test using the
gen_split
columns which roughly results in a 90/5/5 split - The image is in the
im
column, and the text in thetext
column - Each text line is dated with the combination of
not_before
andnot_after
, the precision of the dating can very greatly depending on the available metadata - Each text line is associated to a
genre
, awriting_type
(printed, handwritten or typewritten), aregion_type
and aline_type
following SegmOnto's vocabulary, ashelfmark
identifying the documents from which the text line is extracted, and aproject
identifying the project having produced the original dataset. - When
shelfmark
contains "nobs", it means that the documents are not associated to any known shelfmark, the shelfmark in these cells was thus created for the purpose of this metadataset.
Annotations
Annotation process
The annotations in this dataset result:
- for layout extraction, line extraction, typing and transcription, from the original creators of the dataset in most cases, or from automatic or manual corrections by the curator of the CATMuS modern dataset,
- for the rest of the metadata, from automatic or manual collection of the metadata by the curator of the CATMuS modern dataset.
The metadata where set generally set at document level.
The values inregion_type
and line_type
are, as much as possible, conformant with the SegmOnto vocabulary.
The values in writing_type
and genre
follow a vocabulary set for this dataset:
- possible values in
writing_type
are:handwritten
,printed
ortypewritten
. - possible values in
genre
are:document of practice
,drama
,narratives
,epistolary
,treaties
,poetry
. There can be multiple values, in which case they are separated by semi-colons.
The detail of the annotation rules applied for the transcription of the text can be found at https://catmus-guidelines.github.io/.
Who are the annotators?
This list includes all the annotators identified by the producers of the datasets gathered in McCATMuS dataset.
Collecting the names of the authors and annotators of datasets can be combersome. If you think your name was mistakenly added to the list below or if your name is missing, please accept our apologies and do get in touch!
- Chagué, Alix
- Clérice, Thibault
- Gabay, Simon
- Pinche, Ariane
- Carrow, Jennifer
- Albert, Anaïs
- Bey, Laura
- Champougny, Kevin
- Charbonnier, Pauline
- Chiaretti, Alessandro
- Christensen, Kelly
- Cicchini, Marco
- Clavaud, Florence
- Davoury, Baudoin
- de Champs, Emmanuelle
- Dechavanne, Sylvie
- Denis, Nathalie
- Doat, Soline
- Dubourg Glatigny, Pascal
- Durand, Marc
- Elsa, Falcoz
- Fabert, Eliott
- Faure, Margaux
- Genero, Jean-Damien
- Guimarães, Ingrid
- Humeau, Maxime
- Jacsont, Pauline Jahan, Claire
- Jaureguy, Yvan
- Le Fourner, Victoria
- Limon-Bonnet, Marie-Françoise
- Martini, Manuela
- Maurel, Perrine
- Mazoue, Anais
- Meissel, Nina
- Mikhalchuk, Anna
- Nahon, Peter
- Norindr, Jade
- Nougaret, Christine
- Ozturk, Yagmur
- Paupe, Elodie
- Pérez, Gilles
- Rebetez, Jean-Claude
- Riondet, Charles
- Rostaing, Aurélia
- Skilbeck-Gaborit, Eden
- Van Kote, Elsa
- Vanneau, Laurie
- Vlachou-Efstathiou, Malamatenia
- Weddigen, Tristan
- Wojszvzyk, Elise
- ALemoine
- ASJPeronneau
- Alcofrybas
- BeaLct
- CLbt
- Chloelsa
- DMichel
- Desauthieux
- EPerrin
- EdChamps
- GBMireille
- GPINET
- Genea78
- JMGoux
- Jideuxhemme
- LBIsabelle
- Lamotte
- MFGarreau
- MIna
- Maniet
- MarionJo
- PGambette
- PPocard
- PROMBAUT
- PaulineTest
- SCayeux
- SL.
- SLespinasse
- Silver08
- TPellé
- Valérie
- alp
- jmorvan
- lelia
- majubama
- mickael.lefevr
- sgauthier
Software
The software used to generate this version of the dataset was built by Thibault Clérice and Alix Chagué.
Reused datasets
All the datasets reused to create the CATMuS Modern and Contemporary dataset are listed below along with the version we used. They can also be found in the Zotero group dedicated to this metadataset.
- Chagué, A. (2023). Moonshines (v2.0.2) [Dataset]. https://github.com/alix-tz/moonshines
- Chagué, A., Champougny, K., Meissel, N., Genero, J.-D., Skilbeck-Gaborit, E., Vanneau, L., Bey, L., Le Fourner, V., Albert, A., Riondet, C., & Martini, M. (2022). Time Us Corpus (v0.0.3) [Dataset]. https://doi.org/10.5281/zenodo.6230755
- Chagué, A., Clérice, T., Mazoue, A., & Van Kote, E. (2024). CREMMA-AN-TestamentDePoilus (v1.0.2) [Dataset]. https://doi.org/10.5281/zenodo.10177106
- Chagué, A., Clérice, T., & Van Kote, E. (2023). CREMMA WIKIPEDIA (v1.0.4) [Dataset]. https://doi.org/10.5281/zenodo.10666988
- Chagué, A., & Pérez, G. (2023). Peraire Ground Truth (v2.1.0) [Dataset]. https://doi.org/10.5281/zenodo.7185907
- Clérice, T. (2021). CREMMA Early Modern Books (v0.0.1) [Dataset]. https://doi.org/10.5281/zenodo.5235144
- Clérice, T., Chagué, A., Davoury, B., Doat, S., Faure, M., & Humeau, M. (2022). CREMMA-MSS-19 (v1.0.0) [Dataset]. HTR United. https://github.com/HTR-United/CREMMA-MSS-19
- Clérice, T., Chagué, A., Davoury, B., Faure, M., Mazoue, A., & Norindr, J. (2022). CREMMA-MSS-17 (v1.0.0) [Dataset]. HTR United. https://github.com/HTR-United/CREMMA-MSS-17
- Clérice, T., Chagué, A., & Doat, S. (2021). CREMMA-MSS-20 (v1.0.0) [Dataset]. HTR United. https://github.com/HTR-United/CREMMA-MSS-20 (Original work published 2021)
- Gabay, S., Paupe, E., & Rebetez, J.-C. (2024). FoNDUE-FR-MSS-17 (v1.0.0) [Dataset]. https://github.com/FoNDUE-HTR/FONDUE-FR-MSS-17
- Gabay, S., Nahon, P., Cicchini, M., Jaureguy, Y., & Chappuis, L. (2023). FoNDUE-FR-MSS-18 (Version 1.0) [Data set]. https://github.com/FoNDUE-HTR/FONDUE-FR-MSS-18
- Gabay, S., Pinche, A., Fabert, E., & Christensen, K. (2024). Imprimés du 18e siècle (Gallicorpora) (v0.0.17) [Dataset]. https://github.com/Gallicorpora/HTR-imprime-18e-siecle
- Gabay, S., Pinche, A., Fabert, E., Vlachou-Efstathiou, M., Humeau, M., & Christensen, K. (2023). Imprimés du 17e siècle (Gallicorpora) (v0.0.46) [Dataset]. https://github.com/Gallicorpora/HTR-imprime-17e-siecle
- Guimarães, I., Maurel, P., Ozturk, Y., Chagué, A., & Clérice, T. (2022). Memorials for Jane Lathrop Stanford (v1.0 (corrected)) [Dataset]. https://doi.org/10.5281/zenodo.6126625
- Humeau, M., & Chiaretti, A. (2022). AraucaniaCorpus [Dataset]. Araucania Project. https://github.com/Proyecto-Ocupacion-Araucania-UChile/HTR_Araucania_XIX
- Jacsont, P., Simon, G., & Weddigen, T. (2023). FoNDUE for the Heinrich Wölfflin Fotosammlung of the Kunsthistorisches Institut UZH (v1.0) [Dataset]. https://github.com/FoNDUE-HTR/FoNDUE_Wolfflin_Fotosammlung
- Jahan, C., & Gabay, S. (2021). OCR17+—Layout analysis and text recognition for 17th c. French prints (v1.0) [Dataset]. https://github.com/e-ditiones/OCR17plus
- Limon-Bonnet, M.-F., Chagué, A., & Rostaing, A. (2024). Notaires de Paris—Bronod (Lectaurep) (v1.0) [Dataset]. https://doi.org/10.5281/zenodo.10631356
- Norindr, J., Clérice, T., & Chagué, A. (2023). HTRomance—Modern (v0.0.3) [Dataset]. https://github.com/HTRomance-Project/modern-roman-languages
- Rostaing, A., Denis, N., & Chagué, A. (2024). Notaires de Paris—Mariages et Divorces (Lectaurep) (v2.0) [Dataset]. https://doi.org/10.5281/zenodo.10632594
- Rostaing, A., Durand, M., & Chagué, A. (2021). Notaires de Paris—Répertoires (Lectaurep) (v2.0.0) [Dataset]. https://doi.org/10.5072/zenodo.977691
- Van Kote, E., Faure, M., Norindr, J., Clérice, T., & Chagué, A. (2024). CREMMA-MSS-18 (v0.0.1) [Dataset]. https://github.com/HTR-United/CREMMA-MSS-18
Bias, Risks, and Limitations
The data is skewed toward French which is overly represented in the current version of the dataset.
No language is represented over all centuries and all writing type, but French has the better coverage for handwritten text lines.
Only one document is available in Spanish. Occitan is only represented in printed lines.
Since the metadata were set at document level, some lines may incorrectly be set to handwritten
when they are in fact printed
, and inversely. Further versions of the dataset will aim to reduce this phenomenon.
Citation
TBD
Information on the creation process for this dataset can be found in several blog posts: https://alix-tz.github.io/phd/categories/catmus/
Dataset Card Contact
Alix Chagué ([email protected])
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